中国爱乐乐团2015日本巡演(一)

  • 2015年11月04日 星期三 19:30
  • 购票指南东京日本新国立剧场



彼得•伊里奇•柴可夫斯基:B小调第六交响曲,作品74

中场休息

莫扎特:D小调钢琴协奏曲第20号,作品K. 466

邹野:《贵妃醉酒》(根据同名京剧《贵妃醉酒》改编)


钢琴独奏:李仲欣

京剧演唱:王怡

指挥:余隆


钢琴:李仲欣 

少年钢琴家李仲欣(11 岁)现就读于香港演艺学院青少年音乐课程,师从钢琴教育家黄懿伦教 授。近几年多次应邀与国际钢琴家郎朗合作并得到郎朗的悉心指导和鼓励,2014 年与指挥大师 余隆进行了首次合作。 

2011 年 8 月获得“朗朗音乐奖学金”,表彰其卓越钢琴造诣和音乐才华。2013 年 6 月 3 日李仲 欣首次亮相纽约卡耐基音乐厅,在《郎朗与他的朋友们》慈善音乐会,并与郎朗四手联奏《贝多 芬双钢琴奏呜曲》获得极大成功。中国中央电视台、美国 FOX 电视台、《纽约时报》、《华尔街 日报》等主流媒体对音乐会进行了相关报道。  

八岁开始与厦门爱乐乐团、深圳交响乐团、香港管弦乐团、广州交响乐团进行协奏曲合作。2014 年 6 月应香港管弦乐团的邀请,在音乐季音乐会中与 Jun Märkl 连续两场演奏《贝多芬第一钢琴 协奏曲》,获得高度赞赏。  

2014 年 12 月 7 日首次与余隆领衔的广州交响乐团进行合作出演了莫扎特 D 小调第二十号 K466 钢琴协奏曲,随后又随广州交响乐团赴海南三亚参加 2014 财经论坛庆典音乐会并获得极大成功。 2015 年 2 月李仲欣将应邀随余隆参加在加拿大多伦多举行的 2015 华人新春音乐会,并与多伦多 交响乐团进行首次合作。  

 

京剧演唱:王怡

王怡,北京京剧院 国家一级演员,中国京剧优秀青年演员研究生班研究生,工青衣、刀马旦,宗梅【兰芳】派、王【瑶卿】派艺术。  

自幼踏入京剧艺术殿堂,先后受教于:华世香、闫世善、李金鸿、姜凤山、李玉芙、吴素秋、刘秀荣、于玉衡、杨秋玲、阎桂祥等名家。拜著名京剧表演艺术家梅葆玖先生为师、教育家谢锐青先生为师。

代表剧目:《白蛇传》、《穆桂英挂帅》、《穆桂英大战洪州》、《凤还巢》、《四郎探母》、《十三妹》、《花木兰》、《三打陶三春》、《穆柯寨 穆天王》、《霸王别姬》、《黛玉葬花》、《虹霓关》、《游龙戏凤》、《刺蚌》、《秋江》、《拾玉镯》、《小上坟》、《扈家庄》、《三借芭蕉扇》等风格各异的传统剧目,并在大型原创剧目《嫦娥》和新编剧目《玉簪记》、《满汉全席》,现代京剧《杜鹃山》等中担纲主演。

1991年荣获中央电视台中青年电视大奖赛优秀表演奖。

1993年荣获北京市青年调演一等奖。

1998年与2005年在北京市青年调演和中央电视台青年大奖赛中再度获奖。

2008年荣获河南省第十一届戏剧大赛文华表演一等奖。

2008年主演《嫦娥》一剧荣获第五届中国京剧艺术节银奖。

曾多次出访意大利、德国、法国、捷克、维也纳、西班牙、俄罗斯、巴西、美国、日本、韩国、台湾、香港等国家和地区演出,受到各界人士的高度评价。


指挥:余隆

余隆是活跃于国际乐坛的最杰出的中国指挥家。现任中国爱乐乐团艺术总监和首席指挥、广州交响乐团音乐总监、上海交响乐团音乐总监和北京国际音乐节艺术总监、上海夏季音乐节艺术总监。

余隆是与世界顶尖级交响乐团合作最多的华人指挥家。他与世界各地众多知名交响乐团和歌剧院有着广泛合作,他指挥过的乐团有纽约爱乐乐团、芝加哥交响乐团、费城乐团、洛杉矶爱乐乐团、蒙特利尔交响乐团、华盛顿国家交响乐团、辛辛那提交响乐团、巴黎管弦乐团、班贝格交响乐团、汉堡国家歌剧院、柏林广播交响乐团、莱比锡广播交响乐团、慕尼黑爱乐乐团、悉尼交响乐团、BBC交响乐团、香港管弦乐团、东京爱乐乐团和新加坡交响乐团等。

余隆1964年出生于上海的音乐世家,自幼随外祖父、著名作曲家丁善德教授学习音乐。后求学于上海音乐学院和德国柏林高等艺术大学。先后受教于中国音乐教育家黄晓同教授和德国歌剧指挥家鲁宾斯坦教授等名师。出色的音乐天赋、优越的教育背景及广博的社会资源为余隆的艺术生涯奠定了坚实基础,使得他能够迅速成长为一位成就卓著的指挥家和音乐活动家。

余隆的艺术生涯涵盖指挥和艺术管理领域。1992年自德国学成回国后,余隆担任中央歌剧院常任指挥。同年,他创办了首届北京新年音乐会,并连续三年担任指挥,开启国内演出新年音乐会之先河。1993年起,余隆连续五年为香港市政局指挥歌剧演出。1998年,余隆发起并创办了北京国际音乐节,担任艺术总监。在他的出色领导下,北京国际音乐节不仅成为中国和亚洲规模最大的音乐节,也跻身于全球知名度最高的音乐节之列。在过去若干年间,金秋时节的北京国际音乐节上呈现了由众多著名乐团如柏林爱乐乐团和纽约爱乐乐团演出的精彩音乐会以及柏林德意志歌剧院、威尼斯凤凰歌剧院和圣彼得堡马林斯基剧院等带来的歌剧盛典,如《尼伯龙根的指环》、《玫瑰骑士》、《唐豪瑟》、《茶花女》、《纳布科》、《璐璐》和《姆钦斯克县的麦克白夫人》。

2000年,余隆参与创建了中国爱乐乐团,并担任艺术总监和首席指挥。余隆期望通过与众多世界知名音乐家的合作,使中国爱乐乐团发展成一个全能型职业化乐团,不仅向全世界介绍优秀的中国交响乐作品,也使得中国音乐家对西方音乐各时期及各种风格作品的演奏达到全新水准,并且在不同音乐形式上均有建树。余隆指挥中国爱乐乐团举行了许多大型作品的中国首演。2002年10月,作为第五届北京国际音乐节开幕式音乐会,余隆指挥包括中国爱乐乐团在内的近千名中外音乐家演出了马勒的第八《千人》交响曲,完成了这部宏伟巨作的历史性中国首演。从那时起,余隆指挥中国爱乐乐团演奏了数百部古典音乐的文献作品,并被誉为中国诠释德奥作品的最权威的指挥家。

2001年9月,余隆率中国爱乐乐团在台湾地区举行了成功的巡回演出。2002年6月,余隆率中国爱乐乐团参加了波多黎各的卡萨尔斯音乐节,随后在圣何塞、洛杉矶等地进行了美国西海岸巡演。同年9月,余隆再次率中国爱乐乐团赴海外巡演,在日本东京、神户、大阪和韩国汉城演出,所到之处均深受欢迎,尤其是在东京三得利音乐厅的音乐会,赢得了包括日本皇室成员在内的两千余名日本听众的热烈喝采,取得了轰动性成功。2003年,余隆的一系列重要指挥活动包括与东京爱乐乐团合作并率该团在中国巡演。同年5月起,他在作为北京国际音乐节艺术总监与中国爱乐乐团艺术总监和首席指挥的同时兼任广州交响乐团音乐总监。9月,余隆率领中国爱乐乐团赴欧洲巡演,在著名的巴黎国家歌剧院、华沙国家大剧院和维也纳音乐之友协会金色大厅演出,获得巨大成功。11月至12月间,余隆与大提琴家米沙·麦斯基和广州交响乐团一道进行大规模巡演,在巴黎香榭丽舍剧院、卢森堡音乐学院音乐厅、荷兰阿姆斯特丹音乐厅、开罗歌剧院和亚历山大音乐厅演出。2005年2月至4月,余隆率领中国爱乐乐团进行了规模空前的环球世界巡演,历时四十多天,跨越北美和欧洲,不仅在中国乐团出访史上前所未有,在全亚洲交响乐团中亦属罕见。2008年5月7日,余隆指挥中国爱乐乐团和上海歌剧院合唱团在梵蒂冈城保罗六世礼堂为教宗本笃十六世及八千余名听众演出了莫扎特的《安魂曲》,成为令全世界瞩目的重要文化盛事。英国《卫报》称此次意义非凡的演出为“中梵借音乐外交‘破冰’”。2009年11月,余隆率领上海交响乐团在纽约、洛杉矶、多伦多、圣地亚哥等北美12座城市进行了极为成功的巡演,《纽约时报》在2009年11月9日刊载专文介绍余隆的艺术成就,将余隆誉为“中国的赫伯特·冯·卡拉扬”。2010年3月,余隆率上海交响乐团赴波兰参加第十四届贝多芬音乐节,并在华沙和罗兹两座城市演出,受到各界高度评价。2011年,余隆再次率中国爱乐乐团巡访美国西海岸十数个城市。2012年中国春节期间,余隆指挥纽约爱乐乐团在纽约林肯中心的菲舍尔音乐厅举行了首次中国新年音乐会,使得他的指挥艺术再一次在美国享受盛誉。

余隆作为指挥家以及交响乐团和音乐节的领导者多年来始终大力倡导当代音乐,他领导下的北京国际音乐节、中国爱乐乐团和广州交响乐团等机构和团体向当今最重要的作曲家委约创作,包括克里斯托夫·潘德列茨基、约翰·威廉姆斯、菲利普·格拉斯、霍华德·肖、郭文景、谭盾、叶小纲、赵季平、赵麟和陈银淑等,并由马友友、朗朗、朱利安·劳埃德-韦伯等当今最优秀的演奏家与中国爱乐乐团担任首演。在2011年,由余隆担任艺术总监的北京国际音乐节与波士顿歌剧院向作曲家周龙共同委约的歌剧《白蛇传》获得了普利策奖。

余隆指挥的录音包括德意志唱片公司录制发行、中国爱乐乐团演奏的勃拉姆斯G小调钢琴四重奏(阿诺德·勋伯格配器)和瓦格纳的《唐豪瑟》序曲、中国管弦乐作品集以及由郎朗担任钢琴独奏的钢琴协奏曲《黄河》。拿索斯公司发行有余隆指挥科恩格尔德的小提琴协奏曲和丁善德的《长征交响曲》。2012年,余隆主持的中国爱乐乐团100张CD和10张LP唱片的发行更开创了中国乐团录制鸿篇巨制的先河。

作为一位优秀的音乐家和知名人士,余隆亦把培养年轻音乐家和社会教育工作作为己任,每年他都会发掘和培养一批年轻音乐家与他领导的乐团合作,使年轻音乐家能够在最受瞩目的音乐平台上崭露头角。2007年余隆创办了广东国际音乐夏令营,2012年上海交响乐团与纽约爱乐乐团联合创办的乐队学院令众多的年轻音乐家心向往之。

由于把全能艺术家作为追求目标,余隆除却在中国爱乐乐团和北京国际音乐节出品的许多歌剧中担任指挥之外还亲自担任导演,尤其是2004年他导演并执棒中国爱乐乐团演出的歌剧《卡门》,以及2010年雷哈尔的轻歌剧《风流寡妇》均引起了空前的轰动。

鉴于余隆在推动当今世界古典音乐事业发展和促进国际间文化交流方面所做的突出贡献,2002年,德国万宝龙文化基金会向余隆颁发了年度“万宝龙卓越艺术成就奖”;2003年,法国政府特别授予余隆“法兰西文学艺术骑士勋章”;2005年,意大利政府向余隆颁发了“共和国骑士勋章”。2010年11月,中央音乐学院在其庆祝建院70周年大会上授予他中央音乐学院荣誉院士称号,以表彰他近十年来对中国音乐的发展和对外文化交流作出的杰出贡献。这是国内艺术大学首次颁发“荣誉院士”称号,余隆成为我国艺术家中获此殊荣的第一人。当年12月15日又被授予“2010年年度中国文化人物”大奖。

2013年,余隆获颁国家级学术机构主办的最高艺术大奖“中华艺文奖”。

现余隆是第十一、十二届全国政协委员,并担任中国音乐家协会副主席职务。


 

Piotr IIyich Tchaikovsky          Symphony No. 6

Intermission

Wolfgang Amadeus Mozart             Piano Concerto No.20 in D minor, K. 466

Zou Ye         The Drunken Concubine (based on the Peking Opera ‘Gui Fei Zui Jiu’)


Jonhson Li, piano

Wang Yi, Peking Opera singer

Long Yu, conductor


Jonhson Li, Piano 

Johnson Li, a young musician, currently studies in the youth music program of The Hong Kong Academy for Performing Arts, under piano educator Prof.Eleanor Wong. In the past several years he has cooperated with international pianist Lang Lang, who has provided him with direction and encouragement, and in 2014 he cooperated for the first time with mastro Long Yu.  

In August 2011 Johnson Li received the Lang Lang Music Scholarship,for demostrating exceptional talent and promise as a great pianist. On June 3rd, 2013 he played a show at Carnegie Hall, as part of the Lang Lang and Friends concert, including a performance with Lang Lang of Beethoven’s Sonata for Two Pianos, which was very well received. Mainstream media including CCTV, Fox, New York Times and The Wall Street Journal reported on the concert.  

Johnson Li has performed with Xiamen Philharmonic Orchestra When he was 8 years old, Shenzhen Symphony Orchestra, Hong Kong Philharmonic Orchestra, and Guangzhou Symphony Orchestra. In June 2014, upon invitation by the Hong Kong Philharmonic Orchestra, he played with Jun Märkl of Beethoven No.1 Piano concerto received highly praised.  

On December 7th, 2014, Johnson Li, in his first collaboration with Long Yu and Guangzhou Symphony Orchestra, performed Mozart’s Piano Concerto No.20 in D Minor K466,On December 14th he traveled with  Guangzhou Symphony Orchestra to Sanya, Hainan to participate in the 2014 Finance Forum Celebration Concert, which was also met with great success. In February 2015, he will join Long Yu in Toronto as part of the 2015 Chinese New Year Concert, in collaboration with the Toronto Symphony Orchestra.


Long Yu, conductor

As one of the most distinguished Chinese conductors with an established international reputation, Maestro Long Yu is currently Artistic Director and Chief Conductor of the China Philharmonic Orchestra, Music Director of the Guangzhou Symphony Orchestra, Music Director of the Shanghai Symphony Orchestra, Artistic Director of the Beijing Music Festival and Music in the Summer Air, MISA.

Long Yu is one of the conductors who conducts the world top-class orchestras most frequently, he has appeared with a prestigious list of leading orchestras and a lot of opera companies around the world, including the New York Philharmonic, Chicago Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic Orchestra, Montreal Symphony OrchestraWashington National Symphony, Cincinnati Symphony Orchestra, Orchestre de Paris, Bamberg Symphony Orchestra, Hamburg State Opera, Rundfunk-Sinfonieorchester Berlin, Rundfunk Sinfonie Orchester Leipzig, Munich Philharmonic Orchestra, Sydney Symphony Orchestra, BBC Symphony Orchestra, Hong Kong Philharmonic, Tokyo Philharmonic and Singapore Symphony Orchestra.

Long Yu was born in 1964 into a family of musicians in Shanghai. Musical education in his early childhood came from his grandfather Ding Shande, a composer of great renown, and he later studied at the Shanghai Conservatory with Professor Xiaotong Huang and then studied at the Hochschule der Kunst in Berlin with Prof. Robinstein. Outstanding music talents, excellent educational background and extensive social resources make Long Yu a preeminent conductor.

Long Yu's career has included both artistic and administrative appointments. In 1992, he was appointed Principal Conductor of the Central Opera Theatre in Beijing, and in the same year, he was involved in the planning of the first Beijing New Year's Concert and served as its conductor for three consecutive years. He also produced operas for The Urban Council of Hong Kong for five successive years. In 1998, he led the creation of the Beijing Music Festival and was its Founding Artistic Director. Under his leadership the Beijing Music Festival is regarded as the largest classical music festival in the eastern hemisphere and one of the world's most important music festivals. During the past 11years at this annual autumn festival there have been many splendid concerts given by leading orchestras such as the Berlin Philharmonic and the New York Philharmonic, as well as outstanding productions of the Ring, Der Rosenkavalier, Tannhäuser, La Traviata, Nabucco, Lulu and Lady Macbeth of the Mtsensk District by visiting opera companies including the Deutsche Oper Berlin, the Teatro la Fenice and the Mariinsky Theatre.

In 2000, Long Yu co-founded the China Philharmonic Orchestra and was appointed Artistic Director and Chief Conductor. Now entering his 9th season with the China Philharmonic, he has maintained the high standard of orchestral performance and artistic administration and built the ensemble's reputation as not only a leading Chinese orchestra but also a world-famous one. In 2003, Long Yu was appointed the Music Director of the Guangzhou Symphony Orchestra and he has been raising the level and fame of the orchestra rapidly. He toured extensively with the China Philharmonic Orchestra, the Guangzhou Symphony Orchestra as well as the Shanghai Symphony Orchestra. In September 2003, under his leadership, the China Philharmonic Orchestra toured Europe, with memorable concerts at the Palais Garnier, Paris, the Teatr Wielki - National Opera Warsaw and the Grosser Saal of the Musikverein, Vienna. In December of the same year he undertook a major European and Egyptian tour with the Guangzhou Symphony Orchestra and Mischa Maisky, giving concerts at Theatre des Champs-Élysées, Paris, Concertgebouw Amsterdam, Luxemburg, Cairo Opera House and Alexander Opera House. From February to April 2005, he led the China Philharmonic Orchestra on an international tour. Within 40 days they appeared in 22 cities throughout North America and Europe. In 2008, for the first time in history, the China Philharmonic Orchestra performed under the baton of maestro Long Yu at the Vatican in the Paul VI Auditorium. The concert was attended by The Holy Father Pope Benedict XIV and marked a giant step in bringing eastern and western cultures closer together. In April 2009 the China Philharmonic Orchestra was selected by the Gramophone, which is widely regarded as the best classical music magazine in the world, as one of "the world's 10 most inspiring orchestras". In November 2009 Long Yu led the Shanghai Symphony Orchestra on a twelve-city North American tour which is a huge success. The tour began with the closing concert of the Ancient Paths, Modern Voices Festival at Carnegie Hall and included concerts in Los Angeles, Toronto and San Diego. A New York Times report from November 9, 2009 gave an introduction to Long Yu's artistic achievement and hailed him as "China's Herbert von Karajan." In March 2010 Long Yu conducted the Shanghai Symphony Orchestra at the 14th Ludwig van Beethoven Easter Festival in Krakow and gave concerts in Warsaw and Lodz. All the performances won high praise from both audiences and critics. In 2011, Long Yu toured extensively with the China Philharmonic Orchestra in 8 cities in west coast of United States. In Chinese spring festival of 2012, Long Yu led the New York Philharmonic in the First Chinese New Year Concert at Avery Fisher Hall of Lincoln Center.

Maestro Long Yu's reputation has been enhanced by his activities as a widely admired and respected figure in administration of orchestras and festival as well as in international exchanging of musical culture. As a champion of contemporary music Long Yu has been commissioning a number of works from today's prominent composers such as Krzysztof Penderecki, Philip Glass, Guo Wenjing, Tan Dun, Ye Xiaogang and Unsuk Chin.

Mr. Long Yu's recordings include, on Deutsche Grammophon with the China Philharmonic, Brahms's Piano Quartet in G Minor (orch. Arnold Schoenberg) and Wagner's Tannhäuser Overture, highlights of Chinese symphonic music and Yellow River Concerto with Lang Lang as featured soloist. Recordings on Naxos include Korngold's Violin Concerto and Ding Shande's Long March Symphony. In 2012 Long Yu lead the release of CPO Live a 100-CD box set of the live performances in the past music seasons of China Philharmonic Orchestra, as a milestone of both the development of Chinese symphony orchestras and the recording industry in China.

Long Yu received the 2002 Montblanc Arts Patronage Award from the Montblanc Cultural Foundation, and in 2003 came Le grade de chevalier dans l'ordre des Arts et des Lettres (The Honor of Chevalier of French Art and Culture) from the Government of France. In 2005, Italian President honored Maestro Long Yu L'onorificenza di commendatore.

In November 2010, the Central Conservatory of Music has presented Maestro Long Yu with a certificate of the Honourable Academician from the Central Conservatory at a conference for 70th year anniversary of its founding, in recognition of his great contribution and devoted efforts to the development in classical music in China and cultural exchanges over the past decade. On December 2010, he was awarded People of the Year in Arts Field in China.

In 2013, Long Yu was awarded the national level arts award China Arts Award.

Long Yu is currently Vice-president of Chinese Musicians Association, member of the 11th and 12th the National Committee of the Chinese People's Political Consultative Conference.