交响音乐会

  • 2019年04月06日 星期六 19:30
  • 购票指南北京音乐厅

导赏 本场音乐会,是一次中西方现代音乐的巡礼。

兴德米特和格什温的两部作品,在20世纪音乐的经典。兴德米特出生于1895年出生于德国,后因纳粹迫害迁居美国。兴德米特在晚期浪漫主义的泛滥情感与全无调性的十二音体系之间,探索出了一条折中的音乐发展路径,并因此成为20世纪欧洲音乐的代表人物。“卡尔·马里亚·冯·韦伯主题交响变形曲”是兴德米特独特音乐思路的代表之作,以繁杂而天才的方式重构了韦伯的钢琴作品。乔治·格什温出生于1899年的美国,是20世纪美国音乐史上最重要的作曲家之一,以一己之力将爵士乐引入大雅之堂。三幕歌剧《波姬与贝丝》则是乔治·格什温的创作巅峰,剧中民谣、蓝调、爵士乐与幽默的宣叙调、壮丽的合唱交相辉映,构建出一幅典型的黑人生活图景,本场音乐会将演出基于这部歌剧改编的交响音画。

音乐会上的两部中国作品则非常前沿。出生于1986年的作曲家王斐南是中国的新锐作曲家,《后战场》组曲是她为舞剧《后战场》所创作的部分配乐。陈其钢先生创作的小提琴协奏曲《悲喜同源》则是题献给北京国际音乐节二十周年的礼物,也是作曲家的第一部小提琴协奏曲,首演于第二十届北京国际音乐节闭幕式,当晚的独奏是文格洛夫。此后,在2018年举办的上海艾萨克·斯特恩国际小提琴比赛上,该曲成为决赛的指定曲目。本场音乐会,乐团副首席刘睿将担纲独奏,本土小提琴家对于这部脱胎于中国古曲、充满东方意境作品的诠释,令人期待。(张光楹,乐评人)

交响音乐会

Symphonic Concert



王斐南:后战场组曲

陈其钢:悲喜同源

保罗·兴德米特:卡尔·马里亚·冯·韦伯主题交响变形曲

乔治·格什温:《波姬与贝丝》交响音画



小提琴:刘睿

指挥:杨洋


小提琴:刘睿

小提琴刘睿,生于1983年3月30日,四川成都人。4岁开始随父亲学习小提琴,10岁时考入中央音乐学院附小,由此开始了在音乐学院的学习生活,在附小和附中的8年里,曾先后师从李向阳教授和黄小芝教授,从而打下了最坚实的音乐基础并积累了丰富的演奏经验。2001年考入中央音乐学院大学,师从王振山教授。在校期间曾多次登台演出并出国进行交流和学习。2005年刘睿以优异的成绩自中央音乐学院毕业,并于同年考入中国爱乐乐团。并于2014年升任乐团助理首席。

在乐团工作期间,曾多次随团出国交流访问,参加了多场海内外的大型演出,2016年在爱乐乐团海上丝绸之路巡演中担任独奏演奏了门德尔松小提琴协奏曲。在完成团内的工作之余,刘睿还与社会各届的著名音乐人合作,参与了包括演奏08年奥运会主题曲《我和你》在内的诸多重要演出。并与著名作曲家陈其刚教授,著名电影人张艺谋导演先后进行合作,演奏了《山楂树之恋》、《金陵十三钗》等电影的主题曲,其专业技能得到了业内人士的一致肯定。


指挥:杨洋

生于音乐世家,自幼学习钢琴,师从钢琴教育家李其芳教授。后随指挥家徐新、吴玲芬教授学习指挥,并以优异成绩考入中央音乐学院指挥系,师从著名指挥家、中央音乐学院院长俞峰教授。

2006年11月,在希腊举行的迪米特里·米特罗普洛斯国际指挥大赛中,杨洋以出色的表现和无可争议的优势一举夺得第一名,成为在这项顶级国际大赛中首位获此殊荣的中国指挥。

作为中国最活跃的指挥家之一,杨洋与国内所有主流交响乐团及歌剧院均保持着密切的合作关系。同时在德国德意志交响乐团、科隆爱乐乐团、斯图加特爱乐乐团、莱茵国立爱乐乐团、新勃兰登堡爱乐乐团;意大利维罗纳歌剧院、都灵皇家歌剧院、罗马交响乐团;法国戛纳交响乐团、波尔多交响乐团;西班牙瓦伦西亚交响乐团;希腊交响乐团、雅典室内乐团;韩国仁川爱乐乐团等众多国外乐团及歌剧院也成功的留下了他的足迹。

世界著名大提琴家雷因·哈雷尔、阿尔本·格哈德、王健、娜塔莉娅·古特曼;小提琴家马克西姆·文格洛夫、吉东·克雷默、宓多里、莎拉·张、奥古斯汀·杜梅、雷纳德·卡皮松、林昭亮;钢琴家加里·格拉夫曼、郎朗、巴瑞·道格拉斯、伊夫·蒂博戴、白建宇、木村峻·帕克;女高音曹秀美;男中音托马斯·汉普森;单簧管演奏家萨宾娜·迈耶、温泽尔·福克斯;圆号演奏家拉多万·弗拉特科维奇、斯蒂凡·道尔等以及几乎所有一流的中国音乐家都与他有过精诚的合作。

由于指挥大师余隆的慧眼独具,杨洋于1998年第一届北京国际音乐节上成功的开始了他的职业指挥生涯,并连续八届在北京国际音乐节上执棒歌剧与音乐会。2000年-2016年任中国爱乐乐团助理指挥、常任指挥。2006年赴韩国参加由指挥大师郑明勋主持的大师班。2009年,他参与并主持组建了杭州爱乐乐团。

从2009至今,杨洋即将率领杭州爱乐乐团迎来第十个音乐季。十年中他们成功的在德国麦克伦伯格音乐节、石荷州音乐节、意大利拉维罗音乐节、艾美利亚音乐节、陶尔米纳音乐节、斯洛文尼亚卢布尔雅那音乐节等欧洲著名音乐节登台亮相,并远赴俄罗斯及爱沙尼亚巡演。2018年杨洋执棒杭州爱乐乐团在希腊、保加利亚、罗马尼亚、塞尔维亚、匈牙利等一带一路五国的巡演赢得了欧洲观众的喝彩及国内外业界的高度评价与关注。

从指挥生涯开始到2016年任职中央歌剧院至今,杨洋指挥中国爱乐乐团、中央歌剧院及杭州爱乐乐团成功演绎了《费加罗婚礼》、《魔笛》、《茶花女》、《弄臣》、《图兰朵》、《蝴蝶夫人》、《艺术家生涯》、《乡村骑士》、《丑角》、《卡门》等世界经典歌剧,并在国内首演了《夜宴》、《狂人日记》、《红军不怕远征难》、《红色娘子军》、《玛纳斯》等中国歌剧。他指挥中央歌剧院《图兰朵》、《蝴蝶夫人》、《红军不怕远征难》在瑞士及意大利普契尼歌剧节的成功巡演更彰显出他在歌剧方面的过人才华。

杨洋现任中央歌剧院音乐总监、首席指挥;杭州爱乐乐团艺术总监、首席指挥。

作为原中国爱乐乐团助理指挥、常任指挥,杨洋曾与中国爱乐乐团有过许多次合作,上一次是在2019年2月24日,他在那场音乐会上指挥了普罗科菲耶夫与柴可夫斯基的音乐作品。




Wang Feinan: Suite "Post-battlefield"

Qigang Chen: La Joie de la souffrance

Paul Hindemith: Symphonische Metamorphose von Themen Carl Maria von Webers

George Gershwin: Porgy and Bess: A Symphonic Picture



Liu Rui, violin

Yang Yang, conductor


Liu Rui, violin

Violinist Liu Rui was born on March 3, 1983 in Chengdu, Sichuan Province. He started learning violin with his father at the age of four. At the age of ten, he was admitted into the Primary School of Central Conservatory of Music and started his life of learning music in conservatories. During his eight-year life in the Primary School and the Middle School affiliated to the Central Conservatory of Music, Liu Rui has studied under Professor Xiangyang Li and Professor Xiaozhi Huang successively, which laid solid foundation of music education and accumulated rich playing experience. In 2001, he was then admitted into the Central Conservatory of Music and studied under Professor Zhenshan Wang. During the academic years, he had performed on stage many times and engaged in exchange programs overseas. In 2005, Liu Rui graduated from the Central Conservatory of Music and joined the China Philharmonic Orchestra. In 2014, Liu Rui was promoted to the assistant concert master of the China Philharmonic Orchestra.

During his tenure in the orchestra, Liu Rui joined its international tours intensively and participated in many major performances at home and abroad, including playing as soloist in Mendelssohn’s Concerto for Violin and Orchestra during the China Philharmonic Orchestra's Maritime Silk Road Concert Tour in 2016. In addition to engagements with the orchestra, Liu Rui also cooperated with distinguished musicians and participated in many important performances, including playing the theme song "You and Me" of the 2008 Olympic Games, and cooperated with Professor Qigang Chen, a famous composer, and the famous director and filmmaker Mr. Yimou Zhang successively, to play the theme music of the movies such as “Under the Hawthorn Tree” and “The Flowers of War” and his musicianship is highly regarded.


Yang Yang, conductor

Yang Yang, born in a musical family, learned piano with Prof. Li Qifang. Later, he learned conducting respectively with Prof. Xu Xin and Prof. Wu Lingfen, and then was admitted to the Conducting Department of Central Conservatory of Music, being one of the students of Prof. Yu Feng.

In November 2006, Yang won the first place for his outstanding performance at the Dimitris Mitropoulos International Competition for Orchestral Conducting in Greece. It’s the first time for the Chinese conductors to have such honor.

As one of the most active young conductors in China, Yang has maintained close partnership with all mainstream orchestras and opera houses domestically. Meanwhile, he has successfully left tracks at a host of foreign orchestras such as Deutsches Symphonie-Orchester Berlin, German Philharmonic Orchestra of Cologne, Stuttgarter Philharmoniker, National Rhine Philharmonic Orchestra, New Brandenburg Philharmonic Orchestra, Italian Verona Opera House, Teatro Regio Torino, Italian Rome Philharmonic Orchestra, French Cannes Symphony Orchestra, Bordeaux Symphony Orchestra, Valencia Orchestra of Spain, Greek Symphony Orchestra, Athenian Chamber Orchestra and Korean Incheon Philharmonic, etc.

He had sincere cooperation with world famous musicians such as cellists Lynn Harrell, Alban Gerhard, Wang Jian, Natalia Gutman, violinist Maxim Vengerov, Gidon Kremer, Midori, Sarah Chang, Augustin Dumay, Lenard Karpison, Cho-Liang Lin, pianists Gary Graffman, Lang Lang, Barry Douglas, Jean-Yves Thibaudet, Kun-Woo Paik, Jon Kimura Parker, soprano Sumi Jo, clarinetists Sabine Meyer, Wenzel Fuchs, French horn players Radovan Vlatkovic, Stefan Dohr, etc. Yang had also cooperated with all Chinese distinguished musicians.

Recommended by maestro Yu Long, Yang started his conducting career in the year of 1998, at the First Beijing International Music Festival (BMF). Since then, he conducted operas and concerts at BMF eight years consecutively. From 2000 to 2016, Yang Yang held the position as the Assistant Conductor and Resident Conductor of the China Philharmonic Orchestra (CPO). In 2006, Yang Yang attended an advanced training course hosted by maestro Myung-whun Chung in Korea. In 2009, he has presided over the founding of Hangzhou Philharmonic Orchestra (HPO).

Since 2009, Yang Yang and HPO had successfully completed ten music seasons, and performed at leading festivals including Mecklenburg-Vorpommern Festival, Schleswig-Holstein Musik Festival, Ravello Festival, Emilia Romagna Festival, Taormina Festival, Ljubljana Festival. He also toured with HPO extensively in Russia and Estonia. In 2018, Yang toured with HPO to Greece, Bulgaria, Romania, Serbia and Hungary, the Belt and Road countries, winning great applause and high critical acclaim at home and abroad.

From his conducting career to 2016, when he was appointed as Music Director and Chief Conductor of China National Opera House, Yang had conducted China Philharmonic Orchestra, China National Opera House and Hangzhou Philharmonic Orchestra and successfully demonstrated many of the great operas, such as Le Nozze di Figaro, Die Zauberflöte, La Traviata, Rigoletto, Turandot, Madama Butterfly, La Bohème, Cavalleria Rusticana, Pagliacci, Carmen, as well as many Chinese opera’s debut in China including Night Banquet, Wolf Cub Village, Songs Of The Long March, The Red Detachment of Women and Manas. Yang toured with China National Opera House to Swiss and Italy for Giacomo Puccini Opera Festival with Turandot, Madama Butterfly and Songs Of The Long March successfully, which drew broad attention internationally and showed his outstanding talents in opera conducting.

Yang Yang is now acting as Music Director and Chief Conductor of China National Opera House, Artistic Director and Chief Conductor of Hangzhou Philharmonic Orchestra.

Former Assistant Conductor and Resident Conductor of the China Philharmonic Orchestra, Yang Yang has collaborated with the orchestra countless times. The last time was on February 24th, 2019 when he conducted compositions by Prokofiev and Tchaikovsky.