庆祝中华人民共和国成立70周年音乐会 音乐季开幕音乐会

  • 2019年09月13日 星期五 19:30
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导赏 做为新乐季开幕音乐会,正值新中国成立70周年之际,乐团安排三首中国交响乐作品,代表着中国交响乐在新中国成立70年的征程。

吕其明作曲的《红旗颂》是观众最为熟悉的交响乐序曲,音乐里融入了国歌的旋律,抒发着我国人民在国庆庆典的骄傲和自豪感,从慷慨激昂的管乐走出《国歌》的旋律,到乐曲中间温暖的抒情曰段,让观众切身感受到国庆庆典的壮丽恢弘的场面。

旅美中国青年作曲家周天是新一代交响乐中的佼佼者,他1981年出生在杭州,毕业于上海音乐学院附中、柯蒂斯音乐学院(学士)、茱莉亚音乐学院(硕士)、南加州大学(博士),师从著名作曲家珍妮佛·夕格顿和克里斯托弗·劳斯。2018年1月,他凭借《乐队协奏曲》获第60届格莱美奖“最佳当代古典音乐作曲家奖”提名奖。周天的音乐风格清新简练、手法娴熟、注重唯美与技术的结合。他的作品在求新的同时保持了很强的古典音乐的传承——强调旋律、和声、复调的发展与创新,注重演奏者的发挥与表达。大提琴协奏曲《水袖》作曲家为中国大提琴演奏家王健创作,周天从戏曲水袖这种独特的表演形式中得到灵感,以大提琴与乐队的对话来演绎一场如行云流水般的中国古典式浪漫。独奏家将大提琴作为自己心灵的延伸,通过双手在弓弦上的来去起伏中传达着想要抒发的情感。两种表演形式,一东一西,亦虚亦实,通过《拂》、《挑》、《影》、《舞》四个乐章,让古老的中国文化在管弦乐的意境中展现开来…

我国著名作曲家丁善德创作的《长征交响曲》是上个世纪60年代涌现出的我国交响乐经典作品,作品以五个乐章讲述中国工农红军经过艰难险阻完成二万五千里长征这一伟大壮举的全过程。作品首次运用赣南闽西客家山歌中长汀《风吹竹叶》为第二乐章的主题“迭句”素材,五六次地再现了这一音乐主题,形象地揭示着交响曲的艺术特性,不仅完美成功地表现了伟大长征这一特定时期,红军告别根据地的恋舍之情的典型环境,而且使作品更具有中国民族化艺术特色。这一艺术特色是的《长征交响曲》成为民族交响乐中的佼佼者,成为接地气同时主题鲜明受观众喜爱的我国优秀的交响乐作品。(伦兵,《北京青年报》资深记者、音乐评论家)


庆祝中华人民共和国成立70周年音乐会

音乐季开幕音乐会

A Concert to Celebrate the 70th Anniversary of the Founding of the People’s Republic of China

Season Opening Concert




吕其明:红旗颂

周天:大提琴协奏曲“水袖”

丁善德:长征交响曲


大提琴:王健

指挥:余隆


大提琴:王健

王健四岁起跟随父亲学习大提琴。在上海音乐学院求学期间,他的影像便出现在美国小提琴家斯特恩拍摄的《从毛泽东到莫扎特-斯特恩在中国》这一著名纪录片中, 而斯特恩先生的支持与鼓励为王健赴美求学铺平了道路。1985年王健进入耶鲁大学音乐学院深造,师从著名大提琴演奏家阿多·帕里索特。

在2013/14演出季中,王健的协奏曲演出包括与纽约爱乐乐团、多伦多交响乐团与温哥华交响乐团(谭盾《三重复活》)的合作。此外他还将与NDR汉堡交响乐团以及蒙特利尔交响乐团合作,在柏林、哥本哈根以及香港等地上演独奏音乐会或室内乐。2013年7月他在澳大利亚举行了盛大的独奏音乐会巡演。

在上个音乐季里,王健的协奏曲演出包括与阿什肯纳奇执棒的悉尼交响乐团、道斯加尔德执棒的BBC交响乐团以及法国广播爱乐乐团的合作。他在中国演出了许多高规格的音乐会,其中包括为国家主席演出,以及中国爱乐乐团、上海交响乐团与澳门乐团的音乐季开幕演出。此外他还与中国国家交响乐团、杭州爱乐乐团合作,在北京国家大剧院演出了巴赫的全部无伴奏组曲。

王健最初作为职业演奏家登台是1986年在纽约卡耐基音乐厅的音乐会,此后他开始了辉煌的国际演奏生涯。王健音乐生涯早期的亮点包括与克劳迪奥·阿巴多指挥的马勒青年管弦乐团合作,与里卡多·夏伊执棒的皇家音乐厅管弦乐团在阿姆斯特丹的音乐会以及在中国的巡演。他还曾经与许多其他世界顶级乐团进行合作,如费城交响乐团、波士顿交响乐团、克利夫兰管弦乐团、芝加哥交响乐团、伦敦交响乐团、苏黎世市政厅管弦乐团、斯德哥尔摩爱乐乐团、圣切契利亚交响乐团、巴黎管弦乐团与NHK交响乐团。王健还与萨尔茨堡室内乐团、马勒室内乐团、瑞典室内乐团与苏格兰室内乐团有成功的合作。与他同台的杰出指挥家包括郑明勋、杜达梅尔、迪图瓦、艾森巴赫、吉尔伯特、哈丁、尼姆·贾尔维、克里文、朗格列、摩尔洛与韦格斯沃斯等。

王健还为全球许多音乐节进行独奏和室内乐表演,包括瑞士韦尔比耶音乐节、日本的宫崎音乐节、英国的奥尔德堡音乐节以及美国的坦格伍德音乐节和绝对莫扎特音乐节。2008年王健在BBC逍遥音乐节上首次登台,演奏了巴赫无伴奏大提琴组曲的其中三首。

王健为DG录制了许多唱片,《幻想曲》(为大提琴和吉他改编)和《巴赫无伴奏大提琴组曲》是他最新的作品。王健还与萨尔茨堡室内乐团录制了巴洛克专辑,与克劳迪奥·阿巴多执棒的柏林爱乐乐团和小提琴手吉尔·沙汉姆合作录制了勃拉姆斯双重协奏曲,与古本江管弦乐团和指挥汤沐海录制了海顿协奏曲,与郑明勋、吉尔·沙汉姆和保罗·梅耶合作录制了奥利维埃·梅西安的《时间终结四重奏》,以及与皮耶丝以及杜梅共同录制的勃拉姆斯、莫扎特和舒曼的室内乐作品。他最新出版的专辑是与阿什肯纳奇指挥悉尼交响乐团在现场录制的埃尔加大提琴协奏曲。王健所使用的大提琴由已故林寿荣先生的家族慷慨出借。


指挥:余隆

余隆是活跃于国际乐坛的最杰出的中国指挥家,被纽约时报誉为“中国古典音乐届最具影响力的人物”,现任北京国际音乐节艺术委员会主席和中国爱乐乐团艺术总监,上海交响乐团和广州交响乐团音乐总监,上海夏季音乐节的联合总监,以及香港管弦乐团首席客席指挥。余隆创办了北京国际音乐节并于1998年至2018年间担任其艺术总监。

在2019/20乐季中,除了在中国的演出,余隆将以客座指挥英国皇家爱乐乐团、纽约爱乐乐团、伯尔尼交响乐团,荷兰广播爱乐乐团,阿德莱德交响乐团、奥克兰爱乐乐团、台湾爱乐乐团以及新加坡交响乐团等。2019年夏天,余隆与上海交响乐团的巡演之旅至美国和欧洲等地,包括了BBC逍遥音乐节、爱丁堡国际艺术节、拉维尼亚艺术节,卢塞恩音乐节等。

2018年6月,余隆与德意志留声机(以下称“DG”)签署独家录音合约,成为DG旗下签约的第一位中国指挥家。作为2018/19乐季德意志留声机120周年庆典的一部分,余隆于18年10月在北京的紫禁城太庙指挥了一场盛大的启动音乐会,同台艺术家包括阿依达•加里芙琳娜和丹尼尔•特里福诺夫,该音乐会随后发行了唱片。

余隆指挥过世界各地一系列知名交响乐团和歌剧院,其中包括纽约爱乐乐团、芝加哥交响乐团、费城交响乐团、洛杉矶爱乐乐团、蒙特利尔交响乐团、华盛顿国家交响乐团、辛辛那提交响乐团、巴黎管弦乐团、班贝格交响乐团、汉堡国家歌剧院、柏林广播交响乐团、莱比锡广播交响乐团、汉堡北德广播交响乐团、慕尼黑爱乐乐团、悉尼交响乐团、墨尔本交响乐团、BBC交响乐团、香港管弦乐团、东京爱乐乐团和新加坡交响乐团等。余隆多年来与以艾莉森•巴尔松、曹秀美、郎朗、马友友、米沙•麦斯基、马克西姆•文格洛夫和王羽佳为代表的众多国际著名艺术家保持频繁合作。

2008年,余隆指挥中国爱乐乐团作为首支中国乐团在梵蒂冈城保罗六世礼堂演出,教宗本笃十六世观看演出,成为令全世界瞩目的中西方文化交流盛事。2014年余隆率领中国爱乐乐团在英国BBC逍遥音乐节上演出,该音乐会的电视转播在英国收视率过百万,余隆和中国爱乐也成为了首位中国指挥和中国乐团登上这一舞台。

为了推动中国交响乐的宏观发展,余隆联合了上海交响乐团、上海音乐学院和纽约爱乐创建了中国首个乐队学院。他的前瞻性愿景着眼于向中国正在成长中的古典乐观众介绍重要的西方作品,包括瓦格纳的指环王系列、马勒系列,还有理查德•施特劳斯、本杰明•布里顿及其他作曲家作品。2014年,纽约爱乐乐团任命余隆为乐团国际顾问委员会荣誉成员。这一由12名成员组成的委员会是一个倡导者和大使们与各国个人和机构联结的关系网,以培养纽约爱乐长期在全球范围内的影响力。

余隆与广州交响乐团的初次合作是1993年,并于2003年成为该团音乐总监。任职期间余隆曾率领乐团赴欧洲和埃及巡演,在巴黎香榭丽舍剧院、卢森堡音乐学院、阿姆斯特丹音乐厅和开罗歌剧院演出。

余隆1964年出生于上海的音乐世家,自幼随外祖父、著名作曲家丁善德教授学习音乐。后求学于上海音乐学院和德国柏林高等艺术大学。1992年,余隆担任中央歌剧院首席指挥。同年,他参与创办了中国的新年音乐会系列,并连续三年担任指挥。1993年起,余隆连续五年为香港市政局指挥歌剧演出。

鉴于余隆在推动当今世界古典音乐事业发展和促进国际间文化交流方面所做的突出贡献,法国政府特别授予余隆“法兰西文学艺术骑士勋章”;2002年,德国万宝龙文化基金会向余隆颁发了年度“万宝龙卓越艺术成就奖”; 2005年,意大利总理贝鲁斯科尼向余隆颁发了“共和国骑士勋章”; 2014年,他获得象征着法国最高荣誉典属体系的荣誉军团骑士勋章;2015年,余隆荣获“全国优秀文学艺术工作者”荣誉称号,并获得由美国大西洋理事会颁发的“全球公民”奖,以及由耶鲁大学音乐学院颁发的“桑福德奖章”;2016年,余隆当选美国艺术与科学院外籍荣誉院士,并于同年被授予德意志联邦共和国十字勋章;2018年,余隆被香港演艺学院授予荣誉博士学位。

 

LÜ Qiming: Ode to the Red Flag

ZHOU Tian: Cello Concerto “Flowing Sleeves”

DING Shande: Long March Symphony


Jian WANG, violoncello

Long YU, conductor


Jian WANG, violoncello

Jian Wang began to study the cello with his father when he was four. While a student at the Shanghai Conservatoire, he was featured in the celebrated documentary film From Mao to Mozart: Isaac Stern in China.  Mr Stern's encouragement and support paved the way for him to go to the United States and in 1985 he entered the Yale School of Music under a special programme where he studied with the renowned cellist Aldo Parisot. 

Jian Wang has performed with many of the worlds leading orchestras, including Berlin Philharmonic, Royal Concertgebouw orchestra, New York Philharmonic, Cleveland and Philadelphia orchestras, Chicago and Boston Symphonies, , London Symphony, the Halle, the BBC orchestras, Zurich Tonhalle, Gothenburg Symphony, Stockholm Philharmonic, Santa Cecilia, La Scala, Mahler Chamber, Orchestre National de France, Orchestre de Paris, Czech Philhamonic, and NHK Symphony. These concerts have been with many of the greatest conductors, such as Abbado, Sawallisch, Jarvi, Chailly, Dutoit, Eschenbach, Chung, Gilbert, Van Zweden and Gustavo Dudamel.  As a jury member, Jian Wang has judged many of the most important competitions, including the Tchaikovsky cello competition, the Queen Elizabeth cello competition, the Isaac Stern violin competition and the Nielsen violin competition. 

Jian Wang has made many recordings, his latest releases being the Elgar Cello Concerto with the Sydney Symphony and Vladimir Ashkenazy. He has also recorded an album of short pieces for Cello and Guitar titled Reverie, the complete Bach Cello Suites and a Baroque Album with the Camerata Salzburg, Brahms Double Concerto with the Berlin Philharmonic Orchestra, Claudio Abbado and Gil Shaham, the Haydn Concerti with the Gulbenkian Orchestra under Muhai Tang, Messiaens Quartet for the End of Time (with Myung-Whun Chung, Gil Shaham and Paul Meyer) and Brahms, Mozart and Schumann chamber music with Pires and Dumay. His instrument is graciously loaned to him by the family of the late Mr. Sau-Wing Lam. 


Long YU, conductor

Hailed as the “most powerful figure in China’s classical music scene” by The New York Times, the preeminent Chinese conductor Long Yu holds positions as the Music Director of the Shanghai Symphony Orchestra, Artistic Director & Chief Conductor of the China Philharmonic Orchestra and Music Director of the Guangzhou Symphony Orchestra. He is also the Principal Guest Conductor of the Hong Kong Philharmonic Orchestra. Maestro Yu is the Founder of the Beijing Music Festival and was its Artistic Director from 1998 to 2018. He is the Co-Director of the MISA Summer Festival in Shanghai.

In the 2019/20 season, alongside his work in China, Maestro Yu makes guest appearances across the globe, including with the Royal Philharmonic Orchestra, New York Philharmonic, Bern Symphony Orchestra, Netherlands Radio Philharmonic Orchestra, Adelaide Symphony Orchestra, Auckland Philharmonia, Taiwan Philharmonic and Singapore Symphony Orchestra. Summer 2019 saw Maestro Yu lead the Shanghai Symphony Orchestra on a tour of the USA and Europe, with orchestral debuts at London’s BBC Proms, Edinburgh International Festival, Wolf Trap, and Ravinia Festival in addition to performances at the Lucerne Festival, Grafenegg Festival and Amsterdam’s Concertgebouw.

In June 2018, Maestro Yu signed an exclusive recording contract with Deutsche Grammophon, which began a global release and distribution partnership. As part of the Deutsche Grammophon’s 120th anniversary celebrations in 2018/19, Maestro Yu conducted a spectacular launch concert in October at the site of Beijing’s historic Imperial Ancestral Temple at the Forbidden City, alongside artists such as Aida Garifullina and Daniil Trifonov.

Maestro Yu has conducted a highly-acclaimed list of orchestras and opera houses throughout the world including the New York Philharmonic, Chicago Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, Montreal Symphony Orchestra, Washington DC’s National Symphony Orchestra, Cincinnati Symphony Orchestra, Orchestre de Paris, Bamberg Symphony Orchestra, Hamburg State Opera, Berlin Radio Symphony Orchestra, MDR Leipzig Radio Symphony Orchestra, NDR Elbphilharmonie Orchestra, Munich Philharmonic, Melbourne Symphony Orchestra, Sydney Symphony Orchestra, BBC Symphony Orchestra, Philharmonia Orchestra, Hong Kong Philharmonic, Tokyo Philharmonic and Singapore Symphony Orchestra. Maestro Yu continues to collaborate frequently with many of the world’s most celebrated soloists such as Alison Balsom, Sumi Jo, Lang Lang, Yo-Yo Ma, Mischa Maisky, Maxim Vengerov and Yuja Wang.

In 2008, the China Philharmonic Orchestra under the baton of Maestro Long Yu became the first Chinese orchestra in history to perform at the Vatican in the Paul VI Auditorium. The concert was attended by Pope Benedict XVI and marked a giant step in bringing eastern and western cultures closer together. In 2014, Maestro Yu and the China Philharmonic became the first Chinese conductor and orchestra to play the fabled BBC Proms series with a televised performance at London’s Royal Albert Hall. The concert was viewed by millions of people across the United Kingdom.

Leading the development of orchestral landscape in China, Maestro Yu has created the nation’s first orchestral academy as a partnership between Shanghai Symphony Orchestra, Shanghai Conservatory, and the New York Philharmonic. His dynamic vision is focused on introducing China’s growing audiences to key Western repertoire including Wagner’s Ring Cycle, Mahler Cycle, as well as works of Richard Strauss, Benjamin Britten, and many others. In 2014, the New York Philharmonic named Maestro Yu an honorary member of their International Advisory Board. The 12-member Board serves as a network of advocates and ambassadors connecting with individuals and institutions in their home countries to cultivate the Philharmonic’s long-term reach and influence worldwide.

Maestro Yu made his debut with the Guangzhou Symphony Orchestra in 1993 and in 2003 became Music Director of the orchestra. During his time as Music Director, Maestro Yu has embarked on European and Egyptian tours with the orchestra, performing at Théâtre des Champs-Élysées in Paris, Conservatoire de Luxembourg, Concertgebouw Amsterdam and Cairo Opera House.

Born in 1964 into a musical family in Shanghai, Maestro Yu received his early musical education from his grandfather Ding Shande, a composer of great renown, and went on to study at the Shanghai Conservatory and the Hochschule der Kunst in Berlin. In 1992, he was appointed Principal Conductor of the Central Opera Theatre in Beijing and served as its conductor for three consecutive years. He created opera productions for The Urban Council of Hong Kong for five successive years.

Maestro Yu is a Chevalier dans L’Ordre des Arts et des Lettres and the recipient of the 2002 Arts Patronage Award of the Montblanc Cultural Foundation. In 2005, the Italian government honored Maestro Yu with the title of L’onorificenza di commendatore. He was awarded France's highest honor of merit by joining la Légion d’Honneur in 2014. The following year, Maestro Yu was awarded the prestigious Global Citizen Award from the Atlantic Council and the Samuel Simons Sanford Award from Yale’s School of Music in America. Most recently, he was elected a Foreign Honorary Member of the American Academy of Arts and Sciences and also awarded the Order of Merit of the Federal Republic of Germany. In 2018, Long Yu was conferred an Honorary Doctorate from The Hong Kong Academy for Performing Arts. Long Yu is currently Vice President of the Chinese Musicians Association.