悲喜同源:陈其钢作品专场音乐会

  • 2022年11月20日 星期日 19:30
  • 购票指南中山公园音乐堂

导赏 这是中国爱乐乐团连续第二年举行陈其钢作品专场音乐会。音乐会从2006年创作的《走西口》,开始,此曲是陈其钢离开纸笔、用电脑作曲的第一部作品。他本人认为。使用新工具在一定程度上改变了他的创作思维,使得音响效采更为粗砺奔放。作品借助在中国家喻户晓的西北民歌旋律“走西口”来表达人在异乡的复杂心理,实际上他多年旅居海外的内心写照。小号协奏曲《万年欢》2013年创作完成,2014年由中国爱乐乐团携手小号演奏家艾莉森·巴尔松在伦敦BBC逍遥音乐节首演,可以说这部作品本身就与中国爱乐乐团有着特殊的关联,作品的标题与旋律均源自昆曲曲牌《万年欢》,作曲家将这个曲牌中的几个核心旋律用作整部协奏曲的基调,陈其钢深厚的中国传统文化积淀与艺术想象力让这部协奏曲光芒四射。音乐会的下半场,听众将欣赏到陈其钢的《水调歌头》,这是一首为男中音与室内乐队所作的乐曲,也是一部极具代表性的现代这个室内乐作品,作曲家为了将中国文化意境注入室内乐的音乐语言煞费苦心,再加上歌唱家沈洋的演唱,定会令人大饱耳福。小提琴协奏曲《悲喜同源》自从在上海艾萨克·斯特恩小提琴比赛上首演以来一直广受听众喜爱,也经常出现在中国爱乐乐团音乐季与巡演曲目中。不过在这场音乐会上,听众将欣赏到的是作曲家为二胡与交响乐团全新改编的版本,且听民族乐器独特的音色与技法将为这部当代经典注入何种新鲜活力。


悲喜同源:陈其钢作品专场音乐会

The Joy of Suffering: An Homage to the Art of Qigang Chen


陈其钢:走西口

陈其钢:小号协奏曲“万年欢”

陈其钢:水调歌头

陈其钢:二胡协奏曲“悲喜同源”


小号:杨洵霁

男中音:杨小勇

二胡:陆轶文

指挥:黄屹


小号:杨洵霁


男中音:杨小勇

杨小勇,著名男中音歌唱家,歌剧表演艺术家,国家一级演员,浙江音乐学院特聘教授,硕士生导师。

88年曾以学者身份访问美国并主演歌剧《汉斯与格蕾特》。曾在《茶花女》《阿依达》《卡门》《奥赛罗》《阿蒂拉》《蝙蝠》《风流寡妇》《波希米亚人》《屈原》《西施》《楚霸王》《冰山上的来客》《一江春水》《沂蒙山》《蝶》《红船》《半条红军被》等40余部中外歌剧和音乐剧中担任主要角色。

多次在《贝九》《布兰诗歌》《黄河大合唱》中担任独唱;多次在北京上海成都等地成功举办独唱音乐会。

曾获白玉兰戏剧表演奖和中国歌剧节优秀表演奖。德国权威杂志《歌剧望远镜》(Opernglas)评价他在《奥赛罗》中扮演的亚戈:杨小勇拥有威尔第男中音的真实音色:低音稳健扎实、中音浑厚有力、高音不仅具有出色的延展性,还能将音乐律动与色彩上的微小差异展现得淋漓尽致。不仅如此,杨小勇还向我们证实了他极富感染力的表演及出色的歌词表达,在复仇二重唱中,他更是为我们呈上了一个在皮耶罗.卡普契利(Piero Cappuccilli)时代后十分罕有的高音A;北京媒体评价他在歌剧《阿蒂拉》中的表现:他的音乐性和声音色彩竟然盖住普雷斯蒂亚(阿蒂拉扮演者,意大利著名男低音),漂亮充满戏剧性的声音光彩夺目,威尔第式线条浓厚绵长,味道纯正。


二胡:陆轶文

陆轶文,二胡演奏家,上海音乐学院青年二胡教师,中国民族管弦乐协会二胡学会理事,中国音乐最高奖——金钟奖与文华奖的双金奖获得者。自幼就读于上海音乐学院附小直至上音硕士毕业,先后师从刘捷、陈春园教授以及二胡大师闵惠芬。作为二胡艺术领域极具演奏实力和发展潜力的青年领军人物之一,她于2014年荣获CCTV“中国新十大二胡演奏家”称号,2018年被评为“2016-2017中国民族音乐年度新人”,2019年入选“上海青年文艺家”计划,同年荣获国家艺术基金项⽬资助,成功举办《中国旋律——二胡与交响乐的对话》个⼈协奏曲专场音乐会。近年来,陆轶文以独奏家身份活跃于国内外音乐舞台,频繁与国内外一线乐团、室内乐团体和独奏家合作,演出足迹遍布美洲、欧洲、亚洲、非洲、南极洲等数十个国家和地区,获得各界高度赞誉,如潮好评。她的演奏技艺精湛、音乐表现自然流畅,舞台感染力强,具有其独特的艺术魅力,且擅于驾驭不同题材与体裁的作品。在其弓弦之间不仅能深刻感受到中国传统音乐演奏技法与情愫传递,更能听到包括她自己创作与改编的许多当代二胡新作,品味传统与现代的交融。2018年起,受邀担任世界顶级琴弦品牌Thomastik-Infeld以及世界顶级琴盒品牌Bam的全球二胡产品形象代言人。


指挥:黄屹

当今国际古典乐坛备受瞩目的著名指挥家,现任中国爱乐乐团常任指挥,昆明聂耳交响乐团艺术总监兼首席指挥,中央芭蕾舞团首席客席指挥。

黄屹近年合作过的国内外著名乐团包括德国柏林音乐厅管弦乐团、德国法兰克福交响乐团、德国勃兰登堡交响乐团、德国新勃兰登堡交响乐团、小泽征尔音乐塾管弦乐团、韩国釜山爱乐乐团、中央歌剧院交响乐团、上海交响乐团、广州交响乐团、深圳交响乐团、杭州爱乐乐团、贵阳交响乐团、青岛交响乐团等。他也曾与歌唱家戴玉强、廖昌永、魏松、莫华伦、张立萍、袁晨野、梁宁、张建一、沈洋、王传越、宋元明,以及器乐演奏家吕思清、宁峰、秦立巍、张昊辰、奥斯丁·杜梅、艾丽森·巴尔松、安德烈·奥腾萨默、黄蒙拉、文薇、王之炅、杨雪霏等成功合作。

2012年,经著名指挥大师余隆的大力推荐黄屹执棒中国爱乐乐团,在第15届北京国际音乐节成功上演出歌剧《原野》,完成职业生涯的歌剧首秀。2013年黄屹作为著名指挥家克里斯蒂安·蒂勒曼(Christian Thielemann)及古斯塔夫·库恩(Gustav Kuhn)的助理指挥,参与萨尔茨堡复活节音乐节歌剧及第16届北京国际音乐节瓦格纳歌剧《帕西法尔》的排练及演出。

2015年黄屹执棒上海交响乐团演出上海夏季音乐节闭幕音乐会,成功完成了《乒乓协奏曲》世界首演。同年,受聘担任中央音乐学院指挥系教师。2019年黄屹执棒中央电视台新年音乐会,并于同年10月1日在中华人民共和国成立70周年天安门广场的大型群众联欢演出中,作为四位指挥家之一执棒千人交响乐团。

黄屹先后毕业于中央音乐学院及柏林汉斯·艾斯勒音乐学院。2006年,黄屹以优异的成绩考入中央音乐学院指挥系,师从杨力教授,2007年起师从中央音乐学院院长,著名指挥家俞峰教授。2009年,经世界著名指挥大师小泽征尔的亲自选拔,成为其助理指挥。2010年,黄屹以优异的成绩被中央音乐学院指挥系保送继续研究生学习。2011年黄屹以专业第一名考入德国柏林音乐学院(Hochschule für Musik "Hanns Eisler"),师从交响乐教授克里斯蒂安·艾华德(Christian Ehwald)及歌剧教授汉斯迪特·鲍姆( Hans-Dieter Baum ),后于2017年成为指挥系助教。

黄屹是世界著名古典音乐经纪公司Askonas Holt签约艺术家。



Qigang CHEN: L’Éloignement

Qigang CHEN: Concerto for Trumpet & Orchestra “Joie Eternelle”

Qigang CHEN: Poème Lyrique II

Qigang CHEN: La joie de la souffrance, for Erhu and Orchestra


YANG Xunji, trumpet

Yang Xiaoyong, baritone

LU Yiwen, erhu

HUANG Yi, conductor


Yang Xiaoyong, baritone

Yang Xiaoyong is a renowned Chinese operatic baritone, National First-Class Actor, Professor, Master Supervisor of Zhejiang Conservatory of Music and Visiting Professor. 

In 1988, Yang visited the U.S. and performed in Hansel and Gretel. He's played leading roles in more than forty  Chinese and foreign Operas, including The Lady of the Camellias,  Aida,  Carmen, Otello, Die Fledermaus, Die Lustige Witwe, La Boheme, Qu Yuang . Xi Shi..The King of Chu .Yimeng shan, The Wager and The Red Boat.

Yang has sung the solos in Symphony No.9,  Carmina Burana and The Yellow River Cantata, and has successfully held solo concerts in cities like Shanghai and Beijing.

Yang has won the Shanghai Magnolia Stage Performance Award and the Chinese Opera Festival Outstanding Performance Award. German professional opera magazine Opernglas said his performance as Iago in Otello had the authentic quality of a Verdi Baritone singer. His singing had solidity, power, and subtlety. Not only that, he proved to have outstanding acting ability and lyric delivery. In Si, pel ciel, he shocked us with a High A that was rarely heard after Piero Cappuccilli's era. Beijing's media wrote about his performance in Attila, saying that his timbre has surpassed Giacomo Prestia. His beautiful and dramatic voice dominated the stage. It's the authentic Verdi lineage.


Huang Yi, conductor

As one of the most exciting Chinese conductors in the world, Mr. Huang Yi

is currently the Principal Conductor of the China Philharmonic Orchestra, the Artistic Director and Chief Conductor of Kunming Nie’er Symphony Orchestra and the Principal guest Conductor of National Ballet of China Symphony Orchestra.

Huang Yi was born in 1986 into a family of musicians in Beijing. Musical education in his early childhood came from his father Huang He, a famous music professor, and he later studied at the Central Conservatory with Prof. Yang Li and Yu Feng. After graduation with a top-level grades from bachelor study, as a student recommended for admission, Huang Yi continued his graduate study in the Central Conservatory of Music. From 2011, he continued his study at the Hochschule für Musik "Hanns Eis-ler" Berlin with Prof. Christian Ehwald and Prof. Hans-Dieter Baum. Outstanding music talents and excellent educational background make Huang Yi a rising star in classic music stage. 

Huang Yi’s career started in 2009 as Maestro Seiji Ozawa’s assistant conductor. In the year of 2012, he was recommended by Maestro Long Yu and made his opera debut conducting the China Philharmonic Orchestra at the 15th Beijing Music Festi-val’s new production of Chinese opera The Savage Land. In 2013, as the assistant conductor of Maestro Christian Thielemann, Huang Yi participated in rehearsing and conducting Parsifal at the Salzburg Easter Festival. In the same year, he assisted Maestro Gustav Kuhn in rehearsing and conducting Parsifal’s Chinese premiere at the 16th Beijing Music Festival. Two years later, Huang Yi conducting Shanghai Sym-phony Orchestra performed successfully Ping Pang Concerto’s world premiere in MISA’s closing concert. 

Huang Yi becomes the assistant conductor of the China Philharmonic Orchestra since 2015, meanwhile joining the conducting faculty of China’s Central Conservatory of Music. In the next year, he became the Artistic director and Chief Conductor of Kun-ming Nie’er Symphony Orchestra. He was soon invited to be assistant professor at Hochschule für Musik "Hanns Eisler” Berlin. Huang Yi is the Principal Conductor of the China Philharmonic Orchestra and the Chief Conductor of National Ballet of Chi-na Symphony Orchestra since January of 2019. 

Mr. Huang has successfully conducted Konzerthausorchester Berlin, Frankfurt Sym-phony Orchestra, Brandenburg Symphony Orchestra, New Brandenburg Symphony Orchestra, Seiji Ozawa Ongaku-Juku Symphony Orchestra, Busan Philharmonic Or-chestra of Korea, China Central Opera House Symphony Orchestra,China National Opera and Dance Drama Theater Symphony Orchestra, Shanghai Symphony Orches-tra, Guangzhou Symphony Orchestra, Shenzhen Symphony Orchestra, Hangzhou Philharmonic Orchestra, Guiyang Symphony Orchestra,Qingdao Symphony Orches-tra, Shaanxi Philharmonic Orchestra, Fujian Opera and Dance Drama Theater Sym-phony Orchestra, China Youth Symphony Orchestra, Macao Youth Symphony Or-chestra,China Juvenile Symphony Orchestra, China Film Symphony Orchestra, etc. He has collaborated with numerous distinguished soloists including Yuqiang Dai, Changyong Liao, Song Wei, Warren Mok, Liping Zhang, Chenye Yuan, Ning Liang, Jianyi Zhang, Shen Yang, Chuanyue Wang,Yuanming Song,etc. Soloist Augustin Dumay, Alison Balsom, Andreas Ottensamer, Ning Feng, Siqing Lv, Liwei Qin,Haochen Zhang, Mengla Huang,Wei Wen, ZhiJong Wang and Xuefei Yang.

Askonas Holt is Huang Yi’s global management.