交响音乐会

  • 2017年05月06日 星期六 19:30
  • 购票指南中山公园音乐堂

导赏海顿的嘹亮、悦耳、可爱、提神的降E大调小号协奏曲,永远不会失去其新颖的吸引力。但这首脍炙人口的杰作,在音乐会上听到的机会并不太多,因为小号协奏曲中的这首经典之作,正如胡梅尔那首与之分庭抗礼的名作一样,需要小号演奏家有精湛的技巧、优美的音色和极佳的控制,方能臻于曲尽其妙之境,曾荣获祖宾·梅塔奖学金于维也纳国立音乐表演艺术大学深造的陈光,享有中国水平最高的小号演奏家之一的美誉,他作为中国多个乐团的特邀首席小号而为音乐会听众所熟悉。德沃夏克的第六交响曲,即使对于很多资深古典音乐爱好者,也并不是熟悉的曲目。1880年,当德沃夏克将他刚写完的第六交响曲在钢琴上弹奏给汉斯·里希特听时,这位指挥家在每个乐章之后都情不自禁的与德沃夏克拥抱。我们从这部交响曲中会不时听到德沃夏克后来那些更知名的作品如第九《自新世界》交响曲中熟悉旋律的先声,而作品本身也已经相当出色。如第二乐章被英国音乐家唐纳德·托维称认为“具有一种完美的艺术品质”。德沃夏克第六交响曲与中国爱乐乐团结缘于2004年,那一年,中国爱乐乐团举行了纪念德沃夏克逝世百周年系列音乐会,3月12日,张国勇指挥乐团演奏了《奥赛罗》序曲,G小调钢琴协奏曲和D大调第六交响曲。(王纪宴,学者,中国艺术研究院)



交响音乐会



安东宁·德沃夏克:狂欢节序曲,作品92

约瑟夫·海顿:降E大调小号协奏曲,作品Hob.: VIIe/1

中场休息 

安东宁·德沃夏克:D大调第六交响曲,作品60



小号:陈光

指挥:杨洋


小号:陈光

陈光,中央音乐学院管弦系小号教授,乐队学院行政总监,中国爱乐乐团、中国国家交响乐团客座小号首席。自幼学习小号专业,1997以优异成绩考入中央音乐学院,师从冀瑞铠教授。1999年获组宾.梅塔奖学金,前往奥地利维也纳继续深造。在维也纳期间,师从维也纳爱乐乐团首席小号Josef  Pomberger教授、和Adolf  Holler教授。并多次与维也纳国家歌剧院、维也纳室内乐团以及维也纳施特劳斯乐团合作演出。2005年6月,以优异的专业成绩毕业于奥地利维也纳国立音乐与表演艺术大学。回国后,曾在中国爱乐乐团、中央芭蕾舞团、上海、深圳、广州、杭州爱乐等各大交响乐团担任客座首席小号。2006年2月起,任教于中央音乐学院。从2008年至2012年,作为首席小号应邀参加由著名指挥家郑明勋执棒的亚洲爱乐交响乐团演出。2010年应邀参加Worldwide Chinese Festival Orchestra新年音乐会、并担任首席小号。2011-2013年应马来西亚交响乐团邀请参加演出并担任首席小号。2012年至2014年应邀参加新加坡交响乐团演出季及录音、担任首席小号。.2013至2014年,应邀参加由中央电视台主办的中国十大管乐及十大小号节目。多年来,曾在国内多所艺术院校进行讲学,受到业内人士一致好评。被誉为中国最有才华的小号演奏家之一。


指挥:杨洋

杨洋生于音乐世家,自幼学习钢琴,师从钢琴教育家李其芳教授。后随徐新、吴玲芬教授学习指挥,并以优异成绩考入中央音乐学院指挥系,师从著名指挥家俞峰教授。

2006年11月,在希腊举行的迪米特里·米特罗普洛斯国际指挥大赛中,杨洋以出色的表现和无可争议的优势一举夺得第一名,成为在这项顶级国际大赛中首位获此殊荣的中国指挥。

作为中国最活跃的指挥家之一,杨洋与国内所有主流乐团及歌剧院均保持着密切的合作关系。同时在包括德国德意志交响乐团、科隆爱乐乐团、斯图加特爱乐乐团、莱茵国立爱乐乐团、新布兰登堡爱乐乐团;意大利罗马交响乐团、维罗纳歌剧院、都灵皇家歌剧院;法国嘎纳交响乐团、波尔多交响乐团;西班牙瓦伦西亚交响乐团;希腊交响乐团、雅典室内乐团;韩国仁川爱乐乐团等在内的国外众多乐团也成功的留下了他的足迹。世界著名大提琴家林·哈雷尔、阿尔本·格哈德、王健、娜塔莉娅·古特曼;小提琴家马克西姆·文格洛夫、吉东·克雷默、宓多里、莎拉·张、奥古斯汀·杜梅、雷纳德·卡皮松、林昭亮;钢琴家加里·格拉夫曼、朗朗、巴瑞·道格拉斯、让·伊夫·蒂博戴、大卫·弗雷、白建宇、木村峻·帕克;女高音曹秀美;单簧管演奏家萨宾娜·迈耶、温泽尔·福克斯;圆号演奏家拉多万·弗拉科维奇、斯蒂凡·多尔等都与他有过精诚的合作。

由于指挥大师余隆的慧眼独具,杨洋于1998年第一届北京国际音乐节上成功的开始了他的职业指挥生涯,并连续八届在北京国际音乐节上执棒歌剧与音乐会。2000年-2005年任中国爱乐乐团助理指挥。2006年赴韩国参加由指挥大师郑明勋主持的大师班。2009年,他参与并主持组建了杭州爱乐乐团。

自2009年至今,杨洋已率领杭州爱乐乐团出色的完成了七个音乐季演出,并成功的在德国麦克伦伯格音乐节、石荷州音乐节、意大利拉维罗音乐节、艾美利亚音乐节、陶尔米纳音乐节、斯洛伐克卢布尔雅那音乐节等欧洲著名音乐节登台亮相,并远赴俄罗斯及爱沙尼亚巡演,赢得了欧洲观众的喝彩及国内外业界的高度评价与关注。

作为曲目广泛的交响乐指挥,杨洋无疑是当代中国最出色的指挥家之一。近年来他也频频涉猎歌剧领域,普契尼《艺术家的生涯》、《蝴蝶夫人》;威尔第《茶花女》;比才《卡门》;马斯卡尼《乡村骑士》;列昂卡瓦洛《丑角》;郭文景《夜宴》《狂人日记》等中外歌剧的成功演绎更彰显出他在歌剧方面的过人才华。这其中尤以2014年8月他执棒杭州爱乐乐团与意大利歌唱家在西西里联合演出的《乡村骑士》和《丑角》最为引人注目。

杨洋现任中央歌剧院音乐总监、首席指挥;杭州爱乐乐团艺术总监、首席指挥。



Antonín Dvořák         Carnival Overture, Op. 92

Joseph Haydn Trumpet Concerto in E-flat major, Hob.: VIIe/1

Intermission

Antonín Dvořák         Symphony No.6 in D major, Op. 60


Chen Guang, trumpet

Yang Yang, conductor


Chen Guang, trumpet

Chen Guang is professor of Department of Orchestral Instruments at China’s Central Conservatory of Music, Executive Director of EOS Orchestra Academy of CCOM, guest principle of the China Philharmonic Orchestra and China National Symphony Orchestra. He started to learn trumpet playing from childhood. In 1997, he was admitted to the Central Conservatory of Music, being one of the students of Professor Ji Ruikai. In 1999, he obtained a Zubin Mehta scholarship and began his study in Vienna. During this time, he was under the guidance of Professor Adolf Holler and Professor Josef Pomberger, who is principle trumpeter of Vienna Philharmonic Orchestra. Mr. Chen has collaborated many times with Wiener Staatsoper. Vienna Chamber Orchestra and Original Strauss Capelle Wien. Following his graduation with extinction from Vienna’s University of Music and Performing Arts, he returned to his homeland and has appeared as guest principle with the China Philharmonic Orchestra, China Ballet Theatre as well as other orchestras from Shanghai, Shenzhen, Guangzhou and Hangzhou Philharmonic Orchestra. His teaching tenure with the Central Conservatory started from February, 2006. He also served as guest principle at Myung-whun Chung’s Asian Philharmonic Orchestra from 2008 to 2012, as well as the principle at Worldwide Chinese Festival Orchestra for the 2010 New Year’s Concert. He served as the Malaysian Symphony Orchestra’s principle trumpeter from 2011 to 2013 and guested with the Singapore Symphony Orchestra from 2012 to 2014, appearing in the season performances as well as recordings. In year 2013 and 2014, he was nominated by China Central Television as China’s Top 10 Wind Instrumentalist and Top 10 Trumpeter. His teaching in many of China’s artistic institutions is highly regarded and is widely recognized as the one of the most promising trumpeter of China. This concert features his debut as soloist in the Seasons of the China Philharmonic Orchestra.


Yang Yang, conductor

Yang Yang, born in a musical family, learned piano with Prof. Li Qifang. Later, he learned conducting respectively with Prof. Xu Xin and Prof. Wu Lingfen, and then was admitted to the Conducting Department of Central Conservatory of Music, being one of the students of Prof. Yu Feng.

In November 2006, Yang won the first place for his outstanding performance at the Dimitris Mitropoulos International Competition for Orchestral Conducting in Greece. It’s the first time for the Chinese conductors to have such honor.

As one of the most active young conductors in China, Yang has maintained close partnership with all mainstream orchestras and opera houses domestically. Meanwhile, he has successfully left tracks at a host of foreign orchestras such as Deutsches Symphonie Orchester Berlin, German Philharmonic Orchestra of Cologne, Stuttgarter Philharmoniker, National Rhine Philharmonic Orchestra, New Brandenburg Philharmonic Orchestra, Italian Rome Philharmonic Orchestra, Verona Opera House, French Cannes Symphony Orchestra, Bordeaux Symphony Orchestra, Valencia Orchestra of Spain, Greek Symphony Orchestra, Athenian Chamber Orchestra and Korean Incheon Philharmonic, etc. He had sincere cooperation with world famous musicians such as cellist Lynn Harrell, Alban Gerhard, Wang Jian, Natalia Gutman, violinist Maxim Vengerov, Gidon Kremer, Midori, Sarah Chang, Augustin Dumay, Lenard Karpison, Cho-Liang Lin, pianist Gary Graffman, Lang Lang, Barry Douglas, Jean-Yves Thibaudet, David Fray, Kun-Woo Paik, Jon Kimura Parker, soprano Sumi Jo, clarinetist Sabine Meyer, Wenzel Fuchs, French horn player Radovan Vlatkovic, Stefan Dohr, etc.

Recommended by maestro Yu Long,Yang started his conducting career in the year of 1998, at the First Beijing International Music Festival (BMF). Since then, he conducted operas and concerts at BMF eight years consecutively. From 2000 to 2005, Yang Yang held the position as the Assistant Conductor of China Philharmonic Orchestra (CPO). In 2006, Yang Yang attended an advanced training course hosted by maestro Myung-whun Chung in Korea. In 2009, he has presided over the founding of Hangzhou Philharmonic Orchestra (HPO).

In seven years, Yang and HPO have successfully performed at leading festivals including Mecklenburg-Vorpommern Festival, Schleswig-Holstein Musik Festival, Ravello Festival, Emilia Romagna Festival, Taormina Festival, Ljubljana Festival. He also toured with HPO extensively in Russia and Estonia winning great applause and high critical acclaim at home and abroad.

With a wealth of experience, Yang is undoubtedly one of today’s most outstanding conductors in China. In recent years, he has broadly dabbled in opera conducting and successfully demonstrated many of the great operas, such as La Boheme of G. Puccini, La Traviata of G. Verdi, Carmen of Bizet, Cavalleria Rusticana of P. Mascagni, Pagliacci of Leoncavallo, Night Banquet, Wolf Cub Village of Guo Wenjing, etc, among which Cavalleria Rusticana and Pagliacci were cooperatively performed by HPO and Italian singers in Sicily, Italy in August 2014 and drew broad attention internationally.

Yang Yang is now acting as Music Director and Chief Conductor of China National Opera House, and Artistic Director and Chief Conductor of Hangzhou Philharmonic Orchestra.