交响音乐会

  • 2016年05月21日 星期六 19:30
  • 购票指南 北京音乐厅

导赏这几年的数场高质量音乐会,让名扬海内外的女指挥家张弦的每一场音乐会都值得期待。在这场音乐会中,张弦将与中国爱乐合作一场具有洛可可情调的音乐会,音乐会中将上演两部莫扎特的重要作品,一部是小提琴与中提琴的交响协奏曲,另一部是莫扎特的第三十九交响曲。莫扎特的小提琴中提琴交响协奏曲是他在这一领域数次尝试后硕果仅存的一部精品,是他协奏性作品中的巅峰之作,这次担任独奏的是小提琴家高参与中提琴家张建立,相信他们能与张弦一起为大家呈现这部作品的独特魅力,下半场的莫扎特第三十九交响曲是莫扎特最后三首交响曲中最具古典美的一首,也是音乐会演出时最考验指挥家与乐团的一首,我们期待善于把控细腻作品的张弦老师与中国爱乐的音乐家们一同为我们上演一场精致典雅的洛可可音乐圣餐。 (柯辉,中国瓦格纳协会秘书长,著名乐评人)



交响音乐会


焦阿基诺·罗西尼:《威廉·退尔》序曲

沃尔夫冈·阿玛迪乌斯·莫扎特:为小提琴、中提琴与乐队所作的降E大调交响协奏曲,作品K.364

中场休息 

沃尔夫冈·阿玛迪乌斯·莫扎特:降E大调第39交响曲,作品K.543



小提琴:高参

中提琴:张建立

指挥:张弦


小提琴:高参

高参是一位蜚声国际的小提琴演奏家,在2010最富盛名的瑞士维尔比耶音乐节上,高参与大提琴大师米沙·麦斯基,中提琴大师尤里·巴什梅特共同演奏了理查·施特劳斯的交响诗《堂吉诃德》,由指挥大师夏尔·迪图瓦执棒,这场由古典音乐传媒巨头Medici.tv向全欧洲现场直播的音乐会,让世界音乐界开始认识到这位来自中国、并越来越活跃在国际主流音乐舞台上的青年小提琴家。

2015年3月,他应邀在博鳌亚洲论坛闭幕式上为国家领导人和17国元首、以及上千名中外政商领袖嘉宾演出,使用了1727年制作的“杜庞将军•格律米欧”斯特拉蒂瓦里名琴。这把天价名琴是中国企业家收藏的第一把大陆的斯特拉蒂瓦里,也是唯一被美国宇航局记录声音在太空播放的小提琴

2014年,高参被任命为维尔比耶音乐节Verbier Festival (VFO)大使,成为这一顶级音乐节唯一的中国籍官方大使。同年他被中国音乐家协会小提琴学会增补为新任理事。作为当代中国青年音乐家的杰出代表,2015年初,他获选中国邮政“印象中国”系列,国家邮政为他出版了一套“中国文化名家”个人集邮套及明信片。中国录音艺术与唱片学会(CRA)同时全国发行了他的最新发烧唱片《高参小提琴实况录音辑》。

高参每年在全球展开超过35场的独奏音乐会,他的大气和高雅的艺术风格时常给听过他音乐会的观众留下难以磨灭的记忆。著名乐评人Rosalinda L.Orosa女士于今年三月在Philstar网站撰文称:“在最近的记忆中,我不记得任何其他的小提琴家,可以与这位中国小提琴家高超精湛且具征服性的技艺所匹配....他精力充沛,气势雄浑的演出,营造出闪闪发光,波光粼粼的音响,他演奏的绚丽片段更是充满无与伦比的强度、激情,和火花,他似乎本身就是燃烧着的热情。”

高参已经与美国休斯敦交响乐团、意大利圣·卡洛大歌剧院交响乐、南非约翰内斯堡爱乐乐团、中国国家交响乐团等众多国际国内主流乐团合作演出。令人兴奋的是,这位杰出的青年演奏家已经在当今世界几乎所有一流的音乐节演出,包括德国波恩贝多芬音乐节、奥地利萨尔斯堡音乐节、韩国铜咏国际音乐节、奥地利阿特劳国际音乐节、西班牙GETXO国际音乐节、澳门国际音乐节等。不仅如此,他已经在纽约林肯中心艾弗.费舍大厅、柏林歌剧院音乐厅、萨尔斯堡莫扎特音乐大厅、洛杉矶迪斯尼音乐厅、瑞典皇家音乐厅、法国里昂歌剧院、芝加哥交响乐中心大厅、瑞士琉森KKL音乐厅、名古屋市政大厅、香港文化中心、意大利博洛尼亚音乐节大厅、瑞士伯尔尼音乐厅、英国肖伯纳大厅等众多世界级音乐殿堂留下了自己的声音和身影。在中国,他已与几乎所有主流的交响乐团及重要指挥家合作演出,得到了如郑小瑛、黄晓彤、胡永言、邵恩等泰斗级指挥的肯定。

高参的老师包括中国已故小提琴教育泰斗林耀基教授,美国著名小提琴家、辛辛那提大学音乐学院弦乐系主任、美国斯塔林基金会主席科尔特·萨斯曼斯豪斯教授,以及当代最负盛名的小提琴大师、教育家扎克哈尔·布朗教授。从他获得的奖项包括美国艾玛·霍格国际青年艺术家大赛小提琴最高奖、意大利第十五届那不勒斯国际小提琴大赛银奖;2007新西兰麦克·西尔国际小提琴比赛特别认可奖,以及中国第八届全国小提琴比赛“文华奖”金奖。2009年,他成为文化部外联局“东方新快车”对外特别推荐青年艺术家。

值得一提的是,高参不但是一位成功的音乐会小提琴家,同时也是艺术学术领域的杰出拓展者;他是中央音乐学院大学部最年轻的副教授,并在2007-2012年担任美国辛辛那提大学音乐学院客席教授(Exchange Faculty),是该院有史以来最年轻的中国籍客座教员,并创下了过去十年来,唯一一位中国小提琴家同时在中美两国顶级音乐学府任教的纪录。在频繁演出的同时,他的讲学邀请接踵而至。他在如国家大剧院、美国北科罗拉多大学音乐学院、香港中文大学、香港教育学院、澳门大学、广州星海音乐学院、美国森特维利艺术中心、山西大学音乐学院、台北市立大学等高等教育机构做个人大师班、workshop以及专题讲座。他同时是国家大剧院的“常客”,从成立至今,高参已经在那里做了不下50场音乐会和讲座。

他现在所使用的小提琴,是由美国芝加哥本·富仕琴行——“斯特拉迪瓦里名琴协会”(Bein&Fushi-Stradivary Society)特别赞助的1617年阿玛蒂小提琴(1617"Lobkowicz"Amati);这把珍贵的小提琴由于其背板完整保留了欧洲罗伯克维兹亲王家族的原始火漆而闻名,在近四百年间被琴界称为“梦幻之琴”。斯特拉迪瓦里协会仅将珍贵的名琴授予全球少量的杰出演奏家们使用,包括年轻时的马友友、帕尔曼、穆特、沙汉姆和文格罗夫等最杰出演奏家,以表彰他们为国际古典音乐事业所作的贡献。高参是2011斯特拉迪瓦里协会唯一的授予者,并以“斯特拉迪瓦里协会环球艺术家”身份这一荣誉,在全球展开巡演及各类音乐会。


中提琴:张建立

张建立,中提琴演奏员,国家一级演员。

张建立生于北京,10岁开始学习小提琴,1974年考入中央音乐学院,师从吴玉申老师学习中提琴,1982年以优异成绩毕业,同年考入中央乐团工作,任中提琴演奏员。1996年考入中国交响乐团。2000年考入中国爱乐乐团,担任中提琴演奏员。

 

指挥:张弦

著名指挥家张弦女士,被英国《卫报》评论为“在乐池里充满强大的艺术感染力”,自2009年9月起,她担任意大利米兰威尔弟交响乐团的首位女性音乐总监。2013年9月她带领乐团首次在著名的BBC夏季逍遥音乐会中登台,以一套威尔第歌剧中的咏叹调(由约瑟夫∙卡列加担任独唱)和柴科夫斯基的《曼弗雷德交响曲》,完美亮相,征服国际观众。2015年米兰世博会上,张弦更将偕同她的乐团成为世博会文化庆祝的主角。2014年6月《泰晤士报》评价张弦“五星级的音乐演绎,华人指挥家张弦是指挥界冉冉升起的耀眼之星。”

2015年春季,张弦将回到阔别已久的祖国,与中国爱乐乐团、广州交响乐团、上海交响乐团、香港管弦乐团以及国家大剧院管弦乐团合作,开启亚洲巡演之行。其中,她与上海交响乐团和国家大剧院管弦乐团都将是历史上的首次合作,这趟具有里程碑式意义的回归之旅,备受各方瞩目。

作为一名成功的指挥家,张弦始终在国际上不遗余力地推广中国作曲家谱写的作品。2008年5月,她携朱莉亚音乐学院管弦乐团完成了上海、北京和苏州三地共六场演出,曲目包括著名作曲家陈怡的作品《歌墟》。在其执棒纽约爱乐乐团时,曾演出黄若的作品《交响民谣》,她还将与BBC威尔士国家管弦乐团合作,演奏著名驻法中国作曲家陈其钢的作品《蝶恋花》,以及与洛杉矶爱乐乐团合作演奏谭盾的协奏曲《复活》。2015年4月,她将与香港管弦乐团的合作,奏响陈其钢新作《乱弹》之世界首演。

作为众多顶级欧洲乐团的客席指挥,张弦的身影时常出现在伦敦交响乐团、皇家音乐厅管弦乐团等舞台上。她接下来的合作邀约包括鹿特丹爱乐乐团、荷兰广播爱乐乐团、BBC威尔士国家管弦乐团、哥德堡交响乐团以及欧盟青年交响乐团等。2015年8月她将领携欧盟青年交响乐团站上欧洲各大音乐节的舞台。自2011年起,张弦同时担任荷兰管弦乐与室内乐学院乐团的艺术总监。张弦古典音乐的影响力横跨欧洲与北美大陆,美国更是她频繁的演出舞台。2015年她将与新泽西交响乐团、洛杉矶爱乐乐团,以及渥太华国家艺术中心管弦乐团合作。

英国《卫报》曾赞誉张弦为“全心全意的威尔第守护者”。在威尔第诞辰二百周年之际,她以一部《命运之力》(弗朗切斯卡∙赞贝罗执导)打开了华盛顿国家歌剧院演出季的大幕;而在演出季闭幕之时,又凭借分别在卡迪夫和萨翁林纳歌剧节上首次执棒威尔士国家剧院的《纳布科》收获巨大成功。2014年秋,张弦以普罗科菲耶夫之《罗密欧与朱丽叶》完成了与斯卡拉歌剧院历史性的首次合作。2015年秋,她将在英国国家歌剧院上演回归之作,并于2016年1月与挪威歌剧院首次合作演出,令人期待万分。

张弦出生于辽宁丹东。年仅20岁时,她成功执棒中央歌剧院《费加罗的婚礼》的演出,从此开启她指挥的职业生涯。她毕业于中央音乐学院,先后获得学士与硕士学位,并曾留校执教指挥专业。2002年,她从全世界362位高水平选手中脱颖而出,一举摘得马泽尔·维拉尔国际指挥大赛的头奖,并随即获任命为纽约爱乐乐团助理指挥,此后更晋升为乐团副指挥,并成为乐团首位“托斯卡尼尼奖”荣誉和奖金获得者。

张弦不仅是历史上首位被任命为一支意大利交响乐团音乐总监的女性,同时,在德累斯顿国家歌剧院管弦乐团超过400年的历史中,她更是首位登上其主厅的女性指挥家。

目前,张弦与先生和她的两个孩子居住于意大利米兰。

此前张弦曾数次在音乐季中指挥中国爱乐乐团,音乐会中精彩的表现给观众留下了深刻印象。


 

Gioacchino Rossini  Overture to Guillaume Tell

Wolfgang Amadeus Mozart   Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K.364

Intermission

Wolfgang Amadeus Mozart     Symphony No.39 in E-flat major, K.543


Gao Can, violin

Zhang Jianli, viola

Xian Zhang, conductor


Zhang Jianli,viola

Zhang, Jianli, Violist, State First-Class Artist

He was born in Beijing and began to study viola when he was 10 years old. In 1974, Zhang jianli admitted in Central Conservatory of Music, studying viola with Professor Wu Yushen. He had worked as a violist in Central Philharmonic after graduation with distinction in 1982. He joined in China National Symphony Orchestra in 1996. After that, he has being worked for China Philharmonic Orchestra since 2000.


Gao Can, violin

Widely recognized as one of the most talented violinists of hisgeneration, Mr.GAOCan enjoys an international career, appearing with major orchestras and at prestigious venues and festivals throughout the world.

In March 2015, Mr.Gao was invited to the closing ceremony at the Boao Forum for Asia(BFA) to perform in front of 17 national leaders and thousands of political and business leaders from all over the world. On that occasion, he played with the 1727 Stradivarius violin ex-General Dupont, the first Stradivarius violin collected by Mainland Chinese entre preneur and the only violin to be broadcasted in spaceby the NASA.

In2014, Mr.Gao was appointed the ambassador of the renowned Verbier Festival(VFO) and has become the only official ambassador of Chinese nationality. In the same year he waselected the new committee member of the Violin Society of the Chinese MusiciansAssociation. As one of the very symbolof Chinese young musicians, he was includedin the"Impression China"series of the China Post, which published a set of personal stamp and postcards entitled “Chinese Cultural Artists”inearly 2015.

China Recording ArtsAssociation(CRA) has recently released his latest album“Collection of Live Recordings of Gao Can”inrecognition of his accomplishment.

He has collaborated with such masters as cellist Mischa Maisky, violist Yuri Bashmet, and conductor Charles Dutoit, to name a few. Orchestral appearances in clude the Houston Symphony Orchestra, Teatrodi San Carlo Orchestra, Johannesburg Philharmonic Orchestra, and China National Symphony Orchestra. He has also performed at not able music festivals such as the Verbier Music Festival, where heserved as the concert master of the world-class Verbier Festival Orchestra, as well as Germany’s Beethoven Festival,  the Salzburg Festival, Atter see Festival, Korea Tong yeong International Festival, Spain’s Festival Internacional de Jazz de Getxo, and Macao International Music Festival. His concert engagements include solo,chamber and concertmaster performing at such prestigious venues as New York’s Lincoln Center, the Berlin OperaHouse, Sweden’s Royal Concert Hall, Walt Disney Concert Hallin LosAngeles, the Lyon Opera House, Chicago’s Symphony Centre,  Lucerne KKL, HongKong Cultural Center,Teatro Comunaledi Bologna, and soon.

Mr.Gao hold sover 35violin concerts annually, touring around five continent sandgaining  international acclaim from both audience and critics.  Eminent music critic Rosalinda L. Orosa once  described Mr.Gao’s performance inPhilstar as follows:“I can’t recallany other violinist,  within  recentmemory, matching the super bmastery of Chinese violinist GaoCan. Hisenergetic, forceful  bowing producing luminous, shimmering tones, he played the pyrotechnic passages with un equalled intensity, passion and fire, his cadenza burning with ardor.”

Mr.Gao has won numerous prizes and awards including the top violin prize of the Ima Hogg Young Artist  Competition, the silver medal in the 15th"AlbertoCurci" Violin International Competition in  Naples, Italy, the Special Recognition Award of the Michael Hill International Violin Competition in New Zealand, and the  gold medal in National Violin Competition of China. Since 2009, hehasserved as the“Oriental Express”Artist by the Chinese Cultural Ministry.

When he’s not performing,  Mr.Gao dedicates his time to mentoring the next generation of violinists  through teaching, lecturing and giving masterclasses. He was the youngest-ever Associate Professorat Beijing’s Central  Conservatory of Music; from 2007 to 2012, he was also the youngest professor granted foreign-guest teaching status on Cincinnati University’s music faculty. This made him the decade’sonly violinist who divided his time between prestigious institutions both in China and the United States. He  has held lectures, seminars and work shops at the University of Northern Colorado,  Chinese University of HongKong, HongKong Institute of Education, and the University of Macau.  At Beijing’s National Center for the Performing Arts alone, he has given ninerecitals and five lectures. Mr.Gao plays the 1617"Lobkowicz"Amati violin sponsored by the Bein&Fushi-Stradivari Society inChicago.


Xian Zhang, conductor

Known for her “dynamic presence in the pit” (The Guardian), Xian Zhang has served as Music Director of Orchestra Sinfonica di Milano Giuseppe Verdi since September 2009. They made their televised BBC Proms debut in September 2013 with a programme of Verdi arias (with Joseph Calleja) and Tchaikovsky’s Manfred Symphony. This season, Zhang and the orchestra will play an important part in EXPO 2015 in Milan.  

In Europe Zhang works at the highest level as a guest conductor, appearing regularly with the London Symphony and Royal Concertgebouw orchestras. Future engagements include the Rotterdam Philharmonic Orchestra, Netherlands Radio Philharmonic Orchestra, BBC National Orchestra of Wales, Gothenburg Symphony Orchestra and European Union Youth Orchestra, with whom she will tour to major European festivals in August 2015. 

Zhang continues to work frequently in North America and her engagements this season include New Jersey Symphony, Los Angeles Philharmonic and Ottawa’s National Arts Centre Orchestra. In her native China, she appears this season with Shanghai Symphony, China Philharmonic and Guangzhou Symphony orchestras.

Described by The Guardian as a “heart-on-sleeve Verdian”, last season Zhang opened the Verdi anniversary season with Francesca Zambello's production of La forza del destino for Washington National Opera and closed the season in a hugely successful debut for Welsh National Opera conducting Nabucco, both in Cardiff and at the Savonlinna Opera Festival. Current and future highlights on the stage include Romeo and Juliet for Teatro alla Scala in autumn 2014, a return to English National Opera in autumn 2015 and her debut with Den Norske Opera in January 2016.

Throughout her career Zhang has championed Chinese composers. In May 2008 she completed a six-concert tour of China with the Orchestra of the Juilliard School during which Chen Yi's Ge Xu was performed in Shanghai, Beijing and Suzhou. She also conducted Huang Ruo’s Fanfare with the New York Philharmonic, will conduct Qigang Chen’s Iris Dévoilée with the BBC National Orchestra of Wales, and Tan Dun's Resurrection Concerto with the Los Angeles Philharmonic as part of their Chinese New Year celebrations.

Since 2011, Zhang has been Artistic Director of the NJO: Dutch Orchestra and Ensemble Academy. Born in Dandong, China, Xian Zhang made her professional debut conducting Le nozze di Figaro at the Central Opera House in Beijing at the age of 20. She trained at Beijing’s Central Conservatory, earning both her Bachelor and Master of Music degrees, and served one year on its conducting faculty before moving to the United States in 1998. She was appointed the New York Philharmonic’s Assistant Conductor in 2002, subsequently becoming their Associate Conductor and first holder of the Arturo Toscanini Chair.

Frequently appearing in the concert seasons of China Philharmonic Orchestra, Zhang’s impressive performance is warmly admired by the orchestra’s audience.