中国爱乐乐团2018-2019音乐季闭幕音乐会

  • 2019年06月30日 星期日 19:30
  • 购票指南保利剧院

导赏 用一套德沃夏克的作品作为整个音乐季的尾声再合适不过了。小提琴协奏曲与第七交响曲分别完成于1879年与1885年,前者是作曲家结识传奇小提琴家约瑟夫·约阿希姆之后受到启发所作的,后者则有着浓厚的勃拉姆斯交响曲的影响。然而不论这些德奥音乐家的影响有多么显著,德沃夏克的音乐在骨子里依然是捷克式的,不论是随处可见的民间音乐旋律还是丰富的舞蹈节拍都会随时让我们联想到波希米亚的土地以及居住在这里的人们。

在这场音乐会举行时,指挥家水蓝将已经告别新加坡交响乐团音乐总监的职位。他在这里工作了20余年,将这支乐团塑造为全亚洲最优秀的交响乐团之一,而水蓝也因此成为享有最高声誉的华人指挥家之一。近年来,水蓝也多次与中国爱乐乐团成功演出,从布鲁克纳到卡尔·尼尔森的作品均给我留下了深刻印象,他在演绎交响曲方面的才华有目共睹。小提琴家吉尔·沙汉姆年少成名,90年代时就已经是广受欢迎的小提琴巨星。届时将48岁的吉尔·沙汉姆将第一次与中国爱乐乐团合作,而他与水蓝的同台则会让人想起2007年的北京国际音乐节上,二人携手演出了小提琴协奏曲《梁山伯与祝英台》,他们的再次携手又将会迸发怎样的火花?(周伟,乐评人,爱满地古典音乐频道CEO)

中国爱乐乐团2018-2019音乐季闭幕音乐会

The China Philharmonic Orchestra Season 2018-2019 Finale



安东宁·德沃夏克:A小调小提琴协奏曲,作品53

安东宁·德沃夏克:D小调第七交响曲,作品70



小提琴:吉尔·沙汉姆

指挥:水蓝


小提琴:吉尔·沙汉姆

吉尔·沙汉姆是这个时代最杰出的小提琴家之一,他无可挑剔的技巧、独特的温暖音色与丰富的情感奠定了他作为美国音乐大师的地位。他是格莱美奖、《音乐美国人》杂志“年度器乐演奏家”奖的获得者,世界各地的一流乐团与指挥家都争相与他合作,此外他还在世界上许多最致命的音乐厅与音乐节上演奏独奏音乐会或室内乐。

他近年来职业生涯的亮点包括了录制并演奏巴赫的全部小提琴无伴奏奏鸣曲与组曲。在接下来的音乐季里,他除了演奏这些独奏曲目外,还将携手他多年的钢琴合作伙伴江口玲一起,在北美洲、欧洲与亚洲举行独奏音乐会巡演。

他与柏林爱乐乐团、波士顿交响乐团、芝加哥交响乐团、以色列爱乐乐团、洛杉矶爱乐乐团、纽约爱乐乐团、巴黎管弦乐团、旧金山交响乐团等长期合作,此外还在蒙特利尔、斯图加特与新加坡的乐团常年担任驻团艺术家。他与乐团一起探索“20世纪30年代的小提琴协奏曲”,其中包括了巴伯、巴托克、贝尔格、科恩戈尔德、普罗科菲耶夫等作曲家的作品。

沙汉姆录制过二十多张协奏曲或独奏唱片,多次摘得格莱美奖,还曾获得法国唱片大奖、金音叉奖、《留声机》编辑选择奖等。他的许多录音是创立于2004年由他本人创立的金丝雀古典厂牌推出的。他的唱片包括了20世纪30年代小提琴协奏曲系列,炫技小提琴作品,埃尔加小提琴协奏曲,希伯来旋律,“梁祝”小提琴协奏曲等。他最近出版的唱片是20世纪30年代小提琴协奏曲的第二卷,其中收录了普罗科菲耶夫与巴托克的第二小提琴协奏曲,该唱片荣获了格莱美奖提名。

沙汉姆1971出生于伊利诺伊州香槟厄巴纳,他此后跟随父母移居以色列,并在那里开始了小提琴学习。他7岁起开始跟随鲁宾音乐学院的萨缪尔·伯恩斯坦学琴,每年都从美国-以色列文化基金会获得奖学金。1981年他携手耶路撒冷交响乐团与以色列爱乐乐团首度登台,次年他在以色列克莱尔蒙特比赛中摘得头奖。此后他获奖学金在朱莉亚音乐学院就读,还曾在哥伦比亚大学学习。

吉尔·沙汉姆在1990年获得了艾弗利·费舍尔职业生涯奖金,并在2008年获得了音乐家梦寐以求的艾弗利·费舍尔大奖。2012年他被《音乐美国人》杂志评选为“年度器乐演奏家”。他演奏的是一把制作于1699年的“波利尼亚克女伯爵”斯特拉底瓦里小提琴。他与妻子、小提琴家阿黛尔·安东尼以及三个孩子一同居住在纽约。

本场音乐会是他第一次与中国爱乐乐团合作。


指挥:水蓝

水蓝自1997年起至今担任新加坡交响乐团的音乐总监;从2007年开始,他兼任哥本哈根爱乐乐团的首席指挥。

作为客席指挥家,他与美国的底特侓交响乐团、 旧金山交响乐团、 巴尔的摩交响乐团、休斯顿交响乐团、洛杉矶爱乐乐团、明尼苏达管弦乐团,欧洲的柏林德意志交响乐团、哥德堡交响乐团、德意志广播爱乐乐团、丹麦广播交响乐团、法兰克福广播交响乐团、斯图加特广播交响乐团、中德广播交响乐团、圣保罗交响乐团等,以及亚洲地区包括日本爱乐乐团、香港管弦乐团、马来西亚爱乐乐团、中国爱乐乐团、上海交响乐团等都有合作。另外,他还参与过诸多音乐节活动,包括坦格坞音乐节、阿斯本和BBC夏季逍遥音乐节。

在水蓝的执棒下,新加坡交响乐团已经成为一个世界级的演奏团体,并与BIS唱片品牌独家签约。水蓝与新加坡交响乐团在德国、瑞士、日本、中国、法国、西班牙、美国及英国等地进行过演出,广受好评。他还热衷于委托亚洲作曲家进行创作,并安排作品的首演和录音工作。

水蓝生于中国杭州,早年在上海音乐学院师从桑桐教授学习作曲理论,后从北京中央音乐学院徐新教授和黄飞力教授,并毕业于该校指挥系。1985年他与北京的中央乐团合作完成了他指挥生涯的首度演出,随后即被任命为北京交响乐团的指挥。次年,水蓝前往波士顿大学攻读研究生学位,并于参加坦格坞音乐节时得以师从里奥纳德·伯恩斯坦。1990年,他参加了洛杉矶爱乐乐团的夏季音乐节,指挥该乐团进行演出,并受到大卫·津曼的注意。两年后,应津曼的邀请,水蓝连续两个乐季担当了巴尔的摩交响乐团的助理指挥。从1994年至1997年,在尼姆·贾维任音乐总监期间,他在底特律交响乐团任副指挥;同时,他还辅佐纽约爱乐乐团的指挥库特·马祖尔,并参与了克里夫兰管弦乐团在巴黎举办的年轻指挥家计划,得以与皮埃尔·布列兹共事。

自1998年起至今,水蓝为BIS录制了超过16张CD(包括带领新加坡交响乐团进行的齐尔品交响曲全集世界首录,以及与马尔默交响乐团合作的阿诺德和欣德米特作品)。他最近录制的专辑《海景》,被International Music Web国际音乐网站评为2007年最佳唱片之一;他指挥丹麦广播交响乐团录制的专辑《Movement》获得2008格莱美奖提名;指挥的《中西相遇——中国笛子协奏曲》专辑获2011年格莱美奖提名。

水蓝获得过的奖项包括:北京艺术节大奖、纽约齐尔品协会奖、波士顿大学杰出校友奖和新加坡总统文化奖。



Antonín Dvořák: Violin Concerto in A minor, Op.53

Antonín Dvořák: Symphony No.7 in D minor, Op.70



Gil Shaham, violin

Lan Shui, conductor


Gil Shaham, violin

Gil Shaham is one of the foremost violinists of our time; his flawless technique combined with his inimitable warmth and generosity of spirit has solidified his renown as an American master. The Grammy Award-winner, also named Musical America’s “Instrumentalist of the Year,” is sought after throughout the world for concerto appearances with leading orchestras and conductors, and regularly gives recitals and appears with ensembles on the world’s great concert stages and at the most prestigious festivals.

Highlights of recent years include the acclaimed recording and performances of J.S. Bach’s complete sonatas and partitas for solo violin. In the coming seasons in addition to championing these solo works he will join his long time duo partner pianist, Akira Eguchi in recitals throughout North America, Europe, and Asia.

Appearances with orchestra regularly include the Berlin Philharmonic, Boston Symphony, Chicago Symphony, Israel Philharmonic, Los Angeles Philharmonic, New York Philharmonic, Orchestre de Paris, and San Francisco Symphony as well as multi-year residencies with the Orchestras of Montreal, Stuttgart and Singapore. With orchestra, Mr. Shaham continues his exploration of “Violin Concertos of the 1930s,” including the works of Barber, Bartok, Berg, Korngold, Prokofiev, among many others.

Mr. Shaham has more than two dozen concerto and solo CDs to his name, earning multiple Grammys, a Grand Prix du Disque, Diapason d’Or, and Gramophone Editor’s Choice. Many of these recordings appear on Canary Classics, the label he founded in 2004. His CDs include 1930s Violin Concertos, Virtuoso Violin Works, Elgar’s Violin Concerto, Hebrew Melodies, The Butterfly Lovers and many more. His most recent recording in the series 1930s Violin Concertos Vol. 2, including Prokofiev’s Violin Concerto and Bartok’s Violin Concerto No. 2, was nominated for a Grammy Award.

Mr. Shaham was born in Champaign-Urbana, Illinois, in 1971. He moved with his parents to Israel, where he began violin studies with Samuel Bernstein of the Rubin Academy of Music at the age of 7, receiving annual scholarships from the America-Israel Cultural Foundation. In 1981, he made debuts with the Jerusalem Symphony and the Israel Philharmonic, and the following year, took the first prize in Israel’s Claremont Competition. He then became a scholarship student at Juilliard, and also studied at Columbia University.

Gil Shaham was awarded an Avery Fisher Career Grant in 1990, and in 2008 he received the coveted Avery Fisher Prize. In 2012, he was named “Instrumentalist of the Year” by Musical America. He plays the 1699 “Countess Polignac” Stradivarius, and lives in New York City with his wife, violinist Adele Anthony, and their three children.

This concert features his debut with the China Philharmonic Orchestra.


Lan Shui, conductor

Lan Shui is renowned for his abilities as an orchestral builder and for his passion in commissioning, premiering and recording new works by leading Asian composers. As Music Director of the Singapore Symphony Orchestra since 1997, American Record Review noted that Shui has “turned a good regional orchestra into a world-class ensemble that plays its heart out at every concert”. Together they have made several acclaimed tours to Europe, Asia and the United States and appeared for the first time at the BBC Proms in September 2014. As of January 2019, Shui will take on the position of Principal Guest Conductor of the National Taiwan Symphony Orchestra.

Lan Shui also held the position of Chief Conductor of the Copenhagen Phil from 2007 to 2015. This season, aside from a busy schedule with his ‘home orchestras’ and his debut with the Orchestre National de France in Paris, Shui returns to the opera pit for Zhou Long’s Pulitzer Prize-winning Madame White Snake at the Hong Kong Arts Festival.  

As a guest conductor, Shui has worked with many orchestras worldwide. In the United States he has appeared with the Los Angeles Philharmonic, San Francisco Symphony, and Baltimore and Detroit symphony orchestras. In Europe he has performed with Deutsches Symphonie-Orchester Berlin, hr-Sinfonieorchester, Danish National Symphony Orchestra, Radio-Sinfonieorchester Stuttgart des SWR, Deutsche Radio Philharmonie, Gothenburg Symphony, Tampere Philharmonic and Orchestre National de Lille. In Asia he has conducted the Hong Kong, Malaysian and Japan Philharmonic orchestras and maintains a close relationship with the China Philharmonic and Shanghai Symphony.

Since 1998 Shui has recorded over 35 CDs with the Singapore Symphony Orchestra for BIS - including the first ever complete cycle of Tcherepnin’s symphonies – and also works by Arnold and Hindemith with the Malmö Symphony Orchestra featuring soloists such as Dame Evelyn Glennie, Cho-Liang Lin and Gil Shaham. His albums have received twice Grammy nominations.

Lan Shui is the recipient of several international awards from the Beijing Arts Festival and the New York Tcherepnin Society, the 37th Besançon Conductors’ Competition in France and Boston University (Distinguished Alumni Award) as well as the Cultural Medallion - Singapore’s highest accolade in the arts.

Born in Hangzhou, China, Shui studied composition at the Shanghai Conservatory and graduated from The Beijing Central Conservatory. He continued his graduate studies at Boston University while at the same time working closely with Leonard Bernstein at the Tanglewood Music Festival. He has worked together with David Zinman as Conducting Affiliate of the Baltimore Symphony Orchestra, as Associate Conductor to Neeme Järvi at the Detroit Symphony Orchestra, and with Kurt Masur at the New York Philharmonic and Pierre Boulez at The Cleveland Orchestra.