交响音乐会

  • 2017年05月27日 星期六 19:30
  • 购票指南中山公园音乐堂

导赏这场音乐会最大的亮点,在我看来是拉威尔的G大调钢琴协奏曲,它的第二章直是我听过的最美的音乐之一,几乎是每次听到都会落泪。法国有一位非常伟大的长笛演奏家叫帕特里克·加洛瓦(Patrick Gallois),他的第一个重奏老师是我的父亲,因此我们两家关系非常近。我记得和他聊天时,他告我曾经拥有一张黑胶唱片录制的拉威尔G大调钢琴协奏曲,那张唱片已经被他听到完全无法播放的程度了,可能至少播放 了几百次。我并没有赶上只能听黑胶唱片的时代,小时候主要听的还是CD,但拉威尔的这首G大调钢琴协奏曲同样是离我最近的音乐之一。(朱力安,大提琴家)


交响音乐会



埃克托·柏辽兹:罗马狂欢节,为乐队所作的序曲,作品9

莫里斯·拉威尔:G大调钢琴协奏曲

中场休息 

塞萨尔·弗兰克:D小调交响曲



钢琴:万捷旎

指挥:帕斯卡·罗菲



钢琴:万捷旎

被德国教育部授予“德国各界百名青少年精英”的旅德青年钢琴演奏家万捷旎,出生于一个知识分子家庭,她从小在德国长大,自幼学习钢琴。2006年考入上海音乐学院附中,师从著名钢琴教育家李民铎教授。自2008年起在中央音乐学院附中学习,师从邵丹教授。15岁以第一名的成绩考入慕尼黑音乐与戏剧大学少年班,16岁被破格录取为钢琴演奏专业学生,师从德国著名钢琴家钢琴泰斗威廉·肯普夫的嫡传弟子Gitti Pirner教授。自2013年起,师从著名芬兰钢琴家Antti Siirala教授。

 万捷旎5岁起即在各类钢琴比赛中屡屡获奖:2001年至2004年连续三届获得德国斯坦威青少年钢琴比赛一等奖;2007年获得第七届慕尼黑青少年国际钢琴大赛第一名及观众奖;同年荣获2007年度上海艺术专业优秀学生奖;2010年获第三届“卡瓦依”杯亚洲钢琴大赛双钢琴组第一名;2011年6月以满分成绩荣获第48届全德青少年钢琴大赛第一名。由于其全面的音乐修养及杰出的学业成绩,2011年万捷旎被德国教育部授予“德国各界百名青少年精英”。2014年3月,她再获得德国新星“Young Stars”钢琴大赛第一名。近年来,万捷旎作为独奏家多次与国内及国外著名乐团合作,先后在维也纳音乐厅、萨尔茨堡音乐厅、慕尼黑皇宫音乐厅Herkulessaal、北京国家大剧院、上海音乐厅、上海交响乐团音乐厅、深圳音乐厅、广州大剧院等地举办钢琴独奏及协奏曲音乐会。2014年被邀请与著名指挥家谭丽华执棒的北京交响乐团合作在全国巡演8场,同月与湖南交响乐团合作多场协奏曲音乐会、与慕尼黑新爱乐乐团及指挥家福尔德·伊布拉西莫合作在中德两国举行7场巡演;2015年再度被邀请与慕尼黑新爱乐乐团在中德两国巡演;2016年1月受邀与著名钢琴家及指挥家许忠及意大利佛罗伦萨五月歌剧院室内乐团合作,该乐团与世界著名指挥大师祖宾梅塔合作20年之久; 6月与深圳大剧院交响乐团、江苏省交响乐团合作;9月受邀在以色列与著名指挥家许忠及以色列海法交响乐团合作;10月与世界著名指挥大师克里斯托弗·艾森巴赫及世界首席乐团于上海及杭州举行世界首席乐团中国首演,合作莫扎特第九钢琴协奏曲,音乐会获得极大成功。


指挥:帕斯卡·罗菲

帕斯卡·罗菲是富有创新精神与热情的音乐家,也是法国最著名的指挥家之一。他从2014-2015音乐季起担任法国卢瓦尔大区国家管弦乐团音乐总监至今。

尽管罗菲以20演奏世纪音乐曲目最为著名,并受邀与欧洲所有重要的致力于当代音乐的团体定期合作,但他也同样拥有演绎18-19世纪伟大的交响乐作品的良好声誉。这种平衡性与他在影响他开启指挥生涯的三部“催化剂”作品完美吻合,这三部作品是斯特拉文斯基的《春之祭》、皮埃尔·布列兹的《无主之锤》与贝多芬的第九交响曲。

在结束了在巴黎国立高等音乐学院的学习并获得1988年贝桑松国际指挥大赛第二名之后,罗菲从1992年起开始与皮埃尔·布列兹以及跨现代合奏团紧密合作,此外他也通过与后者与指挥家大卫·罗伯森一起工作。

罗菲曾与法国以及全世界的许多主流交响乐团合作,其中包括了法国的多支广播乐团、病倒交响乐团、英国爱乐管弦乐团、BBC交响乐团、BBC威尔士国家管弦乐团、爱尔兰广播电视国家交响乐团、跨当代合奏团、瑞士罗曼德管弦乐团、都灵RAI国家交响乐团、挪威广播交响乐团、NHK交响乐团、蒙特卡罗爱乐乐团、弗莱堡与巴登巴登西南德广播交响乐团以及洛桑室内乐团等。帕斯卡·罗菲还曾担任列日皇家爱乐乐团音乐总监,任期至2009年6月结束。

帕斯卡·罗菲为昂热-南特歌剧院指挥2016-2017演出季的开幕,曲目是《罗恩格林》的音乐会版。此后他重返NFM华沙爱乐乐团、首尔爱乐乐团、英国爱乐管弦乐团与瑞士罗曼德管弦乐团。他还在亚洲迎来了与台湾爱乐乐团、中国爱乐乐团、广州交响乐团与兵库县表演艺术中心管弦乐团的首演。

帕斯卡·罗菲致力于推广歌剧剧目,他认为歌剧剧目就像当代音乐,应该如同主流曲目一样容易被观众接受。他坚持每个音乐季里至少上演两部歌剧制作,在过去的一个音乐季里他与格林德本巡演歌剧院上演了《佩利亚斯与梅利桑德》,与罗马歌剧院上演了《泰伊斯》,与布达佩斯春季音乐节上演了《漂泊的荷兰人》与《圣衣会修女对话录》。在当代歌剧剧目里,他曾经在日内瓦大剧院上演米歇尔·雅雷尔的《伽利略》,在夏特莱剧院上演艾哈迈德·埃希亚德的《埃洛伊西与阿贝拉》,在音乐城歌剧院上演米歇尔·热维迪的《美狄亚》等。2011年他在巴黎国家歌剧院首演了布鲁诺·曼托瓦尼最新的歌剧《阿克玛托娃》并大获好评。2013年他与卢森堡爱乐乐团及安娜·卡特里娜·安东纳齐合作,在巴黎与卢森堡上演了普朗克的《人类之声》与沃尔夫·费拉里的《苏珊娜的秘密》。

与他录制过唱片的乐团包括了多支法国广播乐团、BBC交响乐团、BBC威尔士国家管弦乐团、瑞士罗曼德管弦乐团、列日皇家爱乐乐团、都灵RAI国家交响乐团等。帕斯卡·罗菲曾荣获许多音乐大奖,并在音乐评论界广受好评。

2016年,为纪念杜迪耶诞辰100周年,罗菲为BIS唱片公司录制了全新的杜迪耶作品专辑。

本场音乐会是罗菲第一次与中国爱乐乐团合作。



Hector Berlioz         Le carnaval romain, ouverture pour orchestre, Op. 9

Maurice Ravel         Piano Concerto in G major 

Intermission 

César Franck     Symphony in D minor



Wan Jieni, piano

Pascal Rophé, conductor


Wan Jieni, piano

Jieni Wan was born in Germany on February 6, 1995. At the age of four, she received her first piano lessons and moved with her parents to China three years later. At age eleven, she was admitted to the Academy of Music in Shanghai and began her professional training in piano under the guidance of the famous Chinese professor Li Minduo. Two years later, she continued her studies at the Middle School of the Central Conservatory in Beijing. In June 2010, Jieni passed the entrance exam at the University of Music and Performing Arts in Munich with excellent marks and has been intensifying her piano studies under Professor Gitti Pirner, before joining Professor Antti Siirala’s class in October 2013.

Over the years, Jieni has received many prizes: she obtained her first award at the age of five in Ingolstadt, Germany, and won the first prize at Munich’s youth and children’s competition at Steinwayhaus in the following year. She also won several first prizes at Jugend Musiziert (Germany’s most prestigious music competition for youths) and at the 7th Munich International Piano Panel in 2007. In the same year she received an award for special achievement in art and music in Shanghai, as well as second prize at the international music and art competition for young people in the piano category. In 2008, she received first prize at the national Golden Sunflower Cup in the category Piano, followed by the award for best student majoring in piano at the Beijing Central Conservatory in 2009. In July 2010 she won first prize at the Third Kawai Asia Piano Competition and obtained the first prize at the national competition Jugend Musiziert in June 2011!


Pascal Rophé, conductor

An innovative and passionate musician, Pascal Rophé is one of France’s most sought after conductors. He is currently Music Director of the Orchestre National des Pays de la Loire, a position he has held since the 2014-15 season.

Although known as one of the foremost exponents of the 20th century repertoire and invited regularly by all the major European ensembles dedicated to contemporary music, Pascal Rophé has also built up an enviable reputation for his interpretations of the great symphonic repertoire of the 18th and 19th centuries. This balance is in perfect coherence with the shock he received on discovering the three scores that acted as the catalyst to his conducting career: the Rite of Spring by Stravinsky, Le Marteau sans maître by Pierre Boulez and the Ninth Symphony by Beethoven. 

From 1992, after studying at the Conservatoire National Superieur de Musique de Paris and winning second prize at the 1988 Besançon International Competition, he collaborated closely with Pierre Boulez and the Ensemble intercontemporain, where he also worked extensively with David Robertson.

In France and abroad, Pascal Rophé works with many major orchestras including the orchestras of Radio France, Iceland Symphony, Philharmonia, BBC Symphony Orchestra, BBC National Orchestra of Wales, RTE National Symphony, Ensemble intercontemporain, Orchestre de la Suisse Romande, RAI Torino, Norwegian Radio Symphony Orchestra, NHK Symphony Orchestra, Monte-Carlo Philharmonic Orchestra, SWR Sinfonieorcester Freiburg/Baden-Baden and Laussanne Chamber Orchestra. Pascal also served for three years as Music Director of the Liège Royal Philharmonic Orchestra until June 2009.

Pascal opens the 2016/17 season of the Angers-Nantes Opera with a concert version of Lohengrin; after which he returns to NFM Wroclaw Philharmonic, the Seoul Philharmonic and Philharmonia orchestras, as well as Orchestre de la Suisse Romande. In Asia, he makes his debuts with the Taiwan Philharmonic, China Philharmonic, Guangzhou Symphony orchestras and the orchestra of Hyogo Performing Arts Centre.

Pascal Rophé is committed to the operatic repertoire which he considers, like contemporary music, should be as accessible to audiences as the more mainstream repertoire. He devotes himself, on average, to two operatic productions per season (Pélléas et Mélisande with Glyndebourne Touring Opera, Thaïs for Opera di Roma, both Der fliegende Holländer and Dialogue des Carmélites at the Budapest Spring Festival). Among the contemporary operas he has championed are Michael Jarrell’s Galilée for Geneva’s Grand Théâtre, Ahmed Essyad’s Héloïse et Abélard for the Châtelet, Michèle Reverdy’s Medée for Opéra de Lyon, and most recently, Bruno Mantovani’s L'Autre Côté for the Cité de la Musique. In April 2011 he premiered Akhmatova, the latest opera by Bruno Mantovani at the Opera national de Paris to great acclaim. In spring 2013 he conducted Anna Caterina Antonacci and the Luxemburg Philharmonic Orchestra in La Voix Humaine by Poulenc and the Secret de Suzanne by Wolf-Ferrari in Paris and Luxemburg.

For his extensive discography of recordings made with the orchestras of Radio France, BBC Symphony, BBC National Orchestra of Wales, Orchestre de la Suisse Romande, Liège Royal Philharmonic Orchestra, Orchestra Sinfonica Nazionale della RAI Torino etc Pascal Rophé has received numerous awards and been unanimously praised by the music press.

A new recording of works by Dutilleux has been released on BIS in 2016 to celebrate centenary of the birth of Dutilleux.

This concert features his debut with the China Philharmonic Orchestra.