纪念古斯塔夫·马勒逝世110周年系列音乐会之一 暨纪念丁善德诞辰110周年音乐会

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导赏  爱与死是艺术的永恒主题,马勒著名的《第五交响曲》也不例外,尤其是第四乐章的“小柔板”,有人在其中听到死亡,有人听到爱情。《第五交响曲》中贯穿着马勒对生与死的思考,与前几个乐章中铜管的鲜明声线不同,这一乐章中弦乐和竖琴交织,听出些许宁静的气

氛。但也有人称,这一乐章是马勒献给未婚妻阿尔玛的“情书”,阿尔玛看过该乐章总谱后,立刻明白了马勒的心意。现在,这一乐章的主题究竟是“死亡”还是“爱情”,已经成为公案。但无论如何,《第五交响曲》的第四乐章都是马勒交响曲中最著名的乐章之一。《吕克特歌曲》则是马勒去世前创作的最后一部作品,以德国诗人吕克特的五首诗作为歌词,音乐风格清澈明亮,爱情、死亡、永恒依旧是这一组歌曲的主题。

作为我国著名作曲家、钢琴家,丁善德创作出很多艺术成就极高的艺术歌曲。无论是在民歌改编作品中,还是在《滇西诗钞》中,都能听到他把丰富的民族民间音乐元素与西方作曲技法结合在一起。丁善德从小接触民间音乐,改编的民歌作品既有艺术性,又深受听众好评,是我国现当代音乐史上难得的艺术精品。


——韩轩  《北京日报》记者

纪念古斯塔夫·马勒逝世110周年系列音乐会之一

暨纪念丁善德诞辰110周年音乐会

110th Anniversary of Gustav Mahler’s Death Series I

&

A Concert in Commemoration of the 110th Anniversary of the Birth of Ding Shande


古斯塔夫·马勒:小柔板,选自第五交响曲

古斯塔夫·马勒:吕克特歌曲

丁善德:民歌改编五首,作品12

丁善德:滇西诗钞,作品22


女高音:张立萍

男中音:袁晨野

指挥:余隆


女高音:张立萍

在美声唱法和抒情曲目中的诸多精彩表现,奠定了张立萍作为一位卓越的声乐女高音歌唱家的国际地位。她曾在科文特花园皇家歌剧院、纽约大都会歌剧院、巴黎歌剧院、中国国家大剧院等多地演出。

她的众多表演在中国都广受好评,比如中国原创歌剧《西施》首演,在第一届国家大剧院歌剧节以及在由洛林•马泽尔执导的《茶花女》中的表演。2010年,她受安德鲁•劳埃德•韦伯邀请赴伦敦参加其新音乐剧《真爱不死》的首演,随后又被邀请参加由宝丽金唱片公司发行的《真爱不死》亚洲声音集中文版音乐主题曲的录制。

她表演的“乔乔桑”这一角色引起了世界关注。2011年,应大都会歌剧院邀请,她与普拉西多•多明哥合作表演出《蝴蝶夫人》。2012年,在科文特花园皇家歌剧院,她在《蝴蝶夫人》中表演“乔乔桑”角色,此次演出被录制为3D影像在全球范围内上映,同时被录制成DVD发行。

2014年,她签约环球音乐,成为旗下首位签订长期合约的华人歌唱艺术家。同年,她的舒伯特艺术歌曲专辑《夜与梦》通过Decca品牌发行。2015年,其专辑《思乡——中国艺术歌曲集》由Decca发行,并获2018年中国美声金唱片奖。2018年其专辑《威尔第咏叹调》由DG发行。

张立萍女士现为中央音乐学院声乐歌剧系博士生导师。

张立萍曾多次与中国爱乐乐团合作,上一次是在2017年4月9日,她在中国爱乐乐团演出的奥尔夫《布兰诗歌》中担任独唱。


男中音:袁晨野

旅美著名男中音歌唱家,中央音乐学院声乐歌剧系教授、博士生导师。他在欧、美20多家主流歌剧院主演了40多部歌剧。并和费城,芝加哥,德国班贝格等顶级交响乐团演出音乐会。还在美国,芬兰,新加坡,香港,广州 北京的音乐节上举办个人独唱音乐会。他曾在九个不同制作近五十场的演出中成功的塑造了《弄臣》中的剧名主角,《歌剧新闻》和《纽约时报》给予了高度的评价;英国广播公司(BBC)在庆祝伊丽莎白女王二世登基五十周年的系列活动中直播了全剧的演出。他担任主角之一的歌剧《小妇人》在美国公共电视台(PBS)“伟大的演出”节目中播放,并由Ondine公司录制唱片和DVD;Philips公司发行了他同中国交响乐团录制的歌剧咏叹调及《黄河颂》的唱片。Naxos公司也发行了他主演的歌剧《尼克松在中国》现场版唱片。袁晨野是多明戈先生担任华盛顿歌剧院艺术总监就职庆典音乐会的独唱嘉宾并受邀到白宫做客,他还在休斯顿市老布什总统雕像揭幕仪式上演唱美国国歌;2017年9月和广州交响乐团世界首演波兰作曲大师C.潘德列斯基的第六交响曲——中国诗歌,名字被印在世界著名音乐出版社Schott的乐谱上。他的国际声乐比赛奖项包括每五年举行一次的芬兰“米丽娅姆·海林”国际声乐比赛男声组第一名;纽约大都会歌剧院歌剧比赛最高奖;休斯敦大歌剧院声乐比赛第一名及观众奖;1994年他在第十届柴科夫斯基国际音乐比赛中获得声乐金奖,成为至今获此殊荣唯一的华人歌唱家。 2015年受指挥大师杰捷耶夫的邀请作为第15届柴赛亚洲唯一的声乐评委和颁奖嘉宾。他还是中国音乐“金钟奖”,央视青歌赛以及中国金唱片奖的评委。

袁晨野曾多次与中国爱乐乐团合作,上一次是在2017年4月9日,他在中国爱乐乐团演出的奥尔夫《布兰诗歌》中担任独唱。


指挥:余隆

作为指挥家、音乐活动家的余隆,被《纽约时报》称为“中国音乐版图上最有影响力的人物。”他的艺术人生因为引领中国古典音乐事业的纵深发展、推动中国音乐家与作曲家登上国际舞台而熠熠生辉。在中国芸芸交响乐团之林,余隆是其中三个顶级团体的“掌门人”:中国爱乐乐团的艺术总监,上海交响乐团和广州交响乐团的音乐总监。他也身兼香港管弦乐团首席客座指挥、上海夏季音乐节联合总监。早于1998年,他创办了北京国际音乐节并担任艺术总监至2017年,后又继续担任艺术委员会主席至今。此外,余隆还担任中国音乐家协会副主席及中国音乐家协会交响乐团联盟主席。

余隆麾下的中国爱乐乐团,在教宗本笃十六世亲临现场见证下,首登梵蒂冈保罗六世礼堂演出,是中国交响乐团中的第一次,这场意义非凡的音乐会也是增进东西文明交流互动的里程碑式事件。2014年,余隆大师再开中国乐团先河,带领中国爱乐乐团在伦敦皇家艾尔伯特大厅的BBC逍遥音乐节献演,数以百万计的英国观众通过不同的方式观看了音乐会的转播。

自2009年始,余隆大师执掌上海交响乐团至今,成就斐然。2014年,上海交响乐团音乐厅落成;同年,余隆与上海音乐学院及纽约爱乐乐团一道,共同创建上海乐队学院。这是中国第一所为管弦乐手设立的研究教育机构。此外,应纽约爱乐乐团邀请,余隆作为该乐团国际顾问委员会的成员,与其他11位音乐倡导者和音乐大使协力推动各国音乐家及音乐机构深化国际交流。2016年,两年一度的音乐盛事“上海艾萨克斯特恩国际小提琴比赛”成功举办。2018年6月,余隆与德意志留声机公司(DG)签订独家代理合同,成为了DG旗下首位中国指挥家,为上海交响乐团取得全球发行与供应的合作关系。2019年,余隆率上海交响乐团世界巡演,亮相BBC逍遥音乐节、阿姆斯特丹音乐厅、爱丁堡国际艺术节、拉维尼亚艺术节以及卢塞恩音乐节。

1994年,余隆首次指挥广州交响乐团;2003年成为乐团音乐总监。在任内,余隆大力扩展乐团的保留曲目,带领乐团拓宽国际演出版图,先后到访欧洲、美洲、澳洲、非洲、中东等地。同时,他也不遗余力履行音乐教育的使命。2005年至2007年,广州交响乐团创办广东国际音乐夏令营,并邀请著名指挥大师夏尔迪图瓦任音乐总监,以及玛塔阿格里奇和加里格雷夫曼等著名艺术家组成导师团队。2017年1月,广州交响乐团创办首届广东国际青年音乐周,在演出与教育的对话中“开启世界与中国交响乐新的篇章”。音乐周由余隆亲自担任艺术委员会主席,并由世界著名大提琴家马友友担任艺术总监。

国际舞台上的余隆,同样地位显赫,炙手可热。世上最受瞩目的管弦乐团,如纽约爱乐乐团、芝加哥交响乐团、费城管弦乐团、洛杉矶爱乐乐团、蒙特利尔交响乐团、巴黎管弦乐团、班贝格交响乐团、汉堡国家歌剧院乐团、柏林广播交响乐团、北德广播交响乐团、慕尼黑爱乐乐团、悉尼交响乐团、BBC交响乐团、英国爱乐乐团、东京爱乐乐团和新加坡交响乐团都曾经在余隆的指挥下演出。

1964年,余隆生于上海的音乐世家。他音乐上的启蒙与授业恩师正是他的祖父、著名作曲家丁善德。其后,他求学上海音乐学院;继而负笈西行,入读并毕业于著名的柏林高等艺术大学。1992年,余隆任北京中央歌剧院常任指挥。

驰骋乐坛数十载,余隆大师的成就备受肯定。2010年,他获评“年度中国文化人物”、2013年获颁“中华艺文奖”。为表彰余隆对中外文化交流及中国音乐发展的贡献,中央音乐学院向他授予荣誉院士证书。

在国际上,余隆大师获得的荣誉同样显赫。其中包括2002年由德国万宝龙文化基金会颁发的“万宝龙卓越艺术成就奖” ,以及2003年获颁的“法兰西文学艺术骑士勋章”。2005年,意大利政府授予余隆“共和国骑士勋章”;2014年,受法国政府颁授代表最高荣誉的“法国荣誉军团勋章”;2015年,获美国大西洋理事会“全球公民奖”以及耶鲁大学音乐学院的“桑福德奖章”;2016年,余隆被选为美国艺术与科学院的外籍荣誉院士,同年获得德意志联邦共和国十字勋章;2018年,余隆又被授予香港演艺学院荣誉博士学位。



Gustav MAHLER: Adagietto, from Symphony No.5

Gustav MAHLER: Rückert-Lieder

DING Shande: Five Folksong Arrangements, Op. 12

DING Shande: A Collection of Poems from Western Yunnan, Op. 22


ZHANG Liping, soprano

YUAN Chenye, baritone

Long YU, conductor


ZHANG Liping, soprano

A series of outstanding interpretations in both the bel canto and lyric repertoire have established Zhang Liping as one of opera’s leading international sopranos, with engagements at the Royal Opera Covent Garden, The Metropolitan Opera New York, Opéra de Paris, and the China National Centre for the Performing Arts (NCPA).

She has sung at Covent Garden, the MET Opera, Opera de Paris, Gran Teatro del Liceu Barcelona and Deutsche Oper Berlin, amongst other theatres. She also enthralled audiences around the globe with other significant opera roles such as Violetta (La Traviata), Lucia (Lucia di Lammermoor), Mimi (La Bohème), Tosca (Tosca), Liù (Turandot), Micaela (Carmen), Gilda (Rigoletto) and Leonore (Il Trovatore).

In her native country, Zhang has given many highly acclaimed performances such as the premiere of Chinese original opera Xi Shi, Tosca in the first NCPA Opera Festival and La Traviata conducted by Lorin Maazel. In 2010, Zhang was invited by Andrew Lloyd Webber to the premiere of his new musical, Love Never Dies in London. She was then invited to record the Chinese version of the musical's theme song in the Asian edition released by Polydor Records.

In 2011, Zhang returned to the Met Opera and worked with Plácido Domingo in the performance of Madama Butterfly. In 2012, Zhang's performance as Cio-Cio-San in Madama Butterfly at Covent Garden was recorded in 3D for transmission in theatres worldwide and for distribution on DVD. The movie was premiered in Europe and America and then was launched in 3D cinemas all over the world. In 2014, Zhang Liping signs an exclusive contract with Universal Music. As the label's first Chinese classical singer, she has released a Schubert lieder album Night and Dreams under Decca Classics in October 2014. Then the DG released her Chinese Arts Songs in 2015, and the Decca released her Sempre Libera (Airas from Verdi’s Operas) in 2018.

Zhang is currently a doctorial tutor of the Vocal Opera Department of the Central Conservatory of Music in Beijing.

Zhang works with the China Philharmonic Orchestra frequently, the last time being her performance as one of the soloists in Carl Orff’s Carmina Burana on April 9th, 2017.


YUAN Chenye, baritone

ChenYe Yuan won the gold medal at the 10th International Tchaikovsky Competition in 1994, and was a jury member at the 15th Competition in 2015.He has also won first prize at Mirjam Helin International Singing Competition in Finland and was a national winner at the Metropolitan Opera National Council Auditions in New York. Chenye Yuan has established himself as one of the leading baritones at National Center for the Performing Arts(NCPA)in Beijing. In 2013, He shared the title role of “Nabucco”with Placido Domingo   in Gilbert Deflo’s new production, conducted by Eugene Cohn. In 2014, he had done the rivival and conducted by Massimo Zanetti. In the same year, he played the title role of “Eugene Onegin”in Alexei Stepanyuk’s production under the baton of Valery Gergiev.in 2015, He played the role of Amonasro in Francesco Micheli’s new production of Aida conducted by Zubin Mehta. Also in 2015, he debuted the role of Carlo Gerard in David Mcvicar’s production of “Andrea Chenier.In 2016, Chenye Yuan sang the role of Wolfram in Pier’Alli’s new production of “Tannhäuser”;Escamillo in Francesca Zambello’s production of “Carmen”and Sergeant Vaskov in “the Dawns Here Are Quiet”.These four operas conducted by Lv Jia. In 2017, he performed the role of Chou Enlai at Houston Grand Opera’s “Nixon in China”, directed by James Robinson and conducted by Robert Spano. The role he has also sung at San Francisco Opera, San Diego Opera, Canadian Opera Company,Vancouver Opera, Opera Colorado,Cincinnati Opera,Chicago Opera Theatre,Opera Theatre of St. Louis and the Auckland Philharmonic Orchestra in New Zealand . He has performed the title role of “Rigoletto” in nine different productions, among them include:Welsh National Opera, Houston Grand Opera, Minnesota Opera, Michigan Opera Theatre, Palm Beach Opera, Sacramento Opera, San Antonio Opera, Opera Theatre of St.Louis and NCPA in Beijing.

Other recent engagements include: Michele in “Il Tabarro”and the title role in“Gianni Schicchi”at Opera Carolina; Umeya in Huang Ruo’s“Dr.Sun Yat-Sen”at Santa Fe Opera, Renato in“Un Ballo in Maschera”at Boston Lyric Opera Prince Seikyo in Tun Dun’s “Tea: A Mirror of the Soul” with Vancouver Opera and  Giorgio Germont in “La Traviata”at Xi’An Concert Hall and ShangHai Summer Music Festival.

His concert engagements include:Krzysztof Penderecki’s “Three Chinese songs”with GuangZhou Symphony Orchestra (with the composer conducting) and Carmina Burana; Ye XiaoGang’s “Songs of the earth”with Detroit Symphony Orchestra at Lincoln Certer’s Avery Fisher Hall and Bamberg Symphony in Germany; “Lin An’s seven songs”with Hangzhou Philharmonic Orchestra at Shanghai Spring International Music Festival, “Des Knaben Wunderhorn”and Carmina Burana with China Philharmonic Orchestral at Beijing Forbidden City Concert Hall and Poly Theatre; Beethoven’s 9th Symphony with the Philadelphia Orchestra conducted by Charles Dutoit and Tian Jing Symphony Orchestra at Tianjing Grand Theatre conducted by Muhai Tang;Hadyn’s “The Creation”with Baltimore Symphony Orchestra conducted by Sir Neville Marriner; Mahler’s 8th Symphony conducted by Yoel Levi at NCPA; Nixon in China with Chicago Symphony Orchestra at Ravinia Festival with Marin Alsop conducting and Verdi Gala Concert conducted by Sir Antonio Pappano also at NCPA.

in 2017-18 season, Chenye Yuan performs as the soloist at the world premiere of Krzysztof Penderecki’s 6th symphony with Guang Zhou Symphony Orchestra conducted by Yu Long in Guang Zhou and at Beijing Music Festival, which marks the orchestra’s 60th season opening . He also plays the title role of “Manas” with the Central Opera House in its world premiere in Beijing. Later on, he performs at the opening concert of “Russian Cultural Year in China” with Tchaikovsky Symphony Orchestra and conducted by Vladimir Fedoseyev.Subsequently, he plays sergeant Vaskov again in the revival of “the Dawns Here Are Quiet”at NCPA; He also plays the role of Wen Tianxiang in the world premiere of “Marco Polo” which presented by GuangZhou Opera House in Beijing.in 2018-19 season, He plays the role of Germont in La Traviata at NCPA conducted by Renato Palumbo,and will sing the role again at Vancouver Opera in 2019-20 season. Chenye Yuan is currently a vocal professor at Central Conservatory of Music in Beijing.

Yuan works with the China Philharmonic Orchestra frequently, the last time being his performance as one of the soloists in Carl Orff’s Carmina Burana on April 9th, 2017.


Long YU, conductor

Hailed by The New York Times as “the most powerful figure in China’s classical music scene,” the conductor and impresario Long Yu has devoted his illustrious career to steering China’s growing connection to classical music while familiarizing international audiences with the country’s most eminent musicians and composers. From north to south, Maestro Yu currently holds the top position in China’s three most prominent orchestras—Artistic Director of the China Philharmonic Orchestra in Beijing and Music Director of both the Shanghai and Guangzhou symphony orchestras—as well as Principal Guest Conductor of the Hong Kong Philharmonic Orchestra. He is co-director of Shanghai’s Music in the Summer Air festival and Chair of the Artistic Committee of the Beijing Music Festival, an annual autumn event that he founded in 1998 and served as Artistic Director until 2018. He is currently Vice President of the China Musicians Association and Chairman of its recently established League of China Orchestras.

Under Maestro Yu’s baton, the China Philharmonic Orchestra became the first Chinese orchestra to perform at the Vatican’s Paul VI Auditorium, a concert attended by Pope Benedict XVI marking a giant step in bridging East and West. In 2014, Maestro Yu led the China Philharmonic in the first Chinese orchestral performance at the BBC Proms at London’s Royal Albert Hall, a concert viewed by millions of people across the United Kingdom. 

Since taking the reins of the Shanghai Symphony Orchestra in 2009, Maestro Yu’s initiatives include the 2014 opening of Shanghai Symphony Hall. That same year, he founded the Shanghai Orchestra Academy, China’s first post-graduate training program for orchestral musicians, in partnership with the Shanghai Conservatory of Music and the New York Philharmonic, which also named Maestro Yu an honorary member of their International Advisory Board, a 12-member network of advocates and ambassadors gathered to connect the Philharmonic with individuals and institutions in their home countries. Two years later, he launched the biennial Shanghai Isaac Stern International Violin Competition, a result of his relationship with the Stern family dating from the violinist’s appearance at the Beijing Music Festival in 2000 marking the 20th anniversary of his groundbreaking China tour. In June 2018, Maestro Yu became the first Chinese conductor to sign an exclusive relationship with Deutsche Grammophon, offering the Shanghai Symphony a global release and distribution partnership. A year later, he led the orchestra on a tour of the United States and Europe, with performances at the BBC Proms and Amsterdam’s Concertgebouw as well as the Edinburgh, Lucerne and Ravinia festivals.

As Music Director of the Guangzhou Symphony Orchestra since 2003—an orchestra he first conducted in 1994—Maestro Yu has expanded the orchestra’s repertory and touring outreach (to Europe, the US, Australia, Africa and the Middle East) as well as its educational mission. Between 2005 and 2007, the GSO organized the Canton International Summer Music Academy with a distinguished faculty including Martha Argerich and Gary Graffman. In January 2017, the GSO inaugurated Youth Music Culture Guangdong, a performance and educational initiative “opening a new page in the Chinese symphonic world” with Yo-Yo Ma as Artistic Director and Maestro Yu leading its Artistic Committee. 

Also a towering figure on the international stage, Maestro Yu has conducted many highly-acclaimed orchestras throughout the world, including the New York Philharmonic, Chicago Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, Montreal Symphony Orchestra, Orchestre de Paris, Bamberg Symphony Orchestra, Staatsoper Hamburg, Berlin Radio Symphony Orchestra, NDR Elbphilharmonie Orchestra, Munich Philharmonic, Sydney Symphony Orchestra, BBC Symphony Orchestra, Philharmonia Orchestra, Tokyo Philharmonic and Singapore Symphony Orchestra. 

Born in 1964 into a Shanghai musical family, Maestro Yu received his early musical education from his grandfather, the renowned composer Ding Shande, later continuing his studies at the Shanghai Conservatory and the Hochschule der Kunst in Berlin. In 1992, he was appointed Principal Conductor of the Central Opera House in Beijing and served as its conductor for three consecutive years.

Among his citations in China, Long Yu was named the 2010 Person of the Year in the Arts Field and was also granted the 2013 China Arts Award and an Honorary Academician from the Central Conservatory of Music for his dedication to cultural exchange and music development in China. 

Internationally, Maestro Yu received the Arts Patronage Award of the Montblanc Cultural Foundation in 2002. A year later, he was named a Chevalier dans L’Ordre des Arts et des Lettres. In 2005, the Italian government honored him with the title of L’onorificenza di Commendatore dell’Ordine al Merito. He was awarded France’s highest order of merit by joining the Légion d’Honneur in 2014. The following year, Maestro Yu received the prestigious Global Citizen Award from the Atlantic Council and the Samuel Simons Sanford Award from the Yale School of Music. In 2016, he was elected a Foreign Honorary Member of the American Academy of Arts and Sciences and also awarded the Order of Merit of the Federal Republic of Germany. In 2018, he was conferred an Honorary Doctorate from the Hong Kong Academy for Performing Arts.