2016-2017音乐季闭幕音乐会

  • 2017年06月30日 星期五 19:30
  • 购票指南保利剧院

导赏在二十世纪后半段由于种种时代原因被人们忽略的捷克名族,却依靠以德沃夏克、斯美塔那和雅那切克为代表的民族交响乐作品,一直在全世界范围内用它独特的、钢铁般的结构以及强大的机械般的动感在宣传着这样一个事实:捷克是世界上最伟大的工业制造民族之一。

在捷克音乐里,另一个鲜明的特征就是它那优美无比的斯拉夫舞动韵律,这些描述捷克人民生命之动律的绚丽乐章是近代人类艺术创作史上的璀璨明珠,而德沃夏克的大提琴协奏曲就是其中最美好的代表作,面对这样的经典我们只能表达感恩和敬畏,在中国爱乐乐团的本厂音乐季演出中,我们将欣赏到法国当红大提琴家戈蒂埃·卡普松对德沃夏克大提琴协奏曲的精湛演绎,以及指挥家余隆先生对德沃夏克的独到诠释。祝中国爱乐乐团新乐季圆满成功,愿我们中国广大音乐爱好者和听众们为保存和传承古典音乐的圣火而继续努力。(音乐导赏:朱亦兵,大提琴家)




2016-2017音乐季闭幕音乐会



安东宁·德沃夏克:G大调第八交响曲,作品88

中场休息 

安东宁·德沃夏克:B小调大提琴协奏曲,作品104



大提琴:戈蒂埃·卡普松

指挥:余隆


大提琴:戈蒂埃·卡普松

“他是一位罕见的艺术家,能让音乐听起来如此轻而易举又如此精致,同时依然不失强烈的戏剧性。”——《旧金山纪事报》

戈蒂埃·卡普松是21世纪真正的大提琴艺术的大使。他每个音乐季都与世界上最杰出的指挥家与演奏家们合作,此外他还是巴黎路易威登基金会“大提琴杰出成就协会”的创始人与领导人,该机构设立于由弗兰克·盖里设计的全新的音乐厅内。卡普松由于具有深度表达性的音乐才能以及精湛的演奏技艺而获得国际声誉,此外还有他使用制造于1701年的马泰奥·戈弗里尔大提琴演奏出的辉煌音色。

在2016-2017音乐季里,他将重返伦敦交响乐团、英国爱乐管弦乐团、柏林爱乐乐团、俄罗斯国家交响乐团、德累斯顿国家管弦乐团、慕尼黑爱乐乐团、芝加哥交响乐团、洛杉矶爱乐乐团以及旧金山交响乐团的舞台,此外还受邀再次在日本、中国与韩国演出。在过去的几个音乐季里,他还与阿姆斯特丹皇家管弦乐团、维也纳爱乐乐团、莱比锡布商大厦管弦乐团、苏黎世市政厅管弦乐团、欧洲室内乐团、纽约爱乐乐团、NHK交响乐团、悉尼交响乐团与马林斯基交响乐团等合作,此外还有法国的所有重要交响乐团。

戈蒂埃·卡普松与许多杰出的指挥家长期合作,其中包括了夏尔·迪图瓦、赛米扬·比契科夫、瓦莱里·捷杰耶夫、古斯塔沃·杜达梅尔、里昂内尔·布林古埃尔、安德里斯·尼尔森斯、克里斯托弗·艾森巴赫、安德烈斯·奥罗佐·埃斯特拉达以及雅尼克·涅泽-赛甘等,此外还与许多当代作曲家合作,其中包括了莱拉·奥尔巴赫、卡罗尔·贝法、埃斯特班·本泽克里、尼古拉·坎波格兰德、陈其钢、杰罗姆·杜克罗、昂里·杜迪耶、蒂埃利·埃斯卡希、费利佩·马努里、布鲁诺·曼托瓦尼、克里斯托弗·潘德列茨基、沃尔夫冈·里姆与约尔格·韦德曼等。

此外,卡普松经常演出独奏音乐会与室内乐,在世界各地的主流音乐厅与音乐节每年登台,与他合作的音乐家包括了尼古拉斯·安格里希、玛莎·阿格里奇、丹尼尔·巴伦博伊姆、丽莎·巴蒂亚什维利、弗兰克·布拉利、雷诺·卡普松、杰罗姆·杜克罗、莱昂尼达斯·卡瓦科斯、卡蒂雅与玛丽艾莉·拉贝克、梅纳海姆·普莱斯勒、让-伊夫·蒂博戴、阿特米斯四重奏以及埃本内四重奏等。接下来的演出亮点包括与弗兰克·布拉利合作在欧洲各地巡回演出贝多芬的大提琴奏鸣曲,此后还将出版这套曲目的唱片。

卡普松是埃拉托唱片公司(华纳古典)专属艺术家,已经多次赢得古典回声大奖。他近年来出版的唱片包括与瓦莱里·捷杰耶夫指挥的马林斯基交响乐团录制的肖斯塔科维奇大提琴协奏曲,与埃本尼四重奏合作的舒伯特弦乐五重奏等。此前他还因为与弗兰克·布拉利合作录制的一张舒伯特、舒曼、德彪西、布里顿与艾略特·卡特作品专辑,与里昂内尔·布林古埃尔指挥的法国广播爱乐乐团录制的圣-桑第一大提琴协奏曲与《缪斯与诗人》的专辑而广受好评。他还与玛莎·阿格里奇、尼古拉斯·安格里希、雷诺·卡普松与加布里埃拉·蒙特罗等一起录制过许多室内乐专辑。2013年,德意志留声机公司出版了一张他与古斯塔沃·杜达梅尔指挥的柏林爱乐乐团一起演奏海顿第一大提琴协奏曲的DVD。

卡普松1981年出生于尚贝里,他从5岁起开始学习大提琴,曾在巴黎国立高等音乐学院跟随费利佩·穆勒与安妮·柯谢-扎基内学习,之后在维也纳跟随海因里希·席夫学习。他曾在许多世界知名的音乐比赛中摘得桂冠,其中包括安德烈·纳瓦拉国际比赛等。卡普松被《音乐的胜利》杂志评选为“2001年年度新星”。

卡普松经常与中国爱乐乐团合作,上一次是在2014年2月16日,他与克里斯蒂安·雅尔维指挥的中国爱乐乐团合作了圣-桑的第一大提琴协奏曲。


指挥:余隆

余隆是活跃于国际乐坛的最杰出的中国指挥家。现任中国爱乐乐团艺术总监和首席指挥、广州交响乐团音乐总监、上海交响乐团音乐总监和北京国际音乐节艺术总监、上海夏季音乐节艺术总监、香港管弦乐团首席客座指挥。

余隆是与世界顶尖级交响乐团合作最多的华人指挥家。他与世界各地众多知名交响乐团和歌剧院有着广泛合作,他指挥过的乐团有纽约爱乐乐团、芝加哥交响乐团、费城交响乐团、洛杉矶爱乐乐团、蒙特利尔交响乐团、华盛顿国家交响乐团、辛辛那提交响乐团、巴黎管弦乐团、班贝格交响乐团、汉堡国家歌剧院、柏林广播交响乐团、莱比锡广播交响乐团、慕尼黑爱乐乐团、NDR北德广播交响乐团、悉尼交响乐团、BBC交响乐团、多伦多交响乐团、香港管弦乐团、东京爱乐乐团和新加坡交响乐团等。

余隆1964年出生于上海的音乐世家,自幼随外祖父、著名作曲家丁善德教授学习音乐。后求学于上海音乐学院和德国柏林高等艺术大学。先后受教于中国音乐教育家黄晓同教授和德国歌剧指挥家鲁宾斯坦教授等名师。出色的音乐天赋、优越的教育背景及广博的社会资源为余隆的艺术生涯奠定了坚实基础,使得他能够迅速成长为一位成就卓著的指挥家和音乐活动家。

余隆的艺术生涯涵盖指挥和艺术管理领域。1992年自德国学成回国后,余隆担任中央歌剧院常任指挥。同年,他创办了首届北京新年音乐会,并连续三年担任指挥,开启国内演出新年音乐会之先河。1993年起,余隆连续五年为香港市政局指挥歌剧演出。1998年,余隆发起并创办了北京国际音乐节,担任艺术总监。在他的出色领导下,北京国际音乐节不仅成为中国和亚洲规模最大的音乐节,也跻身于全球知名度最高的音乐节之列。在过去若干年间,金秋时节的北京国际音乐节上呈现了由众多著名乐团如柏林爱乐乐团和纽约爱乐乐团演出的精彩音乐会以及柏林德意志歌剧院、威尼斯凤凰歌剧院和圣彼得堡马林斯基剧院等带来的歌剧盛典,如《尼伯龙根的指环》、《玫瑰骑士》、《唐豪瑟》、《茶花女》、《纳布科》、《璐璐》和《姆钦斯克县的麦克白夫人》。

2000年,余隆参与创建了中国爱乐乐团,并担任艺术总监和首席指挥。余隆期望通过与众多世界知名音乐家的合作,使中国爱乐乐团发展成一个全能型职业化乐团,不仅向全世界介绍优秀的中国交响乐作品,也使得中国音乐家对西方音乐各时期及各种风格作品的演奏达到全新水准,并且在不同音乐形式上均有建树。余隆指挥中国爱乐乐团举行了许多大型作品的中国首演。2002年10月,作为第五届北京国际音乐节开幕式音乐会,余隆指挥包括中国爱乐乐团在内的近千名中外音乐家演出了马勒的第八《千人》交响曲,完成了这部宏伟巨作的历史性中国首演。从那时起,余隆指挥中国爱乐乐团演奏了数百部古典音乐的文献作品,并被誉为中国诠释德奥作品的最权威的指挥家。

2001年9月,余隆率中国爱乐乐团在台湾地区举行了成功的巡回演出。2002年6月,余隆率中国爱乐乐团参加了波多黎各的卡萨尔斯音乐节,随后在圣何塞、洛杉矶等地进行了美国西海岸巡演。同年9月,余隆再次率中国爱乐乐团赴海外巡演,在日本东京、神户、大阪和韩国汉城演出,所到之处均深受欢迎,尤其是在东京三得利音乐厅的音乐会,赢得了包括日本皇室成员在内的两千余名日本听众的热烈喝采,取得了轰动性成功。2003年,余隆的一系列重要指挥活动包括与东京爱乐乐团合作并率该团在中国巡演。同年5月起,他在作为北京国际音乐节艺术总监与中国爱乐乐团艺术总监和首席指挥的同时兼任广州交响乐团音乐总监。9月,余隆率领中国爱乐乐团赴欧洲巡演,在著名的巴黎国家歌剧院、华沙国家大剧院和维也纳音乐之友协会金色大厅演出,获得巨大成功。11月至12月间,余隆与大提琴家米沙·麦斯基和广州交响乐团一道进行大规模巡演,在巴黎香榭丽舍剧院、卢森堡音乐学院音乐厅、荷兰阿姆斯特丹音乐厅、开罗歌剧院和亚历山大音乐厅演出。2005年2月至4月,余隆率领中国爱乐乐团进行了规模空前的环球世界巡演,历时四十多天,跨越北美和欧洲,不仅在中国乐团出访史上前所未有,在全亚洲交响乐团中亦属罕见。2008年5月7日,余隆指挥中国爱乐乐团和上海歌剧院合唱团在梵蒂冈城保罗六世礼堂为教宗本笃十六世及八千余名听众演出了莫扎特的《安魂曲》,成为令全世界瞩目的重要文化盛事。英国《卫报》称此次意义非凡的演出为“中梵借音乐外交‘破冰’”。2009年11月,余隆率领上海交响乐团在纽约、洛杉矶、多伦多、圣地亚哥等北美12座城市进行了极为成功的巡演,《纽约时报》在2009年11月9日刊载专文介绍余隆的艺术成就,将余隆誉为“中国的赫伯特·冯·卡拉扬”。2010年3月,余隆率上海交响乐团赴波兰参加第十四届贝多芬音乐节,并在华沙和罗兹两座城市演出,受到各界高度评价。2011年,余隆再次率中国爱乐乐团巡访美国西海岸十数个城市。2012年中国春节期间,余隆指挥纽约爱乐乐团在纽约林肯中心的菲舍尔音乐厅举行了首次中国新年音乐会,使得他的指挥艺术再一次在美国享受盛誉。

2014年7月,余隆指挥中国爱乐乐团在英国逍遥音乐节演出,演出受到了英国各界的极大好评,获得了轰动性的效应。

余隆作为指挥家以及交响乐团和音乐节的领导者多年来始终大力倡导当代音乐,他领导下的北京国际音乐节、中国爱乐乐团和广州交响乐团等机构和团体向当今最重要的作曲家委约创作,包括克里斯托夫·潘德列茨基、约翰·威廉姆斯、菲利普·格拉斯、霍华德·肖、郭文景、谭盾、叶小纲、赵季平、赵麟和陈银淑等,并由马友友、朗朗、朱利安·劳埃德-韦伯等当今最优秀的演奏家与中国爱乐乐团担任首演。在2011年,由余隆担任艺术总监的北京国际音乐节与波士顿歌剧院向作曲家周龙共同委约的歌剧《白蛇传》获得了普利策奖。

余隆指挥的录音包括德意志唱片公司录制发行、中国爱乐乐团演奏的勃拉姆斯G小调钢琴四重奏(阿诺德·勋伯格配器)和瓦格纳的《唐豪瑟》序曲、中国管弦乐作品集以及由郎朗担任钢琴独奏的钢琴协奏曲《黄河》。拿索斯公司发行有余隆指挥科恩格尔德的小提琴协奏曲和丁善德的《长征交响曲》。2012年,余隆主持的中国爱乐乐团100张CD和10张LP唱片的发行更开创了中国乐团录制鸿篇巨制的先河。2014年夏,余隆指挥中国爱乐乐团录制了交响乐艺术电影小提琴协奏曲《梁山伯与祝英台》,这将成为我国第一部该类型的艺术电影。2015年夏,余隆指挥中国爱乐乐团录制了交响乐艺术电影《黄河》。

作为一位优秀的音乐家和知名人士,余隆亦把培养年轻音乐家和社会教育工作作为己任,每年他都会发掘和培养一批年轻音乐家与他领导的乐团合作,使年轻音乐家能够在最受瞩目的音乐平台上崭露头角。2007年余隆创办了广东国际音乐夏令营,2012年上海交响乐团与纽约爱乐乐团联合创办的乐队学院令众多的年轻音乐家心向往之。

由于把全能艺术家作为追求目标,余隆除却在中国爱乐乐团和北京国际音乐节出品的许多歌剧中担任指挥之外还亲自担任导演,尤其是2004年他导演并执棒中国爱乐乐团演出的歌剧《卡门》,以及2010年雷哈尔的轻歌剧《风流寡妇》均引起了空前的轰动。

鉴于余隆在推动当今世界古典音乐事业发展和促进国际间文化交流方面所做的突出贡献,2002年,德国万宝龙文化基金会向余隆颁发了年度“万宝龙卓越艺术成就奖”;2003年,法国政府特别授予余隆“法兰西文学艺术骑士勋章”;2005年,意大利政府向余隆颁发了“共和国骑士勋章”。2010年11月,中央音乐学院在其庆祝建院70周年大会上授予他中央音乐学院荣誉院士称号,以表彰他近十年来对中国音乐的发展和对外文化交流作出的杰出贡献。这是国内艺术大学首次颁发“荣誉院士”称号,余隆成为我国艺术家中获此殊荣的第一人。当年12月15日又被授予“2010年年度中国文化人物”大奖。

2013年,余隆获颁国家级学术机构主办的最高艺术大奖“中华艺文奖”。

2014年,法国政府授予余隆“法国荣誉军团骑士勋章”。

2015年,余隆获颁“全国中青年德艺双馨文艺工作者”称号,同年荣获由美国大西洋理事会颁发的“全球公民”奖,以及由耶鲁大学音乐学院颁发的“桑福德奖章”。

2016年4月,余隆当选美国艺术与科学学院外籍荣誉院士。

2016年6月,余隆获得由德国联邦政府颁发的德国联邦十字勋章。

余隆现任第十一、十二届全国政协委员,并担任中国音乐家协会副主席职务。



Antonín Dvořák         Symphony No. 8 in G major, Op.88

Intermission

Antonín Dvořák         Cello Concerto in B minor, Op.104


Gautier Capuçon, cello

Long Yu, conductor


Gautier Capuçon, cello

“It’s the rare performer who can bring such ease and refinement to this music, while still giving everything he plays a sense of dramatic urgency.” (San Francisco Chronicle)

Gautier Capuçon is a true 21st century ambassador for the cello. Performing each season with many of the world’s foremost conductors and instrumentalists, he is also founder and leader of the ‘Classe d’Excellence de Violoncelle’ at the Fondation Louis Vuitton in Paris – based in the stunning new Auditorium designed by Frank Gehry. He is acclaimed internationally for his deeply expressive musicianship and exuberant virtuosity, as well as for the glorious sonority of his 1701 Matteo Goffriller cello.  

During 2016/17 he returns to such orchestras as the London Symphony and Philharmonia orchestras, Berliner Philharmoniker, Russian National Orchestra, Staatskapelle Dresden, Münchner Philharmoniker, Chicago Symphony Orchestra, Los Angeles Philharmonic and San Francisco Symphony – and is being reinvited for concerts in Japan, China and Korea. In recent seasons he has also performed with the Royal Concertgebouw Orchestra, Wiener Philharmoniker, Gewandhausorchester Leipzig, Tonhalle-Orchester Zürich, Chamber Orchestra of Europe, New York Philharmonic, NHK Symphony, Sydney Symphony and Mariinsky orchestras, as well as with all of the major orchestras across France. 

Gautier Capuçon continues to work regularly with conductors such as Charles Dutoit, Semyon Bychkov, Valery Gergiev, Gustavo Dudamel, Lionel Bringuier, Andris Nelsons, Christoph Eschenbach, Andrés Orozco-Estrada and Yannick Nézet-Séguin; and collaborates with contemporary composers including, amongst others, Lera Auerbach, Karol Beffa, Esteban Benzecry, Nicola Campogrande, 

Qigang Chen, Jerome Ducros, Henry Dutilleux, Thierry Escaich, Philippe Manoury, Bruno Mantovani, Krzysztof Penderecki, Wolfgang Rihm, Jörg Widmann. 

A regular recital and chamber musician, Capuçon appears annually in the major halls and festivals worldwide alongside artists such as Nicholas Angelich, Martha Argerich, Daniel Barenboim, Lisa Batiashvili, Frank Braley, Renaud Capuçon, Jérôme Ducros, Leonidas Kavakos, Katia and Marielle Labèque, Menahem Pressler, Jean-Yves Thibaudet, and the Artemis and Ebène quartets. Forthcoming highlights include an extensive European recital tour of Beethoven Sonatas with Frank Braley, supporting the international release of an album featuring the same repertoire.

Capuçon records exclusively for Erato (Warner Classics) and has won multiple ECHO Klassik awards. Most recent releases include Shostakovich’s Cello Concertos with the Mariinsky Orchestra and Valery Gergiev; and Schubert’s String Quintet with Quatuor Ebène. Prior to that he won plaudits for a recital disc of music by Schubert, Schumann, Debussy, Britten and Carter with Frank Braley, and Saint-Saëns’ First Cello Concerto and Muse et le poète with the Orchestre Philharmonique de Radio France and Lionel Bringuier. He has also recorded chamber music with Martha Argerich, Nicholas Angelich, Renaud Capuçon and Gabriela Montero; and in 2013 Deutsche Grammophon released a DVD featuring Capuçon as soloist with the Berliner Philharmoniker and Gustavo Dudamel in a live performance of Haydn’s Cello Concerto No.1.

Born in Chambéry in 1981, Capuçon began playing the cello at the age of five. He studied at the Conservatoire National Supérieur in Paris with Philippe Muller and Annie Cochet-Zakine, and later with Heinrich Schiff in Vienna. The winner of various first prizes in many leading international competitions, including the International André Navarra Prize, Capuçon was named ‘New Talent of the Year’ by Victoires de la Musique in 2001.

Working with the China Philharmonic Orchestra on a regular basis, his last appearance was seen on February 16th, 2014 when he performed Saint-Saëns’ First Cello Concerto under the baton of Kristjan Järvi.


Long Yu   Chief Conductor

As one of the most distinguished Chinese conductors with an established international reputation, Maestro Long Yu is currently Artistic Director and Chief Conductor of the China Philharmonic Orchestra, Music Director of the Guangzhou Symphony Orchestra, Music Director of the Shanghai Symphony Orchestra, Artistic Director of the Beijing Music Festival and Music in the Summer Air, MISA, as well as Principle Guest Conductor of the Hong Kong Philharmonic Orchestra.

Long Yu is one of the conductors who conducts the world top-class orchestras most frequently, he has appeared with a prestigious list of leading orchestras and a lot of opera companies around the world, including the New York Philharmonic, Chicago Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic Orchestra, Montreal Symphony OrchestraWashington National Symphony, Cincinnati Symphony Orchestra, Orchestre de Paris, Bamberg Symphony Orchestra, Hamburg State Opera, Rundfunk-Sinfonieorchester Berlin, Rundfunk Sinfonie Orchester Leipzig, Munich Philharmonic Orchestra, Sydney Symphony Orchestra, BBC Symphony Orchestra, Toronto Symphony Orchestra, Hong Kong Philharmonic, Tokyo Philharmonic and Singapore Symphony Orchestra.

Long Yu was born in 1964 into a family of musicians in Shanghai. Musical education in his early childhood came from his grandfather Ding Shande, a composer of great renown, and he later studied at the Shanghai Conservatory with Professor Xiaotong Huang and then studied at the Hochschule der Künste in Berlin with Prof. Robinstein. Outstanding music talents, excellent educational background and extensive social resources make Long Yu a preeminent conductor. 

Long Yu's career has included both artistic and administrative appointments. In 1992, he was appointed Principal Conductor of the Central Opera Theatre in Beijing, and in the same year, he was involved in the planning of the first Beijing New Year's Concert and served as its conductor for three consecutive years. He also produced operas for The Urban Council of Hong Kong for five successive years. In 1998, he led the creation of the Beijing Music Festival and was its Founding Artistic Director. Under his leadership the Beijing Music Festival is regarded as the largest classical music festival in the eastern hemisphere and one of the world’s most important music festivals. During the past 18 years at this annual autumn festival there have been many splendid concerts given by leading orchestras such as the Berlin Philharmonic and the New York Philharmonic, as well as outstanding productions of the Ring, Der Rosenkavalier, Tannhäuser, La Traviata, Nabucco, Lulu and Lady Macbeth of the Mtsensk District by visiting opera companies including the Deutsche Oper Berlin, the Teatro la Fenice and the Mariinsky Theatre.

In 2000, Long Yu co-founded the China Philharmonic Orchestra and was appointed Artistic Director and Chief Conductor. Now entering his 9th season with the China Philharmonic, he has maintained the high standard of orchestral performance and artistic administration and built the ensemble’s reputation as not only a leading Chinese orchestra but also a world-famous one. In 2003, Long Yu was appointed the Music Director of the Guangzhou Symphony Orchestra and he has been raising the level and fame of the orchestra rapidly. He toured extensively with the China Philharmonic Orchestra, the Guangzhou Symphony Orchestra as well as the Shanghai Symphony Orchestra. In September 2003, under his leadership, the China Philharmonic Orchestra toured Europe, with memorable concerts at the Palais Garnier, Paris, the Teatr Wielki - National Opera Warsaw and the Grosser Saal of the Musikverein, Vienna. In December of the same year he undertook a major European and Egyptian tour with the Guangzhou Symphony Orchestra and Mischa Maisky, giving concerts at Theatre des Champs-Élysées, Paris, Concertgebouw Amsterdam, Luxemburg, Cairo Opera House and Alexander Opera House. From February to April 2005, he led the China Philharmonic Orchestra on an international tour. Within 40 days they appeared in 22 cities throughout North America and Europe. In 2008, for the first time in history, the China Philharmonic Orchestra performed under the baton of maestro Long Yu at the Vatican in the Paul VI Auditorium. The concert was attended by The Holy Father Pope Benedict XVI and marked a giant step in bringing eastern and western cultures closer together. In April 2009 the China Philharmonic Orchestra was selected by the Gramophone, which is widely regarded as the best classical music magazine in the world, as one of "the world's 10 most inspiring orchestras". In November 2009 Long Yu led the Shanghai Symphony Orchestra on a twelve-city North American tour which is a huge success. The tour began with the closing concert of the Ancient Paths, Modern Voices Festival at Carnegie Hall and included concerts in Los Angeles, Toronto and San Diego. A New York Times report from November 9, 2009 gave an introduction to Long Yu's artistic achievement and hailed him as "China's Herbert von Karajan." In March 2010 Long Yu conducted the Shanghai Symphony Orchestra at the 14th Ludwig van Beethoven Easter Festival in Krakow and gave concerts in Warsaw and Lodz. All the performances won high praise from both audiences and critics. In 2011, Long Yu toured extensively with the China Philharmonic Orchestra in 8 cities in west coast of United States. In Chinese spring festival of 2012, Long Yu led the New York Philharmonic in the First Chinese New Year Concert at Avery Fisher Hall of Lincoln Center. 

In July 2014, Long Yu conducted the CPO in the BBC Proms as the first orchestra from China to play in a world class music festival and the concert was highly praised by media and audience.

Maestro Long Yu's reputation has been enhanced by his activities as a widely admired and respected figure in administration of orchestras and festival as well as in international exchanging of musical culture. As a champion of contemporary music Long Yu has been commissioning a number of works from today’s prominent composers such as Krzysztof Penderecki, Philip Glass, Guo Wenjing, Tan Dun, Ye Xiaogang and Unsuk Chin.

Mr. Long Yu's recordings include, on Deutsche Grammophon with the China Philharmonic, Brahms's Piano Quartet in G Minor (orch. Arnold Schoenberg) and Wagner's Tannhäuser Overture, highlights of Chinese symphonic music and Yellow River Concerto with Lang Lang as featured soloist. Recordings on Naxos include Korngold's Violin Concerto and Ding Shande's Long March Symphony. In 2012 Long Yu lead the release of CPO Live a 100-CD box set of the live performances in the past music seasons of China Philharmonic Orchestra, as a milestone of both the development of Chinese symphony orchestras and the recording industry in China. In the summer of 2014 Long Yu conducted the CPO in a symphony film of the Chinese violin concerto The Butterfly Lovers as the first art film of classical music in China. In 2015 Long Yu conducted the CPO in another film The Yellow River.

Long Yu received the 2002 Montblanc Arts Patronage Award from the Montblanc Cultural Foundation, and in 2003 came Le grade de chevalier dans l'ordre des Arts et des Lettres (The Honor of Chevalier of French Art and Culture) from the Government of France. In 2005, Italian President honored Maestro Long Yu L'onorificenza di commendatore.

In November 2010, the Central Conservatory of Music has presented Maestro Long Yu with a certificate of the Honourable Academician from the Central Conservatory at a conference for 70th year anniversary of its founding, in recognition of his great contribution and devoted efforts to the development in classical music in China and cultural exchanges over the past decade. On December 2010, he was awarded People of the Year in Arts Field in China.

In 2013, Long Yu was awarded the national level arts award “China Arts Award”.

In 2014, Long Yu received the France Knight of Legion of Honour.

In 2015, Long Yu was named “Morally and Artistically Excellent Artist” by state authority. He was also awarded “Global Citizen Award” by the Atlantic Council, and the Sanford Medal by Yale University’s College of Music in 2015.

In April, 2016, Long Yu was elected as a Foreign Honorary Member of the American Academy of Arts and Sciences.

In June, 2016, Long Yu received German’s Federal Cross of Merit.

Long Yu is currently Vice-president of Chinese Musicians Association, member of the 11th and 12th the National Committee of the Chinese People's Political Consultative Conference.