小提琴家齐默尔曼之夜

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导赏 弗兰克·彼得·齐默尔曼无疑是当今最优秀的小提琴家之一。作为有着辉煌历史的德国小提琴学派的继承者,他功底深厚,技术全面,是真正实力派的演奏家。齐默尔曼最为拿手的作品无疑是德奥小提琴音乐。在2017年的北京国际音乐节上,齐默尔曼演奏了巴赫与贝多芬的小提琴协奏曲,已经在当时的京城引发轰动。在这场音乐会上,他演奏的除了巴赫的一首小提琴协奏曲之外,还有门德尔松的小提琴协奏曲,这些都在他最拿手的曲目之列,听众只要尽情沉浸在大师无与伦比的气场里就好了。

门氏的小提琴协奏曲洋溢着青春气息,是少年天才的笔触。虽然已届中年,但这位几十年前就以演奏这部作品出名的小提琴家,并且看着自己天资过人的儿子如今也崭露头角,想必对这样一部作品会有更深刻的理解。(徐尧,乐评人)


小提琴家齐默尔曼之夜

A Night with Frank Peter Zimmermann



沃尔夫冈·阿玛迪乌斯·莫扎特:G小调第25交响曲,作品K. 183

约翰·塞巴斯蒂安·巴赫:小提琴协奏曲(待定)

费利克斯·门德尔松:E小调小提琴协奏曲,作品64


小提琴:弗兰克·彼得·齐默尔曼

指挥:黄屹


小提琴:弗兰克·彼得·齐默尔曼

弗兰克·彼得·齐默尔曼被广泛认为是他这一代最重要的小提琴家之一。他才华横溢,有着无私的音乐精神和敏锐的理解力,收获赞誉无数。在过去的三十多年中,已与世界主要乐团以及世界最知名的指挥家合作,参与的音乐会遍布欧洲、美国、日本、南美和澳大利亚等重要的音乐厅和国际音乐节。

在2017/18音乐季,弗兰克·彼得·齐默尔曼将成为北德意志广播易北爱乐乐团的驻团艺术家。作为齐默尔曼三重奏中的一员,他将随乐团赴巴黎、德累斯顿、柏林和马德里演出,并参加在萨尔茨堡、爱丁堡和石勒苏益格 - 荷尔斯泰因举办的夏季音乐节。阿姆斯特丹皇家音乐厅管弦乐团将邀请齐默尔曼与丹尼尔·加蒂,在阿姆斯特丹的音乐会后,与他们共同参加首尔和日本的巡演。他也将与巴伐利亚广播交响乐团和指挥杨松斯在欧洲和纽约卡耐基音乐厅举行巡演。其他音乐会和巡演计划包括:与苏黎世市政厅乐团和伯纳德·海廷克的演出、与柏林巴洛克独奏家乐团的欧洲巡演、在丹尼尔·哈丁的指挥下与巴黎管弦乐团和瑞典广播交响乐团合作。上海交响乐团、广州交响乐团和中国爱乐乐团(北京国际音乐节开幕音乐会)即将迎来齐默尔曼为期一周的中国巡演,音乐会都将由余隆担任指挥。

弗兰克·彼得·齐默尔曼在2016/17音乐季中的亮点包括与波士顿交响乐团和雅库布·赫鲁沙的演出,与巴伐利亚广播交响乐团和雅尼克·涅杰-瑟贡合作,基里·彼得连科指挥的巴伐利亚国立管弦乐团,爱乐管弦乐团与尤拉伊·瓦楚哈和拉法耶·帕耶雷,柏林爱乐乐团、纽约爱乐乐团与艾伦·吉尔伯特,俄罗斯-德国音乐学院与瓦列里·捷杰耶夫,法国国家管弦乐团与尤拉伊·瓦楚哈,柏林巴洛克独奏家乐团,班贝格交响乐团和曼弗雷德·霍内克以及尤拉伊·瓦楚哈指挥的维也纳交响乐团。

弗兰克·彼得·齐默尔曼与中提琴家演奏家安托万·塔米斯蒂以及大提琴演奏家克里斯蒂安·波泰拉组成了齐默尔曼三重奏,并在欧洲各大音乐场所和音乐节演出。BIS唱片公司发行了三张他们的唱片并获得大奖,分别收录了贝多芬作品第3号、第8号、第9号、莫扎特KV563套曲、和舒伯特弦乐三重奏作品D 471号。

齐默尔曼先生参与了四部作品的世界首演音乐会,其中最著名为2015年的马格努斯·林德伯格的第二小提琴协奏曲,与伦敦爱乐乐团的演出由梵志登指挥,与柏林爱乐和瑞典广播交响乐团的由丹尼尔·哈丁指挥,艾伦·吉尔伯特则指挥了纽约爱乐乐团和法国广播爱乐乐团的演出。此外,马蒂亚斯·派辛赫创作的《静悄悄》(“en sourdine”),由柏林爱乐乐团、齐默尔曼和彼得·埃托夫斯于2003年首演。布莱特·迪恩小提琴协奏曲《遗失的书信写作艺术》(“The Lost Art of Letter Writing”) 于2007年由齐默尔曼和阿姆斯特丹皇家音乐厅管弦乐团首演,作曲家本人担任指挥,并夺得2009年的格文美尔古典作曲大奖。2009他也与法国广播爱乐乐团和安德烈·博列伊科首演奥古斯塔·里德·托马斯的新作——小提琴第三协奏曲《天堂里的魔术师》(“Juggler in Paradise”)。

弗兰克·彼得·齐默尔曼获得了大量的特别奖项和荣誉,包括锡耶纳齐加纳音乐学院奖,莱茵文化奖,杜伊斯堡音乐奖,德意志联邦十字勋章一等奖以及哈瑙城保罗·欣德米特奖。

多年来,弗兰克·彼得·齐默尔曼为包括百代、索尼、BIS、Ondine、Teldec和ECM在内的多家唱片公司建立了惊人的唱片目录。从巴赫到利盖蒂,他已经录制了几乎所有主要的协奏曲以及独奏曲目,其中许多录音荣获了享誉全球的大奖。他最新的CD由BIS在2016年发行,收录了肖斯塔科维奇的两首小提琴协奏曲,与北德意志广播易北爱乐乐团和艾伦·吉尔伯特共同录制。2015和2016年,Hänssler古典音乐分别发行了两张齐默尔曼的CD,共收录了莫扎特的五首小提琴协奏曲和交响协奏曲,由他和安托万·塔米斯蒂以及巴伐利亚广播乐团室内乐团共同录制完成。2014年齐默尔曼的第二张德沃夏克小提琴协奏曲专辑面世,收录在Decca唱片发行的捷克爱乐乐团和基里·贝洛拉维克合作的交响乐和协奏曲合集中。BIS在2013年发行了由帕沃·耶尔维指挥,法兰克福广播交响乐团和齐默尔曼演奏的欣德米特小提琴协奏曲 (1939),获得了高度的赞扬,同时还收录了作曲家的四首奏鸣曲(其中三首与钢琴家恩里科·帕切合奏),以及由乔纳森·诺特指挥悉尼交响乐团和齐默尔曼演奏的布莱特·迪恩小提琴协奏曲《遗失的书信写作艺术》。

弗兰克·彼得·齐默尔曼1965年出生在德国杜伊斯堡,五岁开始学习小提琴,十岁时已与管弦乐团举办了他首场音乐会。他曾师从瓦列里·格拉多夫,萨什科·加夫里洛夫和赫尔曼·克雷伯斯(Herman Krebbers)学习小提琴。

齐默尔曼使用一把1711年的安东尼奥·斯特拉迪瓦里小提琴,名为“音姬夫人”(Lady Inchiquin),由北莱茵-威斯特法伦州杜塞尔多夫艺术收藏基金会倾情提供。


指挥:黄屹

当今国际古典乐坛备受瞩目的著名青年指挥家,现任中国爱乐乐团常任指挥,中央芭蕾舞团交响乐团首席指挥,昆明聂耳交响乐团艺术总监兼首席指挥。

2006年,黄屹以优异的成绩考入中央音乐学院指挥系,师从杨力教授,2007年起师从俞峰教授。

2009年,经世界著名指挥大师小泽征尔的亲自选拔,成为其助理指挥。

2010年,以优异的成绩被中央音乐学院指挥系保送继续研究生学习。

2011年,以专业第一名考入德国柏林音乐学院(Hochschule für Musik "Hanns Eisler"),师从交响乐教授克里斯蒂安·艾华德(Christian Ehwald)及歌剧教授汉斯迪特·鲍姆( Hans-Dieter Baum )。

2012年,经著名指挥大师余隆的大力推荐,执棒中国爱乐乐团,在第15届北京国际音乐节成功上演出歌剧《原野》,完成职业生涯的歌剧首秀。

2013年,作为世界著名指挥家克里斯蒂安·蒂勒曼(Christian Thielemann)的助理指挥,参与萨尔茨堡复活节音乐节歌剧《帕西法尔》的排练及演出。同年,作为指挥家古斯塔夫·库恩(Gustav Kuhn)的助理指挥,参与排练及演出了第16届北京国际音乐节闭幕音乐会——瓦格纳歌剧《帕西法尔》的中国首演。

2015年,执棒上海交响乐团演出上海夏季音乐节闭幕音乐会,成功完成了《乒乓协奏曲》世界首演。同年,出任中国爱乐乐团助理指挥并受聘担任中央音乐学院指挥系教师。

2016年,出任昆明聂耳交响乐团艺术总监兼首席指挥。

2017年,应邀担任柏林音乐学院(Hochschule für Musik "Hanns Eisler")指挥系助教。

2018年,签约世界著名古典音乐经纪公司Askonas Holt;

2019年。出任中国爱乐乐团常任指挥及中央芭蕾舞团交响乐团首席指挥。

黄屹近年成功执棒德国柏林音乐厅管弦乐团、德国法兰克福交响乐团、德国勃兰登堡交响乐团、德国新勃兰登堡交响乐团、小泽征尔音乐塾管弦乐团、韩国釜山爱乐乐团、中央歌剧院交响乐团、中国歌剧舞剧院交响乐团、上海交响乐团、广州交响乐团、深圳交响乐团、杭州爱乐乐团、贵阳交响乐团、青岛交响乐团、陕西爱乐乐团、福建歌舞剧院交响乐团、中国青年交响乐团、澳门青年交响乐团、中国少年交响乐团、中国广播电影乐团等。与歌唱家戴玉强、廖昌永、魏松、莫华伦、张立萍、袁晨野、梁宁、张建一、沈洋、王传越、宋元明等;演奏家吕思清、宁峰、秦立巍、张昊辰、奥斯丁·杜梅、艾丽森·巴尔松、安德烈·奥腾萨默、黄蒙拉、文薇、王之炅、杨雪霏等成功合作。


Wolfgang Amadeus MOZART: Symphony No. 25 in G minor, K. 183

Johann Sebastian BACH: Violin Concerto(TBD)

Felix MENDELSSOHN Bartholdy: Violin Concerto in E minor, Op. 64


Frank Peter ZIMMERMANN, violin

HUANG Yi, conductor


Frank Peter ZIMMERMANN, violin

Frank Peter Zimmermann is widely regarded as one of the foremost violinists of his generation.  Praised for his selfless musicality, his brilliance and keen intelligence he has been performing with all major orchestras in the world for well over three decades, collaborating on these occasions with the world's most renowned conductors. His many concert engagements take him to all important concert venues and international music festivals in Europe, the United States, Japan, South America and Australia.

One of his last engagements during the 2015/16 season were concerts with the Bayerisches Staatsorchester and Kirill Petrenko, with whom he started his 2016/17 season with further concerts in Dortmund, Bonn and Berlin (Musikfest). Other highlights during 2016/17 include engagements with the Boston Symphony Orchestra and Jakub Hrůša, the Symphonieorchester des Bayerischen Rundfunks and Yannick Nézet-Séguin, the Göteborg Symphony Orchestra and Eivind Aadland, the Philharmonia Orchestra and Juraj Valcuha and Rafael Payare, the Berliner Philharmoniker and Alan Gilbert, the Finnish Radio Symphony Orchestra and Hannu Lintu, the New York Philharmonic Orchestra and Alan Gilbert (4 concerts in Europe), the Orchestre National de France and Juraj Valcuha, the Berliner Barock-Solisten, the Bamberger Symphoniker and Manfred Honeck and the Wiener Symphoniker and Jakub Hrůša. With his string trio, the Trio Zimmermann, he undertook a European tour in December 2016 with concerts in among others Zürich, Luxembourg, Warsaw, Amsterdam and Milan.

In December 2015 Frank Peter Zimmermann gave the world premiere of Magnus Lindberg’s violin concerto no. 2 with the London Philharmonic Orchestra and Jaap van Zweden. Further performances of this new concerto took place with the Berliner Philharmoniker and Swedish Radio Symphony Orchestra, both under Daniel Harding and with the New York Philharmonic and Orchestre Philharmonique de Radio France, both under Alan Gilbert. Further highlights in 2015/16 included engagements with orchestras such as the Royal Concertgebouw Orchestra and Jakub Hrůša, the Cleveland Orchestra and Franz Welser-Möst and the Czech Philharmonic Orchestra and Jaap van Zweden. He joined the Gustav Mahler Jugendorchester and David Afkham for their Easter tour in March/April 2016. With his Trio Zimmermann he appeared at the festivals of Salzburg and Edinburgh, as well as in Vienna, Munich, Amsterdam, Madrid, Barcelona and Hamburg. 

Mr. Zimmermann is an equally respected chamber musician and recitalist. His interpretations of the classical, romantic and 20th Century repertoire are received with great critical acclaim from press and public alike.

Together with viola player Antoine Tamestit and cellist Christian Poltéra he forms the Trio Zimmermann; the string trio performs in all major music centres and festivals in Europe. BIS Records released three award-winning CD recordings of works for string trio by Beethoven (Op. 3, Op. 8 and Op. 9), Mozart (Divertimento KV 563) and Schubert (Trio, D 471).

In addition to the afore-mentioned violin concerto of Magnus Lindberg, Mr. Zimmermann has given three further world premieres: the violin concerto “en sourdine” by Matthias Pintscher with the Berliner Philharmoniker and Peter Eötvös (2003), the violin concerto “The Lost Art of Letter Writing” by Brett Dean, who received the 2009 Grawemeyer Award for this composition, with the Royal Concertgebouw Orchestra, conducted by the composer (2007) and the violin concerto no. 3 “Juggler in Paradise” by Augusta Read Thomas with the Orchestre Philharmonique de Radio France and Andrey Boreyko (2009).

He received a number of special prizes and honours, among which the “Premio del Accademia Musicale Chigiana, Siena” (1990), the “Rheinischer Kulturpreis” (1994), the “Musikpreis” of the city of Duisburg (2002), the “Bundesverdienstkreuz 1. Klasse der Bundesrepublik Deutschland” (2008) and the “Paul-Hindemith-Preis der Stadt Hanau” (2010).

Over the years Frank Peter Zimmermann has built up an impressive discography for EMI Classics, Sony Classical, BIS, Ondine, Teldec Classics and ECM Records. He has recorded virtually all major concerto repertoire, ranging from Bach to Ligeti, as well as recital repertoire. Many of these recordings have received prestigious awards and prizes worldwide.

His most recent CD with the two violin concertos of Shostakovich, performed with the NDR Elbphilharmonie Orchester and Alan Gilbert was released on BIS in 2016. In 2015 and 2016 hänssler Classic released 2 CDs with his new recording of the 5 violin concertos and Sinfonia Concertante of Mozart with the Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks and Antoine Tamestit. In 2014 his second recording of the Dvořák violin concerto was released by Decca as part of the complete symphonies and concertos with the Czech Philharmonic Orchestra and Jiří Bělohlávek. And in 2013 BIS released his highly praised recording of the Hindemith violin concerto (1939), which he performs with the hr-Sinfonieorchester under Paavo Järvi, and of four sonatas by the same composer (three of which together with pianist Enrico Pace), as well as a recording of the violin concerto "The Lost Art of Letter Writing" by Brett Dean, with the Sydney Symphony Orchestra conducted by Jonathan Nott.

Born in 1965 in Duisburg, Germany, Mr. Zimmermann started playing the violin when he was 5 years old, giving his first concert with orchestra at the age of 10. He studied with Valery Gradov, Saschko Gawriloff and Herman Krebbers. 

Mr. Zimmermann plays on the 1711 Antonio Stradivari violin "Lady Inchiquin”, which is kindly provided by the Kunstsammlung Nordrhein-Westfalen, Düsseldorf, "Kunst im Landesbesitz".


HUANG Yi, conductor

As one of the most stunning Chinese conductors in the world, Mr. Huang Yi is currently the Principle Conductor of the China Philharmonic Orchestra, the Chief Conductor of National Ballet of China Symphony Orchestra and the Artistic Director and Chief Conductor of Kunming Nie’er Symphony Orchestra. 

Huang, Yi was born in 1986 into a family of musicians in Beijing. Musical education in his early childhood came from his father Huang, He, a famous music professor, and he later studied at the Central Conservatory with Prof. Yang, Li and Yu, Feng. After graduation with a top-level grades from bachelor study, as a student recommended for admission, Huang, Yi continued his master study in the Central Conservatory of Mu-sic. In the year of 2011, and then studied at the Hochschule für Musik "Hanns Eisler" Berlin with Prof. Christian Ehwald and Prof. Hans-Dieter Baum.

Outstanding music talents and excellent educational background make Huang Yi a rising star in classic music stage. 

Huang Yi’s career starts in 2009 with choosing to be Maestro Seiji Ozawa’s assistant conductor. In the year of 2012, he was recommended by Maestro Long Yu and made his opera debut conducting the China Philharmonic Orchestra at the 15th Beijing Mu-sic Festival’s new production Chinese opera “The Savage Land”. In 2013, as the as-sistant conductor of Maestro Christian Thielemann, Huang Yi participated in re-hearsing and conducting “Parsifal” at the Salzburg Easter Festival. In the same year, he assisted Maestro Gustav Kuhn in rehearsing and conducting Parsifal’s Chinese premiere at the 16th Beijing Music Festival. Two years later, Huang Yi conducting Shanghai Symphony Orchestra performed successfully Ping Pang Concerto’s world premiere in MISA’s closing concert. 

Huang Yi becomes the assistant conductor of the China Philharmonic Orchestra since 2015, meanwhile being the teacher of the conducting faculty of China’s central con-servatory of Music. In the next year, he became the Artistic director and Chief Con-ductor of Kunming Nie’er Symphony Orchestra. Then was invited to be the assistant professor of Hochschule für Musik "Hanns Eisler” Berlin. Huang Yi is the resident conductor of the China Philharmonic Orchestra and the Chief Conductor of National Ballet of China Symphony Orchestra since January of 2019. 

Besides, Mr. Huang has successfully conducted Konzerthausorchester Berlin, Frank-furt Symphony Orchestra, Brandenburg Symphony Orchestra, New Brandenburg Symphony Orchestra, Seiji Ozawa Ongaku-Juku Symphony Orchestra, Busan Phil-harmonic Orchestra of Korea, China Central Opera House Symphony Orches-tra,China National Opera and Dance Drama Theater Symphony Orchestra, Shanghai Symphony Orchestra, Guangzhou Symphony Orchestra, Shenzhen Symphony Or-chestra, Hangzhou Philharmonic Orchestra, Guiyang Symphony Orchestra,Qingdao Symphony Orchestra, Shaanxi Philharmonic Orchestra, Fujian Opera and Dance Drama Theater Symphony Orchestra, China Youth Symphony Orchestra, Macao Youth Symphony Orchestra,China Juvenile Symphony Orchestra, China Film Sym-phony Orchestra, etc. And collaborated with Yuqiang Dai, Changyong Liao, Song Wei, Warren Mok, Liping Zhang, Chenye Yuan, Ning Liang, Jianyi Zhang, Shen Yang, Chuanyue Wang,Yuanming Song,etc. Soloist Augustin Dumay, Alison Balsom, Andreas Ottensamer, Ning Feng, Siqing Lv, Liwei Qin,Haochen Zhang, Mengla Huang,Wei Wen, ZhiJong Wang and Xuefei Yang.

Askonas Holt is Huang Yi’s global management.