纪念古斯塔夫·马勒逝世110周年系列音乐会之一 暨纪念丁善德诞辰110周年音乐会

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导赏  爱与死是艺术的永恒主题,马勒著名的《第五交响曲》也不例外,尤其是第四乐章的“小柔板”,有人在其中听到死亡,有人听到爱情。《第五交响曲》中贯穿着马勒对生与死的思考,与前几个乐章中铜管的鲜明声线不同,这一乐章中弦乐和竖琴交织,听出些许宁静的气

氛。但也有人称,这一乐章是马勒献给未婚妻阿尔玛的“情书”,阿尔玛看过该乐章总谱后,立刻明白了马勒的心意。现在,这一乐章的主题究竟是“死亡”还是“爱情”,已经成为公案。但无论如何,《第五交响曲》的第四乐章都是马勒交响曲中最著名的乐章之一。《吕克特歌曲》则是马勒去世前创作的最后一部作品,以德国诗人吕克特的五首诗作为歌词,音乐风格清澈明亮,爱情、死亡、永恒依旧是这一组歌曲的主题。

作为我国著名作曲家、钢琴家,丁善德创作出很多艺术成就极高的艺术歌曲。无论是在民歌改编作品中,还是在《滇西诗钞》中,都能听到他把丰富的民族民间音乐元素与西方作曲技法结合在一起。丁善德从小接触民间音乐,改编的民歌作品既有艺术性,又深受听众好评,是我国现当代音乐史上难得的艺术精品。


——韩轩  《北京日报》记者

纪念古斯塔夫·马勒逝世110周年系列音乐会之一

暨纪念丁善德诞辰110周年音乐会

110th Anniversary of Gustav Mahler’s Death Series I

&

A Concert in Commemoration of the 110th Anniversary of the Birth of Ding Shande


古斯塔夫·马勒:小柔板,选自第五交响曲

古斯塔夫·马勒:吕克特歌曲

丁善德:民歌改编五首,作品12

丁善德:滇西诗钞,作品22


女高音:张立萍

男中音:袁晨野

指挥:余隆


女高音:张立萍

在美声唱法和抒情曲目中的诸多精彩表现,奠定了张立萍作为一位卓越的声乐女高音歌唱家的国际地位。她曾在科文特花园皇家歌剧院、纽约大都会歌剧院、巴黎歌剧院、中国国家大剧院等多地演出。

她的众多表演在中国都广受好评,比如中国原创歌剧《西施》首演,在第一届国家大剧院歌剧节以及在由洛林•马泽尔执导的《茶花女》中的表演。2010年,她受安德鲁•劳埃德•韦伯邀请赴伦敦参加其新音乐剧《真爱不死》的首演,随后又被邀请参加由宝丽金唱片公司发行的《真爱不死》亚洲声音集中文版音乐主题曲的录制。

她表演的“乔乔桑”这一角色引起了世界关注。2011年,应大都会歌剧院邀请,她与普拉西多•多明哥合作表演出《蝴蝶夫人》。2012年,在科文特花园皇家歌剧院,她在《蝴蝶夫人》中表演“乔乔桑”角色,此次演出被录制为3D影像在全球范围内上映,同时被录制成DVD发行。

2014年,她签约环球音乐,成为旗下首位签订长期合约的华人歌唱艺术家。同年,她的舒伯特艺术歌曲专辑《夜与梦》通过Decca品牌发行。2015年,其专辑《思乡——中国艺术歌曲集》由Decca发行,并获2018年中国美声金唱片奖。2018年其专辑《威尔第咏叹调》由DG发行。

张立萍女士现为中央音乐学院声乐歌剧系博士生导师。

张立萍曾多次与中国爱乐乐团合作,上一次是在2017年4月9日,她在中国爱乐乐团演出的奥尔夫《布兰诗歌》中担任独唱。


男中音:袁晨野

旅美著名男中音歌唱家,中央音乐学院声乐歌剧系教授、博士生导师。他在欧、美20多家主流歌剧院主演了40多部歌剧。并和费城,芝加哥,德国班贝格等顶级交响乐团演出音乐会。还在美国,芬兰,新加坡,香港,广州 北京的音乐节上举办个人独唱音乐会。他曾在九个不同制作近五十场的演出中成功的塑造了《弄臣》中的剧名主角,《歌剧新闻》和《纽约时报》给予了高度的评价;英国广播公司(BBC)在庆祝伊丽莎白女王二世登基五十周年的系列活动中直播了全剧的演出。他担任主角之一的歌剧《小妇人》在美国公共电视台(PBS)“伟大的演出”节目中播放,并由Ondine公司录制唱片和DVD;Philips公司发行了他同中国交响乐团录制的歌剧咏叹调及《黄河颂》的唱片。Naxos公司也发行了他主演的歌剧《尼克松在中国》现场版唱片。袁晨野是多明戈先生担任华盛顿歌剧院艺术总监就职庆典音乐会的独唱嘉宾并受邀到白宫做客,他还在休斯顿市老布什总统雕像揭幕仪式上演唱美国国歌;2017年9月和广州交响乐团世界首演波兰作曲大师C.潘德列斯基的第六交响曲——中国诗歌,名字被印在世界著名音乐出版社Schott的乐谱上。他的国际声乐比赛奖项包括每五年举行一次的芬兰“米丽娅姆·海林”国际声乐比赛男声组第一名;纽约大都会歌剧院歌剧比赛最高奖;休斯敦大歌剧院声乐比赛第一名及观众奖;1994年他在第十届柴科夫斯基国际音乐比赛中获得声乐金奖,成为至今获此殊荣唯一的华人歌唱家。 2015年受指挥大师杰捷耶夫的邀请作为第15届柴赛亚洲唯一的声乐评委和颁奖嘉宾。他还是中国音乐“金钟奖”,央视青歌赛以及中国金唱片奖的评委。

袁晨野曾多次与中国爱乐乐团合作,上一次是在2017年4月9日,他在中国爱乐乐团演出的奥尔夫《布兰诗歌》中担任独唱。


指挥:余隆

余隆是活跃于国际乐坛的最杰出的中国指挥家,被纽约时报誉为“中国古典音乐届最具影响力的人物”,现任北京国际音乐节艺术委员会主席和中国爱乐乐团艺术总监,上海交响乐团和广州交响乐团音乐总监,上海夏季音乐节的联合总监,以及香港管弦乐团首席客席指挥。余隆创办了北京国际音乐节并于1998年至2018年间担任其艺术总监。

在2019/20乐季中,除了在中国的演出,余隆将以客座指挥英国皇家爱乐乐团、纽约爱乐乐团、伯尔尼交响乐团,荷兰广播爱乐乐团,阿德莱德交响乐团、奥克兰爱乐乐团、台湾爱乐乐团以及新加坡交响乐团等。2019年夏天,余隆与上海交响乐团的巡演之旅至美国和欧洲等地,包括了BBC逍遥音乐节、爱丁堡国际艺术节、拉维尼亚艺术节,卢塞恩音乐节等。

2018年6月,余隆与德意志留声机(以下称“DG”)签署独家录音合约,成为DG旗下签约的第一位中国指挥家。作为2018/19乐季德意志留声机120周年庆典的一部分,余隆于18年10月在北京的紫禁城太庙指挥了一场盛大的启动音乐会,同台艺术家包括阿依达•加里芙琳娜和丹尼尔•特里福诺夫,该音乐会随后发行了唱片。

余隆指挥过世界各地一系列知名交响乐团和歌剧院,其中包括纽约爱乐乐团、芝加哥交响乐团、费城交响乐团、洛杉矶爱乐乐团、蒙特利尔交响乐团、华盛顿国家交响乐团、辛辛那提交响乐团、巴黎管弦乐团、班贝格交响乐团、汉堡国家歌剧院、柏林广播交响乐团、莱比锡广播交响乐团、汉堡北德广播交响乐团、慕尼黑爱乐乐团、悉尼交响乐团、墨尔本交响乐团、BBC交响乐团、香港管弦乐团、东京爱乐乐团和新加坡交响乐团等。余隆多年来与以艾莉森•巴尔松、曹秀美、郎朗、马友友、米沙•麦斯基、马克西姆•文格洛夫和王羽佳为代表的众多国际著名艺术家保持频繁合作。

2008年,余隆指挥中国爱乐乐团作为首支中国乐团在梵蒂冈城保罗六世礼堂演出,教宗本笃十六世观看演出,成为令全世界瞩目的中西方文化交流盛事。2014年余隆率领中国爱乐乐团在英国BBC逍遥音乐节上演出,该音乐会的电视转播在英国收视率过百万,余隆和中国爱乐也成为了首位中国指挥和中国乐团登上这一舞台。

为了推动中国交响乐的宏观发展,余隆联合了上海交响乐团、上海音乐学院和纽约爱乐创建了中国首个乐队学院。他的前瞻性愿景着眼于向中国正在成长中的古典乐观众介绍重要的西方作品,包括瓦格纳的指环王系列、马勒系列,还有理查德•施特劳斯、本杰明•布里顿及其他作曲家作品。2014年,纽约爱乐乐团任命余隆为乐团国际顾问委员会荣誉成员。这一由12名成员组成的委员会是一个倡导者和大使们与各国个人和机构联结的关系网,以培养纽约爱乐长期在全球范围内的影响力。

余隆与广州交响乐团的初次合作是1993年,并于2003年成为该团音乐总监。任职期间余隆曾率领乐团赴欧洲和埃及巡演,在巴黎香榭丽舍剧院、卢森堡音乐学院、阿姆斯特丹音乐厅和开罗歌剧院演出。

余隆1964年出生于上海的音乐世家,自幼随外祖父、著名作曲家丁善德教授学习音乐。后求学于上海音乐学院和德国柏林高等艺术大学。1992年,余隆担任中央歌剧院首席指挥。同年,他参与创办了中国的新年音乐会系列,并连续三年担任指挥。1993年起,余隆连续五年为香港市政局指挥歌剧演出。

鉴于余隆在推动当今世界古典音乐事业发展和促进国际间文化交流方面所做的突出贡献,法国政府特别授予余隆“法兰西文学艺术骑士勋章”;2002年,德国万宝龙文化基金会向余隆颁发了年度“万宝龙卓越艺术成就奖”; 2005年,意大利总理贝鲁斯科尼向余隆颁发了“共和国骑士勋章”; 2014年,他获得象征着法国最高荣誉典属体系的荣誉军团骑士勋章;2015年,余隆荣获“全国优秀文学艺术工作者”荣誉称号,并获得由美国大西洋理事会颁发的“全球公民”奖,以及由耶鲁大学音乐学院颁发的“桑福德奖章”;2016年,余隆当选美国艺术与科学院外籍荣誉院士,并于同年被授予德意志联邦共和国十字勋章;2018年,余隆被香港演艺学院授予荣誉博士学位。


Gustav MAHLER: Adagietto, from Symphony No.5

Gustav MAHLER: Rückert-Lieder

DING Shande: Five Folksong Arrangements, Op. 12

DING Shande: A Collection of Poems from Western Yunnan, Op. 22


ZHANG Liping, soprano

YUAN Chenye, baritone

Long YU, conductor


ZHANG Liping, soprano

A series of outstanding interpretations in both the bel canto and lyric repertoire have established Zhang Liping as one of opera’s leading international sopranos, with engagements at the Royal Opera Covent Garden, The Metropolitan Opera New York, Opéra de Paris, and the China National Centre for the Performing Arts (NCPA).

She has sung at Covent Garden, the MET Opera, Opera de Paris, Gran Teatro del Liceu Barcelona and Deutsche Oper Berlin, amongst other theatres. She also enthralled audiences around the globe with other significant opera roles such as Violetta (La Traviata), Lucia (Lucia di Lammermoor), Mimi (La Bohème), Tosca (Tosca), Liù (Turandot), Micaela (Carmen), Gilda (Rigoletto) and Leonore (Il Trovatore).

In her native country, Zhang has given many highly acclaimed performances such as the premiere of Chinese original opera Xi Shi, Tosca in the first NCPA Opera Festival and La Traviata conducted by Lorin Maazel. In 2010, Zhang was invited by Andrew Lloyd Webber to the premiere of his new musical, Love Never Dies in London. She was then invited to record the Chinese version of the musical's theme song in the Asian edition released by Polydor Records.

In 2011, Zhang returned to the Met Opera and worked with Plácido Domingo in the performance of Madama Butterfly. In 2012, Zhang's performance as Cio-Cio-San in Madama Butterfly at Covent Garden was recorded in 3D for transmission in theatres worldwide and for distribution on DVD. The movie was premiered in Europe and America and then was launched in 3D cinemas all over the world. In 2014, Zhang Liping signs an exclusive contract with Universal Music. As the label's first Chinese classical singer, she has released a Schubert lieder album Night and Dreams under Decca Classics in October 2014. Then the DG released her Chinese Arts Songs in 2015, and the Decca released her Sempre Libera (Airas from Verdi’s Operas) in 2018.

Zhang is currently a doctorial tutor of the Vocal Opera Department of the Central Conservatory of Music in Beijing.

Zhang works with the China Philharmonic Orchestra frequently, the last time being her performance as one of the soloists in Carl Orff’s Carmina Burana on April 9th, 2017.


YUAN Chenye, baritone

ChenYe Yuan won the gold medal at the 10th International Tchaikovsky Competition in 1994, and was a jury member at the 15th Competition in 2015.He has also won first prize at Mirjam Helin International Singing Competition in Finland and was a national winner at the Metropolitan Opera National Council Auditions in New York. Chenye Yuan has established himself as one of the leading baritones at National Center for the Performing Arts(NCPA)in Beijing. In 2013, He shared the title role of “Nabucco”with Placido Domingo   in Gilbert Deflo’s new production, conducted by Eugene Cohn. In 2014, he had done the rivival and conducted by Massimo Zanetti. In the same year, he played the title role of “Eugene Onegin”in Alexei Stepanyuk’s production under the baton of Valery Gergiev.in 2015, He played the role of Amonasro in Francesco Micheli’s new production of Aida conducted by Zubin Mehta. Also in 2015, he debuted the role of Carlo Gerard in David Mcvicar’s production of “Andrea Chenier.In 2016, Chenye Yuan sang the role of Wolfram in Pier’Alli’s new production of “Tannhäuser”;Escamillo in Francesca Zambello’s production of “Carmen”and Sergeant Vaskov in “the Dawns Here Are Quiet”.These four operas conducted by Lv Jia. In 2017, he performed the role of Chou Enlai at Houston Grand Opera’s “Nixon in China”, directed by James Robinson and conducted by Robert Spano. The role he has also sung at San Francisco Opera, San Diego Opera, Canadian Opera Company,Vancouver Opera, Opera Colorado,Cincinnati Opera,Chicago Opera Theatre,Opera Theatre of St. Louis and the Auckland Philharmonic Orchestra in New Zealand . He has performed the title role of “Rigoletto” in nine different productions, among them include:Welsh National Opera, Houston Grand Opera, Minnesota Opera, Michigan Opera Theatre, Palm Beach Opera, Sacramento Opera, San Antonio Opera, Opera Theatre of St.Louis and NCPA in Beijing.

Other recent engagements include: Michele in “Il Tabarro”and the title role in“Gianni Schicchi”at Opera Carolina; Umeya in Huang Ruo’s“Dr.Sun Yat-Sen”at Santa Fe Opera, Renato in“Un Ballo in Maschera”at Boston Lyric Opera Prince Seikyo in Tun Dun’s “Tea: A Mirror of the Soul” with Vancouver Opera and  Giorgio Germont in “La Traviata”at Xi’An Concert Hall and ShangHai Summer Music Festival.

His concert engagements include:Krzysztof Penderecki’s “Three Chinese songs”with GuangZhou Symphony Orchestra (with the composer conducting) and Carmina Burana; Ye XiaoGang’s “Songs of the earth”with Detroit Symphony Orchestra at Lincoln Certer’s Avery Fisher Hall and Bamberg Symphony in Germany; “Lin An’s seven songs”with Hangzhou Philharmonic Orchestra at Shanghai Spring International Music Festival, “Des Knaben Wunderhorn”and Carmina Burana with China Philharmonic Orchestral at Beijing Forbidden City Concert Hall and Poly Theatre; Beethoven’s 9th Symphony with the Philadelphia Orchestra conducted by Charles Dutoit and Tian Jing Symphony Orchestra at Tianjing Grand Theatre conducted by Muhai Tang;Hadyn’s “The Creation”with Baltimore Symphony Orchestra conducted by Sir Neville Marriner; Mahler’s 8th Symphony conducted by Yoel Levi at NCPA; Nixon in China with Chicago Symphony Orchestra at Ravinia Festival with Marin Alsop conducting and Verdi Gala Concert conducted by Sir Antonio Pappano also at NCPA.

in 2017-18 season, Chenye Yuan performs as the soloist at the world premiere of Krzysztof Penderecki’s 6th symphony with Guang Zhou Symphony Orchestra conducted by Yu Long in Guang Zhou and at Beijing Music Festival, which marks the orchestra’s 60th season opening . He also plays the title role of “Manas” with the Central Opera House in its world premiere in Beijing. Later on, he performs at the opening concert of “Russian Cultural Year in China” with Tchaikovsky Symphony Orchestra and conducted by Vladimir Fedoseyev.Subsequently, he plays sergeant Vaskov again in the revival of “the Dawns Here Are Quiet”at NCPA; He also plays the role of Wen Tianxiang in the world premiere of “Marco Polo” which presented by GuangZhou Opera House in Beijing.in 2018-19 season, He plays the role of Germont in La Traviata at NCPA conducted by Renato Palumbo,and will sing the role again at Vancouver Opera in 2019-20 season. Chenye Yuan is currently a vocal professor at Central Conservatory of Music in Beijing.

Yuan works with the China Philharmonic Orchestra frequently, the last time being his performance as one of the soloists in Carl Orff’s Carmina Burana on April 9th, 2017.


Long YU, conductor

Hailed as the “most powerful figure in China’s classical music scene” by The New York Times, the preeminent Chinese conductor Long Yu holds positions as the Music Director of the Shanghai Symphony Orchestra, Artistic Director & Chief Conductor of the China Philharmonic Orchestra and Music Director of the Guangzhou Symphony Orchestra. He is also the Principal Guest Conductor of the Hong Kong Philharmonic Orchestra. Maestro Yu is the Founder of the Beijing Music Festival and was its Artistic Director from 1998 to 2018. He is the Co-Director of the MISA Summer Festival in Shanghai.

In the 2019/20 season, alongside his work in China, Maestro Yu makes guest appearances across the globe, including with the Royal Philharmonic Orchestra, New York Philharmonic, Bern Symphony Orchestra, Netherlands Radio Philharmonic Orchestra, Adelaide Symphony Orchestra, Auckland Philharmonia, Taiwan Philharmonic and Singapore Symphony Orchestra. Summer 2019 saw Maestro Yu lead the Shanghai Symphony Orchestra on a tour of the USA and Europe, with orchestral debuts at London’s BBC Proms, Edinburgh International Festival, Wolf Trap, and Ravinia Festival in addition to performances at the Lucerne Festival, Grafenegg Festival and Amsterdam’s Concertgebouw.

In June 2018, Maestro Yu signed an exclusive recording contract with Deutsche Grammophon, which began a global release and distribution partnership. As part of the Deutsche Grammophon’s 120th anniversary celebrations in 2018/19, Maestro Yu conducted a spectacular launch concert in October at the site of Beijing’s historic Imperial Ancestral Temple at the Forbidden City, alongside artists such as Aida Garifullina and Daniil Trifonov.

Maestro Yu has conducted a highly-acclaimed list of orchestras and opera houses throughout the world including the New York Philharmonic, Chicago Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, Montreal Symphony Orchestra, Washington DC’s National Symphony Orchestra, Cincinnati Symphony Orchestra, Orchestre de Paris, Bamberg Symphony Orchestra, Hamburg State Opera, Berlin Radio Symphony Orchestra, MDR Leipzig Radio Symphony Orchestra, NDR Elbphilharmonie Orchestra, Munich Philharmonic, Melbourne Symphony Orchestra, Sydney Symphony Orchestra, BBC Symphony Orchestra, Philharmonia Orchestra, Hong Kong Philharmonic, Tokyo Philharmonic and Singapore Symphony Orchestra. Maestro Yu continues to collaborate frequently with many of the world’s most celebrated soloists such as Alison Balsom, Sumi Jo, Lang Lang, Yo-Yo Ma, Mischa Maisky, Maxim Vengerov and Yuja Wang.

In 2008, the China Philharmonic Orchestra under the baton of Maestro Long Yu became the first Chinese orchestra in history to perform at the Vatican in the Paul VI Auditorium. The concert was attended by Pope Benedict XVI and marked a giant step in bringing eastern and western cultures closer together. In 2014, Maestro Yu and the China Philharmonic became the first Chinese conductor and orchestra to play the fabled BBC Proms series with a televised performance at London’s Royal Albert Hall. The concert was viewed by millions of people across the United Kingdom.

Leading the development of orchestral landscape in China, Maestro Yu has created the nation’s first orchestral academy as a partnership between Shanghai Symphony Orchestra, Shanghai Conservatory, and the New York Philharmonic. His dynamic vision is focused on introducing China’s growing audiences to key Western repertoire including Wagner’s Ring Cycle, Mahler Cycle, as well as works of Richard Strauss, Benjamin Britten, and many others. In 2014, the New York Philharmonic named Maestro Yu an honorary member of their International Advisory Board. The 12-member Board serves as a network of advocates and ambassadors connecting with individuals and institutions in their home countries to cultivate the Philharmonic’s long-term reach and influence worldwide.

Maestro Yu made his debut with the Guangzhou Symphony Orchestra in 1993 and in 2003 became Music Director of the orchestra. During his time as Music Director, Maestro Yu has embarked on European and Egyptian tours with the orchestra, performing at Théâtre des Champs-Élysées in Paris, Conservatoire de Luxembourg, Concertgebouw Amsterdam and Cairo Opera House.

Born in 1964 into a musical family in Shanghai, Maestro Yu received his early musical education from his grandfather Ding Shande, a composer of great renown, and went on to study at the Shanghai Conservatory and the Hochschule der Kunst in Berlin. In 1992, he was appointed Principal Conductor of the Central Opera Theatre in Beijing and served as its conductor for three consecutive years. He created opera productions for The Urban Council of Hong Kong for five successive years.

Maestro Yu is a Chevalier dans L’Ordre des Arts et des Lettres and the recipient of the 2002 Arts Patronage Award of the Montblanc Cultural Foundation. In 2005, the Italian government honored Maestro Yu with the title of L’onorificenza di commendatore. He was awarded France's highest honor of merit by joining la Légion d’Honneur in 2014. The following year, Maestro Yu was awarded the prestigious Global Citizen Award from the Atlantic Council and the Samuel Simons Sanford Award from Yale’s School of Music in America. Most recently, he was elected a Foreign Honorary Member of the American Academy of Arts and Sciences and also awarded the Order of Merit of the Federal Republic of Germany. In 2018, Long Yu was conferred an Honorary Doctorate from The Hong Kong Academy for Performing Arts. Long Yu is currently Vice President of the Chinese Musicians Association.