世纪回响——黄屹与陈亦柏演绎20世纪名作

  • 2022年04月09日 星期六 19:30
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导赏  出生于2001年的大提琴家陈亦柏近年成为了一颗令人瞩目的新星,2019年他在柴可夫斯基音乐大赛的大提琴比赛上获得第五名,此后开始了作为独奏家的生涯。本场音乐会是他第一次与中国爱乐乐团合作。担任这场音乐会指挥的黄屹对于中国爱乐乐团的观众来说不必过多介绍,而他对二十世纪音乐,特别是伯恩斯坦音乐的深入研究,使得他成为本场音乐会指挥的最佳人选。

在这场音乐会上,听众将欣赏到弗雷德里希·古尔达与伦纳德·伯恩斯坦两位20世纪作曲家的名作。古尔达一生中最重要的身份是钢琴家,他录制的唱片是许多音乐爱好者的收藏品。此外他还是一位钢琴教育家,阿格里奇、阿巴多等都算是他门下的著名弟子。当然,他更因“怪人”的名声在古典音乐世界里为人熟知:古尔达一生蔑视权威,行为乖张,时常在最后一刻更改音乐会曲目,热爱即兴演奏爵士乐等,人们送给他外号“恐怖分子钢琴家”,而他竟然对此毫不介怀。古尔达甚至在1999年“假死”:他从苏黎世机场发出了一封宣告自己去世的传真,就是希望看看新闻界会写出什么样的讣告。难怪这样的音乐家,会写出像他的大提琴与管乐团协奏曲这样风格独特的音乐作品,听众能从中找寻到风格各异的音乐元素,从奥地利乡间的连德勒舞曲到作曲家热爱的爵士节奏应有尽有,这是变革中的20世纪才会产生的乐曲。

同样代表了20世纪的还有伯恩斯坦的《坎迪德》序曲与《西区故事》交响舞曲,前者是一部轻歌剧的序曲,后者则选自作曲家最著名的音乐剧。作为20世纪最杰出的指挥家之一,伯恩斯坦的另一个身份是作曲家。2018年伯恩斯坦百年诞辰时,中国爱乐乐团曾为他举行一系列纪念音乐会,演奏了包括《坎迪德》序曲、小夜曲“会饮篇”与第二交响曲“焦虑的年代”在内的多部经典作品。本场音乐会上的两部作品,前者取材于伏尔泰名著,后者则是莎翁《罗密欧与朱丽叶》的现代演绎,足见伯恩斯坦深厚的文学功底,而他的音乐也是20世纪文化史上的一颗明珠。


世纪回响——黄屹与陈亦柏演绎20世纪名作

Echo of the Century: Huang Yi and Chen Yibai 

Perform 20th Century masterpieces



弗里德里希·古尔达:为大提琴与管乐团所作的协奏曲

伦纳德·伯恩斯坦:《坎迪德》序曲

伦纳德·伯恩斯坦:《西区故事》交响舞曲


大提琴:陈亦柏

指挥:黄屹


大提琴:陈亦柏

“从听到陈亦柏的第一刻起,他就给我留下了深刻的印象。他是一个了不起的天才!”— 丹尼尔·霍普(当代小提琴大师) 

陈亦柏,当今世界乐坛冉冉升起的大提琴新星。他的演奏被描述为“不同凡响”、“完美的技巧下彰显着真诚的情感与细腻的音乐”以及“有个性的声音和真实的舞台呈现”。 

2001年9月生于上海,自幼酷爱音乐,5岁开始由邹旭平教授启蒙学习大提琴,一年后师从刘美娟教授,2010年考入上海音乐学院附小,2014直升上音附中。2017年赴德考取柏林艺术大学,跟随著名德国大提琴家Danjulo Ishizaka(⽯坂団⼗郎)教授学习。目前在瑞士巴塞尔音乐学院跟随Danjulo Ishizaka继续深造。 

2013、2015考取加拿大晨兴音乐桥。2015入选“音乐小天使”优才培育计划,得到汤沐海大师的提携多次与爱乐乐团合作。2016/17年参加德国鲁特斯海姆国际大提琴艺术节,并在闭幕式上与南德Pforzheim室内乐团合作演奏小提琴名曲《流浪者之歌》。2018年,陈亦柏应邀参加波兰“肖邦和他的欧洲”音乐节,在波兰华沙国家大剧院与Amadeus室内乐团和指挥家阿格涅斯卡·杜兹马尔合作演奏了海顿C大调第一号大提琴协奏曲;2019年6月

与德国西南爱乐乐团和指挥家埃卡特·曼克合作演奏普罗科菲耶夫交响协奏曲;同年8月他在南非布鲁克林剧院与豪登爱乐乐团在吉娜·贝克斯的指挥下演奏了海顿D大调第二大提琴协奏曲,9月与Banatul爱乐乐团和指挥尼古拉斯·皮奥瓦尼合作在著名的“乔治·埃奈斯库”音乐节上演出;11月分别在莫斯科“Viva Cello”音乐节开幕式与Danjulo Ishizaka和德国大提琴家Claudio Bohorquez合作演出潘德列茨基为三把大提琴而作的第一号大协奏曲,武汉“琴台”音乐节与 小提琴家宁峰、武汉爱乐乐团在刘鹏指挥下演奏勃拉姆斯a小调二重协奏曲,以及在第四届上海大提琴艺术节上演出。2020-21年与青年钢琴家史博阳多次合作,在捷豹·上海交响乐团音乐厅、凯迪拉克·上海音乐厅、江苏大剧院等地成功举办独奏音乐会。2021年7月受邀在第12届MISA音乐节闭幕式上首次与余隆大师指挥的上海交响乐团合作菲利普·格拉斯第一大提琴协奏曲。 

陈亦柏亦受益于著名大提琴家王健,David Geringas, Jens Peter Maintz, Wolfgang Emanuel Schmid ,Martti Roussi, 秦立巍, Tsuyoshi Tsutsumi, Gabriel Schwabe, Wen-Sinn Yang(杨文信)以及著名小提琴家Daniel Hope和钢琴家Jacques Ammon的指导。 

陈亦柏拥有三项国际大赛荣誉。2018年2月在波兰华沙赢得第十一届维托尔德·卢托斯瓦夫斯基国际大提琴比赛第三名;同年9月在罗马尼亚布加勒斯特获乔治·埃纳斯库国际大提琴比赛第二名;2019年6月在俄罗斯圣彼得堡所举办的第十六届柴科夫斯基国际大提琴比赛获第五名。 

2020年12月,陈亦柏受邀签约成为“上海音乐学院附中驻校青年艺术家”。 

陈亦柏正在使用的是一把于约1780-1800年间制作的约瑟夫·瓜达尼尼大提琴。由德国汉堡基金会“Deutsche Stiftung Musikleben”慷慨赞助使用。


指挥:黄屹

当今国际古典乐坛备受瞩目的著名青年指挥家,现任中国爱乐乐团常任指挥,中央芭蕾舞团交响乐团首席指挥,昆明聂耳交响乐团艺术总监兼首席指挥。

2006年,黄屹以优异的成绩考入中央音乐学院指挥系,师从杨力教授,2007年起师从中央音乐学院院长,著名指挥家俞峰教授。

2009年,经世界著名指挥大师小泽征尔的亲自选拔,成为其助理指挥。

2010年,以优异的成绩被中央音乐学院指挥系保送继续研究生学习。

2011年,以专业第一名考入德国柏林音乐学院(Hochschule für Musik "Hanns Eisler"),师从交响乐教授克里斯蒂安·艾华德(Christian Ehwald)及歌剧教授汉斯迪特·鲍姆( Hans-Dieter Baum )。

2012年,经著名指挥大师余隆的大力推荐,执棒中国爱乐乐团,在第15届北京国际音乐节成功上演出歌剧《原野》,完成职业生涯的歌剧首秀。

2013年,作为世界著名指挥家克里斯蒂安·蒂勒曼(Christian Thielemann)的助理指挥,参与萨尔茨堡复活节音乐节歌剧《帕西法尔》的排练及演出。同年,作为指挥家古斯塔夫·库恩(Gustav Kuhn)的助理指挥,参与排练及演出了第16届北京国际音乐节闭幕音乐会——瓦格纳歌剧《帕西法尔》的中国首演。

2015年,执棒上海交响乐团演出上海夏季音乐节闭幕音乐会,成功完成了《乒乓协奏曲》世界首演。同年,出任中国爱乐乐团助理指挥并受聘担任中央音乐学院指挥系教师。

2016年,出任昆明聂耳交响乐团艺术总监兼首席指挥。

2017年,应邀担任柏林音乐学院(Hochschule für Musik "Hanns Eisler")指挥系助教。

2018年,签约世界著名古典音乐经纪公司Askonas Holt。

2019年,执棒2019中央电视台新年音乐会,并出任中国爱乐乐团常任指挥及中央芭蕾舞团交响乐团首席指挥。

黄屹近年成功执棒德国柏林音乐厅管弦乐团、德国法兰克福交响乐团、德国勃兰登堡交响乐团、德国新勃兰登堡交响乐团、小泽征尔音乐塾管弦乐团、韩国釜山爱乐乐团、中央歌剧院交响乐团、中国歌剧舞剧院交响乐团、香港管弦乐团、上海交响乐团、广州交响乐团、深圳交响乐团、杭州爱乐乐团、贵阳交响乐团、青岛交响乐团、陕西爱乐乐团、福建歌舞剧院交响乐团、中国青年交响乐团、澳门青年交响乐团、中国少年交响乐团、中国广播电影乐团等。与歌唱家戴玉强、廖昌永、魏松、莫华伦、张立萍、袁晨野、梁宁、张建一、沈洋、王传越、宋元明等;演奏家吕思清、宁峰、秦立巍、张昊辰、奥斯丁·杜梅、艾丽森·巴尔松、安德烈·奥腾萨默、黄蒙拉、文薇、王之炅、杨雪霏等成功合作。



Friedrich GULDA: Concerto for Violoncello and Wind Orchestra

Leonard BERNSTEIN: Overture to Candide

Leonard BERNSTEIN: Symphonic Dances from West Side Story


CHEN Yibai, violoncello

HUANG Yi, conductor


CHEN Yibai, violoncello

“Yibai Chen impressed me enormously from the first moment I heard him. He is a tremendous talent!” (Daniel Hope) 

Prize winner of three international cello competitions, Yibai Chen is emerging as one of the most promising cellists of his generation. His playing has been described as “nothing short of remarkable”, “a flawless technique yet displaying sincere tenderness and sensitivity” and “a personal sound and true stage presence”. 

In 2012 Chen was invited by the University of Cambridge to give a performance. In 2013 and 2015 he has participated in Morningside Music Bridge, an International music program presented by Mount Royal University in Canada. In 2016 he participated in a masterclass given by Wolfgang Emanuel Schmidt at Cello Akademie Rutesheim and he was chosen to 

perform Sarasate 'Zigeunerweisen' with Südwestdeutsches Kammerorchester Pforzheim at the closing concert of the festival. In his early time, he performed many times with Shanghai Philharmonic Orchestra under the baton of Maestro Muhai Tang. 

In 2018, Chen was invited to perform at a music festival in Poland, “Chopin and his Europe”. He performed Haydn’s C major Cello Concerto with Amadeus Chamber Orchestra under the baton of Agnieszka Duczmal at the Polish National Opera in Warsaw. In 2019 June he performed Prokofiev’s Sinfonia Concertante with Südwestdeutsche Philharmonie Konstanz directed by Eckart Manke. In August he performed Haydn’s D major Cello Concerto at Brooklyn Theatre in South-Africa with Gauteng Philharmonic Orchestra under the baton of Gina Beukes and was immediately invited back to perform with Cape Town Philharmonic and to give a recital in Pretoria. In September he was invited to play at the renowned “George Enescu Festival” with Banatul Philharmonic Orchestra directed by Nicolas Piovani. In November at the opening concert of "Viva Cello” festival in Moscow, he performed Penderecki’s Concerto Grosso No.1 with Danjulo Ishizaka and German cellist Claudio Bohorquez with Russian Philharmonic Orchestra directed by Maciej Tworek. In the same month he performed Brahms Double Concerto with violinist Ning Feng and Wuhan Philharmonic Orchestra under the baton of Liu Peng; he has given performances at the 4th International Shanghai Cello Festival. During 2020-21, Chen has collaborated often with pianist Boyang Shi and played recitals in Jaguar·Shanghai Symphony Orchestra Concert Hall, Cadillac·Shanghai Concert Hall, Jiangsu Grand Theatre etc. In July 2021, he was invited to play Philip Glass Cello Concerto No.1 as his debut with Shanghai Symphony Orchestra directed by Maestro Long Yu at the closing concert of the 12th “MISA” Music Festival. 

Chen was born in 2001 and embarked on his cello career since he was five years old and has been trained under Professor Meijuan Liu in Music Middle School Affiliated To Shanghai Conservatory Of Music until the end of 2016. In 2017 he moved to Berlin to study with Professor Danjulo Ishizaka at the University of the Arts Berlin. Currently Chen continues his studies with Prof. Ishizaka at the University of Music Basel. He has took part in masterclasses given by David Geringas, Jens Peter Maintz, Jian Wang, Martti Rousi, Liwei Qin, Tsuyoshi Tsutsumi, Gabriel Schwabe, Wen-Sinn Yang; violinist Daniel Hope and pianist Jacques Ammon. 

Chen holds three International awards. In February 2018 he has won the third prize in 11th Lutoslawski International Cello Competition in Warsaw. In September of the same year he has won the second prize in 60th Enescu International Cello Competition (Festival) in Bucharest. In June 2019 he has won the fifth prize in 16th Tchaikovsky International Cello 

competition in Saint Petersburg. 

In 2020 December, Chen has been invited to sign as “Young Artist in Residence at Music Middle School Affiliated To Shanghai Conservatory Of Music”. 

Chen is playing on a cello by Joseph Guadagnini ca .1780-1800 on loan of German Foundation “Deutsche Stiftung Musikleben Hamburg”.


HUANG Yi, conductor

As one of the most exciting Chinese conductors in the world, Mr. Huang Yi

is currently the Principal Conductor of the China Philharmonic Orchestra, the Chief Conductor of National Ballet of China Symphony Orchestra and the Artistic Director and Chief Conductor of Kunming Nie’er Symphony Orchestra. 

Huang Yi was born in 1986 into a family of musicians in Beijing. Musical education in his early childhood came from his father Huang He, a famous music professor, and he later studied at the Central Conservatory with Prof. Yang Li and Yu Feng. After graduation with a top-level grades from bachelor study, as a student recommended for admission, Huang Yi continued his graduate study in the Central Conservatory of Music. From 2011, he continued his study at the Hochschule für Musik "Hanns Eis-ler" Berlin with Prof. Christian Ehwald and Prof. Hans-Dieter Baum. Outstanding music talents and excellent educational background make Huang Yi a rising star in classic music stage. 

Huang Yi’s career started in 2009 as Maestro Seiji Ozawa’s assistant conductor. In the year of 2012, he was recommended by Maestro Long Yu and made his opera debut conducting the China Philharmonic Orchestra at the 15th Beijing Music Festi-val’s new production of Chinese opera The Savage Land. In 2013, as the assistant conductor of Maestro Christian Thielemann, Huang Yi participated in rehearsing and conducting Parsifal at the Salzburg Easter Festival. In the same year, he assisted Maestro Gustav Kuhn in rehearsing and conducting Parsifal’s Chinese premiere at the 16th Beijing Music Festival. Two years later, Huang Yi conducting Shanghai Sym-phony Orchestra performed successfully Ping Pang Concerto’s world premiere in MISA’s closing concert. 

Huang Yi becomes the assistant conductor of the China Philharmonic Orchestra since 2015, meanwhile joining the conducting faculty of China’s Central Conservatory of Music. In the next year, he became the Artistic director and Chief Conductor of Kun-ming Nie’er Symphony Orchestra. He was soon invited to be assistant professor at Hochschule für Musik "Hanns Eisler” Berlin. Huang Yi is the Principle Conductor of the China Philharmonic Orchestra and the Chief Conductor of National Ballet of Chi-na Symphony Orchestra since January of 2019. 

Mr. Huang has successfully conducted Konzerthausorchester Berlin, Frankfurt Sym-phony Orchestra, Brandenburg Symphony Orchestra, New Brandenburg Symphony Orchestra, Seiji Ozawa Ongaku-Juku Symphony Orchestra, Busan Philharmonic Or-chestra of Korea, China Central Opera House Symphony Orchestra,China National Opera and Dance Drama Theater Symphony Orchestra, Hong Kong Philharmonic Or-chestra, Shanghai Symphony Orchestra, Guangzhou Symphony Orchestra, Shenzhen Symphony Orchestra, Hangzhou Philharmonic Orchestra, Guiyang Symphony Or-chestra,Qingdao Symphony Orchestra, Shaanxi Philharmonic Orchestra, Fujian Opera and Dance Drama Theater Symphony Orchestra, China Youth Symphony Orchestra, Macao Youth Symphony Orchestra,China Juvenile Symphony Orchestra, China Film Symphony Orchestra, etc. He has collaborated with numerous distinguished soloists including Yuqiang Dai, Changyong Liao, Song Wei, Warren Mok, Liping Zhang, Chenye Yuan, Ning Liang, Jianyi Zhang, Shen Yang, Chuanyue Wang,Yuanming Song,etc. Soloist Augustin Dumay, Alison Balsom, Andreas Ottensamer, Ning Feng, Siqing Lv, Liwei Qin,Haochen Zhang, Mengla Huang,Wei Wen, ZhiJong Wang and Xuefei Yang.

Askonas Holt is Huang Yi’s global management.