2015-2016音乐季开幕式交响音乐会

  • 2015年09月19日 星期六 19:30
  • 购票指南北京中山音乐堂
  • 50元,80元,100元,680元,880元

导赏中国爱乐乐团的2015-2016音乐季的开幕音乐会选择了演奏俄罗斯乐派两大作曲家普罗科菲耶夫和柴可夫斯基的三部作品。而这三部作品在国内很少演出,像管弦乐组曲《三个橘子的爱情》和《里米尼的弗兰切斯卡》更是难得在现场音乐会上听到,这也是中国爱乐乐团一直遵循的原则:向听众尽可能推荐一些不经常演出的经典名曲,开拓观众的欣赏视角。中国观众了解的柴可夫斯基是小提琴、钢琴的协奏曲,以及《天鹅湖》等芭蕾舞剧、《叶甫根尼·奥涅金》、《黑桃皇后》等歌剧和“田园”、“悲怆”等交响曲。这次中国爱乐在杨洋的执棒下演奏的《里米尼的弗兰切斯卡》也是难得听到的作品。在这台音乐会中,普罗科菲耶夫的两部作品非常独特,《三个橘子的爱情》是作曲家的一部歌剧,将童话、笑话、讽刺巧妙地结合起来,成为20世纪最成功的童话歌剧之一。另一部作品是《e小调交响协奏曲》,1952年首演并没有成功,因为作品的大提琴独奏过于复杂和艰深,后来经过与大提琴演奏家罗斯特罗波维奇一起探讨,对作品进行了重新改写,不仅独奏声部的表现力有了很大的发展,协奏的乐队也发生了很大的变化,乐曲发挥着大提琴技术的功能和抒情性的特点,使得音乐跌宕起伏感人至深,在罗斯特波维奇的推荐下,成为大提琴经常演奏的佳作。这次中国爱乐携手大提琴演奏家王健演奏这部作品,相信会有他独特的理解,王健的演奏深沉而具有内涵和张力,对表现这部作品非常适合。伦兵《北京青年报》资深记者,乐评人)

 


2015-2016音乐季开幕式交响音乐会



谢尔盖·普罗科菲耶夫:

《三个橘子的爱情》组曲,作品33bis

彼得·伊里奇·柴可夫斯基:

里米尼的弗兰切斯卡,根据但丁原著所作的交响幻想曲,作品32

中场休息

谢尔盖·普罗科菲耶夫

E小调交响协奏曲,作品125


 


大提琴:王健

指挥:杨洋

 

大提琴王健

王健四岁开始学习大提琴,父亲是他的启蒙老师。在上海音乐学院学习时,著名纪录片《从毛泽东到莫扎特——艾萨克·斯特恩在中国》讲述了他的故事。在斯特恩的鼓励与支持下,王健踏上赴美学习之路。1985年,王健进入耶鲁大学音乐学院深造,师从著名大提琴家奥尔多·帕瑞索。

王健和世界很多顶尖乐团进行过合作,其中包括美国的纽约爱乐乐团,克林夫兰管弦乐团、费城管弦乐团、芝加哥交响乐团、波士顿交响乐团、底特律交响乐团。德国的柏林爱乐乐团、英国的伦敦交响乐团,BBC交响乐团、皇家爱乐乐团。法国的国家交响乐团,巴黎管弦乐团,国家广播乐团,荷兰的阿姆斯特丹皇家音乐厅管弦乐团、瑞典的哥德堡交响乐团、斯德哥尔摩爱乐乐团、意大利的斯卡拉歌剧院乐团,罗马圣塞西莉亚交响乐团、捷克爱乐乐团,马勒室内乐团和日本NHK交响乐团。在这些音乐会上执棒的大师级指挥家包括阿巴多、萨瓦利什、雅尔维、夏伊、迪图瓦、艾森巴赫,郑明勋和杜达梅尔。

王健录制过很多唱片,最近几张是和悉尼交响乐团,阿什肯纳齐合作的埃尔加大提琴协奏曲和名为《梦幻曲》(Reverie)的大提琴与吉他小品集。此外他录制过的唱片还包括全套巴赫无伴奏大提琴组曲、和萨尔茨堡室内乐团合作录制的巴罗克作品辑、和柏林爱乐乐团、克劳迪奥·阿巴多、吉尔·沙汉姆合作录制的勃拉姆斯双重协奏曲、和古本江交响乐团合作由汤沐海指挥的海顿大提琴协奏曲集、和郑明勋、吉尔·沙汉姆与保罗·梅耶合作录制的梅西安的"时间终结四重奏"、以及与皮雷丝、杜梅合作演奏的勃拉姆斯、莫扎特和舒曼室内乐集。王健使用的大提琴由已故林寿荣先生的家人慷慨借予。

 

指挥:杨洋

杨洋生于音乐世家,自幼学习钢琴,师从钢琴教育家李其芳教授。后随徐新、吴玲芬教授学习指挥,并以优异成绩考入中央音乐学院指挥系,师从俞峰教授。

2006年11月,在希腊举行的迪米特里·米特罗普洛斯国际指挥大赛中,杨洋以出色的表现和无可争议的优势一举夺得第一名,成为在这项顶级国际大赛中首位获此殊荣的中国指挥。

作为中国最活跃的指挥家之一,杨洋与国内所有主流乐团及歌剧院均保持着密切的合作关系。同时在包括德国科隆爱乐乐团、斯图加特爱乐乐团、莱茵国立爱乐乐团、意大利罗马交响乐团、维罗纳歌剧院、法国戛纳交响乐团、波尔多交响乐团、希腊交响乐团、雅典室内乐团、韩国仁川爱乐乐团等在内的国外众多乐团也成功的留下了他的足迹。世界著名大提琴家林·哈雷尔、阿尔本·格哈德,小提琴家奥古斯汀·杜梅、雷纳德·卡皮松、林昭亮,钢琴家郎朗、巴瑞·道格拉斯、白建宇,女高音曹秀美,单簧管演奏家萨宾娜·迈耶等都与他有过精诚的合作。

1998年杨洋在第一届北京国际音乐节上成功的开始了他的职业指挥生涯,并连续八届在北京国际音乐节上执棒歌剧与音乐会。2000年-2005年任中国爱乐乐团助理指挥。2006年赴韩国参加由指挥大师郑明勋主持的大师班。2009年,他参与并主持组建了杭州爱乐乐团。

从2009-2012年,杨洋已率领杭州爱乐乐团出色的完成了三个音乐季近200场的演出。根据杭州市委、市政府的文化发展要求,在他的策划和推动下,杭州爱乐乐团与德国柏林爱乐乐团和意大利佛罗伦萨歌剧院建立了长期战略与合作伙伴的关系,成功引入和引进了演奏家交流计划、定向人才培养计划和歌剧合作机制,使杭州爱乐乐团这支年轻的乐团能够迅速的走向职业化并与国际成功接轨。短短三年时间,杨洋与杭州爱乐乐团已经成功的在德国梅克伦堡音乐节、石荷州音乐节、意大利拉维罗音乐节、艾米莉亚•罗马涅音乐节、陶尔米纳音乐节、斯洛伐克卢布尔雅那音乐节等欧洲著名音乐节登台亮相,赢得了欧洲观众的喝彩及国内外业界的高度评价与关注。

杨洋现任中国爱乐乐团常任指挥、杭州爱乐乐团音乐总监兼首席指挥。




 

Sergei Prokofiev       Suite from The Love for Three Oranges, Op. 33bis

Pyotr Ilyich Tchaikovsky   Francesca da Rimini: Symphonic Fantasy after Dante, Op. 32

Intermission

Sergei Prokofiev       Sinfonia Concertante in E minor, Op.125

 



Jian Wang, cello

Yang Yang, conductor

 

JIAN WANG

Jian Wang began to study the cello with his father when he was four. While a student at the Shanghai Conservatoire, he was featured in the celebrated documentary film From Mao to Mozart: Isaac Stern in China.  Mr Stern's encouragement and support paved the way for him to go to the United States and in 1985 he entered the Yale School of Music under a special programme where he studied with the renowned cellist Aldo Parisot.

Jian Wang has performed with many of the world’s leading orchestras, including New York Philharmonic, Cleveland and Philadelphia orchestras, Chicago and Boston Symphonies, Berlin Philharmonic, Royal Concertgebouw, London Symphony, the BBC orchestras, Zurich Tonhalle, Gothenburg Symphony, Stockholm Philharmonic, Santa Cecilia, La Scala, Mahler Chamber, Orchestre National de France, Orchestre de Paris, Czech Philhamonic, and NHK Symphony. These concerts have been with many of the greatest conductors, such as Abbado, Sawallisch, Jarvi, Chailly, Dutoit, Eschenbach, Chung, Alan Gilbert and Gustavo Dudamel.

Jian Wang has made many recordings, his latest releases being the Elgar Cello Concerto with the Sydney Symphony and Vladimir Ashkenazy. He has also recorded an album of short pieces for Cello and Guitar titled “Reverie”, the complete Bach Cello Suites and a Baroque Album with the Camerata Salzburg, Brahms Double Concerto with the Berlin Philharmonic Orchestra, Claudio Abbado and Gil Shaham, the Haydn Concerti with the Gulbenkian Orchestra under Muhai Tang, Messiaen’s Quartet for the End of Time (with Myung-Whun Chung, Gil Shaham and Paul Meyer) and Brahms, Mozart and Schumann chamber music with Pires and Dumay. His instrument is graciously loaned to him by the family of the late Mr. Sau-Wing Lam.

 

YANG YANG

Born into a musical family, learned piano with Professor Qifang Li. Later, he learned conducting respectively with Professor Xin Xu and Lingfen Wu, and then was admitted to the Conducting Department of Central Conservatory of Music, being one of the students of Professor Feng Yu.

In November 2006, he won the first place for his outstanding performance at the Dimitris Mitropoulos International Competition for Orchestral Conducting in Greece. It is the first time for the Chinese conductors to have such honor.   

As one of the most active young conductors in China, Yang Yang has maintained close partnership with all domestically and internationally mainstream orchestras and opera houses. Meanwhile, he has successfully left tracks at a host of foreign orchestras such as German Philharmonic Orchestra of Cologne, Stuttgarter Philharmoniker, National Rhine Philharmonic Orchestra, Italian Rome Philharmonic Orchestra and Verona Opera House, French Cannes Symphony Orchestra and Bordeaux Symphony Orchestra, Greek Symphony Orchestra, Athenian Chamber Orchestra and Korean Incheon Philharmonic. He had sincere cooperation with such world famous musicians as cellist Lynn Harrell, Alban Gerhard, violinist Augustin Dumay, Lenard Karpison, Zhaoliang Lin, pianist Lang Lang, Barry Douglas, Kun-Woo Paik, soprano Xiumei Cao, clarinetist Sabine Meyer, etc.

In the year of 1998, at the First Beijing International Music Festival, Yang yang started his conducting career. In the following seven years, he conducted the operas and concerts at the same festival. From 2000 to 2005, Yang Yang held the position as the Assistant Conductor for China Philharmonic Orchestra. In 2006 Yang Yang attended an advanced training course hosted by Myung Whun Chung, a Korean conducting master, in Korea. In 2009, he was involved in founding of Hangzhou Philharmonic Orchestra.

From 2009 to 2012, Yang Yang had conducted Hangzhou Philharmonic Orchestra for nearly 200 splendid concerts in three seasons. According to the demand of CPC Hangzhou Municipal Committee and Hangzhou Municipal People’s Government to develop the culture and with Yang Yang’s planning and devotion, Hangzhou Philharmonic Orchestra had founded a long term strategic and cooperative partnership with Germany Berlin Philharmonic and Italian Florence Opera House, and been growing fast in professionalism and internationality by introducing Musician Exchange Plan, Talents Oriented Training plan and Opera Cooperation System. In three years, Yang Yang and Hangzhou Philharmonic Orchestra had successfully appeared in Mecklenburg-Vorpommern Festival, Schleswig-Holstein Musik Festival, Ravello Festival, Emilia Romagna Festival, Taormina Festival, Ljubljana Festival, and won great applause and high evaluation.

Yang Yang is acting as Resident Conductor of China Philharmonic Orchestra, and Artist Director and Chief Conductor of Hangzhou Philharmonic Orchestra.